criticismExhibitions
Wednesday, August 9th, 2017
 
rama-cover-2
Exuberant joy in the face of anguish; through September 10 ...
Tuesday, July 18th, 2017
 
Screen Shot 2017-07-18 at 6.50.43 AM
For Dumas, the question of extinction also points to violence against African-Americans ...
Tuesday, July 11th, 2017
 
Florine Stettheimer, Self-Portrait with Palette (Painter and Faun), ca. 1915, oil on canvas. Avery Architectural & Fine Arts Library, Columbia University, New York
“Painting as Poetry” on view through September 25 ...
 

Thursday, August 11th, 2016

William Corwin, Double Doors of the Horizon, 2016. Resin, 14 x 9.5 x 4 inches. Courtesy of Geary Contemporary, New York, 1916

Doors of Perception: William Corwin at Geary Contemporary


His exhibition, titled “Champollion”, closes this week

Friday, July 29th, 2016

Verónica Puche, Granada, 2016. Archival pigment print, 13 x 17 inches. Courtesy of the artist

Overlap: Intersecting Identities at the Baxter St. Camera Club


A survey of new photography about identity.

Thursday, July 28th, 2016

westfall-cver

Diamond in the Smooth: Stephen Westfall at Lennon, Weinberg


“Color is liberated to function in a kinetic way”

Wednesday, July 27th, 2016

Bas Jan Ader, Untitled (The Elements), 1971/2003. C-type print, 11 x 14 inches. Copyright The Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Rights Society (ARS), New York. Courtesy Metro Pictures, New York and Meliksetian | Briggs, Los Angeles.

Practicing Falling: Bas Jan Ader at Metro Pictures


Twin surveys of Ader’s short but brightly burning career are mounted in New York and London.

Wednesday, July 27th, 2016

Bas Jan Ader, Primary Time, 1974. Color U-matic video tape transferred to DVD, silent, PAL format, TRT: 26 minutes. Copyright the Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Right’s Society (ARS), New York. Courtesy of Meliksetian | Briggs, Los Angeles and Simon Lee Gallery, London.

The Fall: Bas Jan Ader at Simon Lee, London


Twin surveys of Ader’s short but brightly burning career are mounted in London and New York.

Friday, July 22nd, 2016

David Mramor, Venus in Bed 3, 2014. Acrylic paint and archival inkjet on canvas, 48 x 72 inches. Courtesy of the artist and PPOW.

De Beauvouir’s Inheritors: “The Woman Destroyed” at PPOW


A painterly, sumptuous show of work by women.

Friday, July 22nd, 2016

Gardar Eide Einarsson, The Next Recession and Where to Hide, 2016. Acrylic, graphite and gesso on canvas, 87 x 71 inches. Courtesy of the artist and Team.

Encompassing Hostility: “Golden Eggs” at Team Gallery


A group show gives Marxist voice to recent unrest in art and politics.

Friday, July 15th, 2016

shapeshifters_feature

Shaped Canvases and Broken Rules: Shapeshifters at Luhring Augustine


A group show explores the contemporary history of unconventional supports.

Thursday, July 14th, 2016

Cora Cohen, 015-11, 2011. Archival ink jet, pencil on paper, 21.25 x 22.5 inches. Courtesy of the Artist

Slippery Conditions: A Show of Drawings by Cora Cohen


Seen at the New York Studio School earlier this summer

Friday, July 1st, 2016

Alisha Wessler, Shedding the Skin, 2016. Watercolor and ink on paper, 22.5 x 30 inches. Courtesy of the artist and Slag Gallery.

Live Fully and Well: Art at Slag Gallery in a Time of Trauma


In the wake of several highly visible acts of violence, artists present works of passion and compassion.