criticismExhibitions
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Samuel Fosso, Le chef qui a vendu l’Afrique aux colons, 1997. C-print, 101 x 101 cm. Courtesy of the Walther Collection.
Fosso challenges visions of African identity through self-portraiture. ...
 
Josh Dorman, Memento Mori (detail), 2014. Ink, acrylic and antique paper on two panels, 56 x 120 inches. Courtesy of the artist and Ryan Lee Gallery.
Geological-, biological-, and mechanical-history paintings as collage. ...
 


Lois Dodd, Red Shirt and Window, 2013. Oil on panel, 15-3/4 x 16 inches. Courtesy of Alexandre Gallery

Nature, Reduced But Full: Lois Dodd at Alexandre Gallery


Probing, often mischievous curiosity about the appearance of ordinary objects


Sandi Slone, Red Letter Day, 2013, oil and acrylic on canvas, 76" x 60."

It’s Elementary: Painting 101 at Sargent’s Daughters


Five artists lay down the rules of the painting game


Larry Poons, Araminty, 2013. Acrylic on canvas, 65 x 92-7/8 inches. Courtesy of Danese/Corey

Orchestration Transformed: Larry Poons, Early and New


Shows this winter at Loretta Howard and Danese/Corey


Paul Glabicki, RELATIVITY # 6, 2013. Graphite pencil, Prismacolor pencil, ink acrylic on paper, 31-1/2 x 34-1/2 inches. Courtesy of the artist and Kim Foster Gallery

Hyper-Saturation of Sign and Signifier: Paul Glabicki’s Relativity


At Kim Foster Gallery through February 15


Dorothea Rockburne, Scalar,1971. Chipboard, crude oil, paper and nails, 80 x 114-1/2 inches. The Museum of Modern Art, New York © 2014 Dorothea Rockburne / Artists Rights Society (ARS), New York

Thought Embodied: Dorothea Rockburne’s Drawing Which Makes Itself


now in its final week at MoMA


Lori Ellison, Untitled, 2011, gouache on wood panel, 10 x 8 inches. Courtesy of McKenzie Fine Art

Mesmerizing Claustrophobia: Drawings and Paintings by Lori Ellison


She will be discussed at The Review Panel tonight. Her last show was considered here at artcritical


Jeff Williams, Oxidation Table, 2013, steel, hydrogen peroxide, muriatic acid, 108 x 60 x 36 inches. Photo by Brad Farwell. Courtesy of Jack Hanley Gallery.

Atomic Minimalism: Jeff Williams at Jack Hanley


Chemical reactions yield striking physical changes in raw materials


Sangram Majumdar, Interrupted, 2013. Oil on linen, 30 x 24 inches. Courtesy of Steven Harvey Fine Art Projects

Striving For Obfuscation: Sangram Majumdar’s Strange New Turn


On view at Steven Harvey and Projector, through December 22


Patricia Treib, Accoutrements, 2013, oil on canvas, 66 x 50 inches. Courtesy of Wallspace.

The Theater of Abstraction: Patricia Treib at Wallspace


Her paint is thinned to the consistency of buttermilk


Mike Yaniro, Caric 1, 2013, graphite and ink on paper, found frame, 21 x 18 inches. Courtesy of Room East.

Sign Painting and Image: Mike Yaniro at Room East


A young artist’s debut on the Lower East Side plays with language, drawing, and commercial processes