criticismExhibitions
 
Elizabeth Ferry, installation view of "Dems Toad," 2014, at Honey Ramka. Courtesy of the gallery.
An exhibition of sculptures and paintings of beastly sexual energy. ...
 
Carla Gannis, The Garden of Emoji Delights, 2014. Digital C-print, detail of left panel. Courtesy of the Artists
On view at Kasia Kay Art Projects, Chicago ...
 
Michael Bell-Smith, Blind on Rips, 2014. Vinyl film on polyester painted aluminum composite panel, 47 1/2 × 35 5/8 inches. Courtesy of the artist and Foxy Production.
Who is the Elmer Fudd of Post-Internet art? ...
 


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The New Landscape/The New Still Life: Soutine and Modern Art


Cheim & Read 547 W25 Street, between 10 and 11 Avenues, 212 242 7747 Until September 9 Like the artist it celebrates, “The New Landscape/The New Still Life: Soutine and Modern Art” is bursting with energy and ideas. The show presents Chaim Soutine 1893-1943) as a father figure of different traditions, American Abstract Expressionism and…


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An American Abroad: Sandra Fisher and her School of London Friends


New York Studio School 8 West 8 Street New York NY 10011 212 673 6466 March 30 to May 13, 2006 The achievement of the American artist Sandra Fisher  (1947–94) was overshadowed during her lifetime by her husband R.B. Kitaj and other School of London artists. Now, 12 years after Fisher’s  death from a cerebral hemorrhage,…


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Arthur Dove: Watercolors


Alexandre Gallery 41 East 57th Street, 13th Floor New York, New York 10022 212-755-2828 May 13 to June 23, 2006 Relationships between the individual and and the communal component of artistic achievement bedevil every generation. T.S. Eliot insisted that every innovation gestates in an affinity with indispensable predecessors. Robert Musil declared that ·”·it is only…


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Douglas Gordon: Timeline


Museum of Modern Art 11 W 53 Street New York City 212-708-9847 June 11–September 4, 2006 The literature surrounding the Douglas Gordon retrospective at the Museum of Modern Art emphasizes time and sociology, while I prefer to think of the work as sculpture; this makes the catalog, which is full of mass-media images, seem beside…


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Nan Goldin: Chasing a Ghost


Matthew Marks Gallery 522 West 22 Street New York City March 11 to April 22, 2006 Chasing a Ghost, Nan Goldin’s recent show of photographs and a 39-minute DVD projection, may be her most ambitious work to date. Goldin first became known in the 1980s for nervy, observant photos of the Lower Eastside party scene…


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Ellsworth Kelly’s Plant Lithographs


As the Met displays his plant drawings, we revisit a show of prints of the same theme


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Ron Gorchov: Double Trouble at MoMA P.S. 1


A  review from 2006 retrieved for his new show at Cheim & Read


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Nightmares of Summer at Marvelli, Re:Location at Alexander & Bonin, A Brighter Day at James Cohan Gallery


NIGHTMARES OF SUMMER Marvelli Gallery through July 8 526 West 26 Street 2nd Floor, between 10 and 11 Avenues, 212 627 3363 RE:LOCATION Alexander & Bonin through July 28 132 Tenth Avenue at 19 Street, 212 367 7474 A BRIGHTER DAY James Cohan Gallery through July 14 533 West 26 Street, between 10 and 11 Avenues,…


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Peter Agostini


Salander O’Reilly Galleries 20 East 79 Street. 212 879 6606 June 1, 2006 to June 23, 2006 The United States in the mid-twentieth century produced a wider range of artistic styles than is generally acknowledged in the art history books, and the critical preference for abstraction obscured the achievements of many good artists who did not…


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Frank Stella 1958


Arthur M. Sackler Museum Harvard University Art Museums Cambridge, Massachusetts February 4—May 7,  2006 In his famous quote regarding the futility of people’s seeking layers of meaning in his black paintings, Frank Stella uttered what was to become the rallying cry of Minimalism—“What you see is what you see”.  Our response to his proclamation is…