criticismExhibitions
Friday, July 22nd, 2016
 
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A group show gives Marxist voice to recent unrest in art and politics. ...
Friday, July 15th, 2016
 
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A group show explores the contemporary history of unconventional supports. ...
Thursday, July 14th, 2016
 
Cora Cohen, 015-11, 2011. Archival ink jet, pencil on paper, 21.25 x 22.5 inches. Courtesy of the Artist
Seen at the New York Studio School earlier this summer ...
 

Friday, February 20th, 2009

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Life on Mars: The 55th Carnegie International at the Carnegie Museum of Art, Pittsburgh


Life on Mars shares a number of artists with Unmonumental, including Mark Bradford, Cao Fei, Thomas Hirschhorn, Matthew Monahan, Manfred Pernice, and Susan Philipsz. For a show of only 39 artists, that makes nearly a sixth. This is perhaps unsurprising considering the New Museum’s Eungie Joo served on the advisory committee for the 2008 International, but is rather suspect for a show that purports to be global in its representation. Suspect as well is that all but seven of the artists are from the US or Europe and only twelve are women.

Tuesday, February 17th, 2009

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David Diao: “I lived there until I was 6…” at Postmasters


For decades, Diao has injected deeply personal, even confessional content onto the placid surfaces and into the untroubled spaces of Modernism by way of a formal vocabulary grounded in the conventions of presentation diagrams, plans, text. The new work retains its erstwhile formal elegance and restraint, but rueful humor is replaced by a seething emotional undertow stemming from the artist’s inherited memories of his family’s displacement and fragmentation at the hands of the Chinese government.

Monday, February 16th, 2009

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Lin Yan at China Square Gallery


Lin has managed, through wit and a visionary interpretation of speech, to create a low-relief sculpture that refers simultaneously to American political and artistic history.

Monday, February 16th, 2009

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Jim Dine: Hot Dream (52 Books) at PaceWildenstein


Pinocchio’s nose grew when he lied, and so he is a perfect role model for this artist whose magnificently chaotic installation presents the truthful lies of art

Saturday, February 7th, 2009

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Stuart Shils: Recent Paintings at Tibor de Nagy Gallery and John Dubrow: Small Landscapes at Lori Bookstein Fine Art


The exhibitions of Shils and Dubrow overlapped by only a couple days, just enough to allow fresh comparisons between the two. Their differences intrigue: could it be that Shils seeks evocative means of representing, while Dubrow peruses the workings of representation itself?

Friday, February 6th, 2009

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Terry Winters: Knotted Graphs at Matthew Marks Gallery


Some may remind you of Sam Francis’s Blue Balls, although Winters packs his pictures more densely. And his lavishly worked colors occasionally have some unruly relationship to 1970s pattern painting, the faux-Islamic decorations of Philip Taaffe and, even, the gridded portion of Henri Matisse’s The Moroccans. But whatever his visual sources, Winters makes entirely original, entirely resolved works of art.

Friday, February 6th, 2009

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Zach Harris: Requiem Reversals at Max Protetch Gallery


Conventional readings of “above” and “below”, of north, south, east and west are confounded in these panels by the integration of patterned motifs – diamond shapes and curlicues – that resist any such perspectival pre-conditions. The improbable worlds that Harris presents are less pictures of places than visual destinations within elaborate structures, guiding the eye ever-centerwards.

Tuesday, February 3rd, 2009

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Raqib Shaw at the Met, at the Metropolitan Museum of Art


Whatever stories Shaw might tell and whatever horrific creatures he might portray, they all are camouflaged by an overstimulation of the viewer’s visual senses. The excessiveness of information is severe and can be compared to 1960s psychedelic art or Persian miniatures.

Tuesday, February 3rd, 2009

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Al Held: Paintings, 1979-1985 at Paul Kasmin Gallery


The interplay of colors and contrasting directions endows the open spaces with their own specific movements. The entire composition is cropped cinematically to add implied drama to what can only be called a scene.

Sunday, February 1st, 2009

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Kirsten Hassenfeld at Smack Mellon


January 17-February 22, 2009 92 Plymouth Street, at Washington Street Brooklyn, NY, 718 834 8761 It is hard to imagine an installation looking better in the industrial Smack Mellon main exhibition hall than Kirsten Hassenfeld’s current installation, Dans La Lune. Smack Mellon is a venue of raw physicality, with towering concrete columns framed in industrial steel,…