criticismExhibitions
Friday, May 8th, 2015
 
Etel Adnan, Untitled, 2014. Oil on canvas, 13 x 16.1 inches. Courtesy of the artist and Galerie Lelong.
New work by the poet and painter, reviewed by one of artcritical’s poet-critics. ...
Thursday, May 7th, 2015
 
Philip-Lorca diCorcia, Cain and Abel, 2013. Inkjet print, 39 1/2 x 49 inches. Courtesy of the artist and David Zwirner Gallery.
The photographer’s new series connects the financial crisis to biblical narratives of guilt and redemption. ...
Tuesday, May 5th, 2015
 
Bill Jensen, Mountain Tiger-Sky, 2013. Oil on linen, diptych, 40 x 32 inches overall. Courtesy of Cheim & Read Gallery
A one-man group show of possibilities at Cheim & Read ...
 

Thursday, November 13th, 2014

Neil Greenberg, Urban "What If" Map, 2013. Crayon, ink, and colored pencil on paper. Courtesy of the artist and Staten Island Arts.

Social Collaboration in the Fifth Borough: William Corwin and Neil Greenberg at Staten Island Arts


Show remembers the borough’s past and imagines possible futures

Tuesday, November 11th, 2014

Ying Li, City Series #3, Blue Curtain; 2014. Oil on panel, 10 x 10 inches. Courtesy of the artist and The Painting Center.

Clusterfunk: Six Solo Shows in Two Galleries


Two galleries cluster three solo shows each, a less-than-ideal way to show interesting work by six artists.

Monday, November 10th, 2014

Bettina Blohm, Diagram 1, 2014. Charcoal on paper, Courtesy of Marc Straus Gallery

Diagrams Intuited: Bettina Blohm at Marc Straus


An abstract painter with drawing roots in the landscape

Thursday, November 6th, 2014

Theresa Chong, LU (Walking Carefully), 2014. Gouache and colored pencil on Shikibu Gampi, 12 x 11-3/4 inches. Courtesy of Danese/Corey

Imagined Landscape: Theresa Chong at Danese/Corey


A show of small works on paper, through November 15

Wednesday, November 5th, 2014

Christopher Williams; Untitled (Study in Yellow/ Berlin) / Dirk Schaper Studio, Berlin / June 21, 2007 (No. 1); 2008. Chromogenic color print, 20 x 16 inches. Courtesy David Zwirner, New York/London and Galerie Gisela Capitain, Cologne © Christopher Williams.

The Production Line of Credulity: The Rhetoric of Christopher Williams


Williams’s recent retrospective was praised for its critical and visual ingenuity, but was that adoration misplaced?

Friday, October 31st, 2014

Harriet Korman, Untitled, 2012. Oilstick on paper, 16-1/2 x 23-1/2 inches. Courtesy of the Artist and Lennon, Weinberg, Inc.

Jewel-Pure Color: Harriet Korman at Lennon, Weinberg


“Rigorous, flat, unpredictable, startling, deadpan, funny”

Friday, October 31st, 2014

Jim Hodges, the dark gate, 2008. Wood, steel, electric light, and perfume, 96 x 96 x 96 inches. © Jim Hodges. Courtesy of the artist. Photo: Robert Wedemeyer.

Give You So Much More: Jim Hodges at the Hammer Museum


A traveling retrospective of the artist’s work renders the personal political and beautiful.

Friday, October 31st, 2014

John Walker, Untitled Bingo Card 2013. Oil on canvas, 7-1/2 x 5-5/8. Courtesy of Alexandre Gallery

Land Meeting Sky: John Walker at Alexandre Gallery


These paintings convey nature’s immensity even as they mangle its topography.

Saturday, October 25th, 2014

Tomma Abts, Untitled #7, 2013. Colored pencil and pencil on paper, 35-1/2 x 25-7/8 inches (90.2 x 65.7 cm). Courtesy of David Zwirner Gallery

Real Spaces and Illusions of Depth: Tomma Abts at David Zwirner


Asymmetry, illusion and odd numbers all add up in her latest exhibition

Wednesday, October 22nd, 2014

Tomer Aluf, Untitled, 2014. Oil on canvas, 60 x 54 inches. Courtesy of the artist and KANSAS, New York.

Sweet and Dandy: Tomer Aluf’s Bohemian Paintings


The artist’s first solo exhibition at KANSAS, New York, shows his discernment and love of the visual and physical promenade.