criticismExhibitions
Wednesday, August 9th, 2017
 
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Exuberant joy in the face of anguish; through September 10 ...
Tuesday, July 18th, 2017
 
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For Dumas, the question of extinction also points to violence against African-Americans ...
Tuesday, July 11th, 2017
 
Florine Stettheimer, Self-Portrait with Palette (Painter and Faun), ca. 1915, oil on canvas. Avery Architectural & Fine Arts Library, Columbia University, New York
“Painting as Poetry” on view through September 25 ...
 

Sunday, August 21st, 2016

Teresa Margolles, Irrigación (Irrigation), 2010. Single channel video projection, color, sound, 34:12. Courtesy of the artist and Galerie Peter Kilchmann, Zurich.

Implicated Viewers: Looking at Violence through Contemporary Latin American Art


A show of activist art from across Latin America.

Friday, August 19th, 2016

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Old Gods and New: Sadie Benning at Callicoon and Mary Boone


Twin exhibitions of the transgendered artist’s new work.

Saturday, August 13th, 2016

László Moholy-Nagy, caption details to follow

Light as a New Plastic Medium: László Moholy-Nagy at the Guggenheim


Moholy-Nagy: Future Present on view through September 7

Thursday, August 11th, 2016

William Corwin, Double Doors of the Horizon, 2016. Resin, 14 x 9.5 x 4 inches. Courtesy of Geary Contemporary, New York, 1916

Doors of Perception: William Corwin at Geary Contemporary


His exhibition, titled “Champollion”, closes this week

Friday, July 29th, 2016

Verónica Puche, Granada, 2016. Archival pigment print, 13 x 17 inches. Courtesy of the artist

Overlap: Intersecting Identities at the Baxter St. Camera Club


A survey of new photography about identity.

Thursday, July 28th, 2016

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Diamond in the Smooth: Stephen Westfall at Lennon, Weinberg


“Color is liberated to function in a kinetic way”

Wednesday, July 27th, 2016

Bas Jan Ader, Untitled (The Elements), 1971/2003. C-type print, 11 x 14 inches. Copyright The Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Rights Society (ARS), New York. Courtesy Metro Pictures, New York and Meliksetian | Briggs, Los Angeles.

Practicing Falling: Bas Jan Ader at Metro Pictures


Twin surveys of Ader’s short but brightly burning career are mounted in New York and London.

Wednesday, July 27th, 2016

Bas Jan Ader, Primary Time, 1974. Color U-matic video tape transferred to DVD, silent, PAL format, TRT: 26 minutes. Copyright the Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Right’s Society (ARS), New York. Courtesy of Meliksetian | Briggs, Los Angeles and Simon Lee Gallery, London.

The Fall: Bas Jan Ader at Simon Lee, London


Twin surveys of Ader’s short but brightly burning career are mounted in London and New York.

Friday, July 22nd, 2016

David Mramor, Venus in Bed 3, 2014. Acrylic paint and archival inkjet on canvas, 48 x 72 inches. Courtesy of the artist and PPOW.

De Beauvouir’s Inheritors: “The Woman Destroyed” at PPOW


A painterly, sumptuous show of work by women.

Friday, July 22nd, 2016

Gardar Eide Einarsson, The Next Recession and Where to Hide, 2016. Acrylic, graphite and gesso on canvas, 87 x 71 inches. Courtesy of the artist and Team.

Encompassing Hostility: “Golden Eggs” at Team Gallery


A group show gives Marxist voice to recent unrest in art and politics.