criticismExhibitions
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Samuel Fosso, Le chef qui a vendu l’Afrique aux colons, 1997. C-print, 101 x 101 cm. Courtesy of the Walther Collection.
Fosso challenges visions of African identity through self-portraiture. ...
 
Josh Dorman, Memento Mori (detail), 2014. Ink, acrylic and antique paper on two panels, 56 x 120 inches. Courtesy of the artist and Ryan Lee Gallery.
Geological-, biological-, and mechanical-history paintings as collage. ...
 


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Nightmares of Summer at Marvelli, Re:Location at Alexander & Bonin, A Brighter Day at James Cohan Gallery


NIGHTMARES OF SUMMER Marvelli Gallery through July 8 526 West 26 Street 2nd Floor, between 10 and 11 Avenues, 212 627 3363 RE:LOCATION Alexander & Bonin through July 28 132 Tenth Avenue at 19 Street, 212 367 7474 A BRIGHTER DAY James Cohan Gallery through July 14 533 West 26 Street, between 10 and 11 Avenues,…


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Peter Agostini


Salander O’Reilly Galleries 20 East 79 Street. 212 879 6606 June 1, 2006 to June 23, 2006 The United States in the mid-twentieth century produced a wider range of artistic styles than is generally acknowledged in the art history books, and the critical preference for abstraction obscured the achievements of many good artists who did not…


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Frank Stella 1958


Arthur M. Sackler Museum Harvard University Art Museums Cambridge, Massachusetts February 4—May 7,  2006 In his famous quote regarding the futility of people’s seeking layers of meaning in his black paintings, Frank Stella uttered what was to become the rallying cry of Minimalism—“What you see is what you see”.  Our response to his proclamation is…


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The 2006 New York Armory Show


The 2006 New York Armory Show: Piers 90 and 92 12 Ave at 50 & 52 Street New York City March 10-13, 2006 The Not So Sweet Smell of Success What can be said of a fair that was enormously successful financially while being aesthetically unsatisfying? Fair officials reported that more than 47,000 collectors, critics,…


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Cady Noland Approximately: Sculptures and Editions, 1984-99


Triple Candie 461 West 126 Street New York NY 10027 212-865-0783 April 21 to May 21, 2006 The sculptor Cady Noland (b.1956) is a little like J.D.Salinger, who arrived big on the literary scene in the late 1940s, made a significant contribution, then more or less disappeared, keeping tight control over the release of his…


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Christian Hellmich: Arrangement


Lehmann Maupin 540 W. 26th Street New York, N.Y., 10001 212 255 2923 June 1-July 14, 2006 All of Hellmich’s paintings include intentionally skewed architectural forms, buildings, staircases, facades, railings, escalators, warehouse interiors, cement partitions and roadways, doorways, garage doors, etc., and his use of architecture and perspective or orthogonals, is not haphazard or incidental….


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The Material Sign: Craig Fisher, Marthe Keller, Phillis Ideal, Gwenn Thomas. Curated by Stephen Westfall


Florence Lynch Gallery 531-539 West 25th Street New York NY 10001 212.924-3290 June 1 – July 15, 2006 The Material Sign is the carefully chosen title given by painter and critic Stephen Westfall to this show of four artists: Craig Fisher, Phillis Ideal, Marthe Keller, and Gwenn Thomas. Their work, as Westfall writes in the…


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Joseph Marioni at Peter Blum, Jeremy Gilbert-Rolfe at Gray Kapernekas, Thomas Nozkowski at BravinLee Programs, Steven Mueller at Baumgartner Gallery


JOSEPH MARIONI Peter Blum until July 1 526 W. 29th Street, between Tenth and Eleventh Avenues, 212-244-6055 JEREMY GILBERT-ROLFE Gray Kapernekas until June 17 526 W. 26th Street, no. 814, between Tenth and Eleventh Avenues, 212-462-4150 THOMAS NOZKOWSKI: WORKS ON PAPER BravinLee programs until June 17 526 W. 26th Street, no. 211, between Tenth and…


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The Edward R. Broida Collection at MoMA


AGAINST THE GRAIN: CONTEMPORARY ART FROM THE EDWARD R. BROIDA COLLECTION Museum of Modern Art, New York Until July 10 (11 West 53rd Street, between Fifth and Sixth Avenues) Thanks to the late Edward Broida, the second floor of the new MoMA looks better than ever. The items on view in “Against the Grain: Contemporary…


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Lucy Williams: The Day the Earth Stood Still


McKee Gallery 745 Fifth Avenue New York NY 10151 212-688-5951 March 31 to May 6 Lucy Williams’ constructions meld the traditionally-considered “feminine” handmade object with architectural models rendered in bas-relief. The thirteen works on display, in the artist’s exhibition entitled “The Day the Earth Stood Still” at David McKee Gallery, focus on materials that typically…