criticismExhibitions
Thursday, May 3rd, 2018
 
Laura Newman, Slice, 2017. Flashe, ink and acrylic on linen, 30 x 40 inches. Courtesy of the artist and Victoria Munroe Fine Art
A show of new paintings, on view on the Upper East Side ...
Wednesday, April 18th, 2018
 
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Two exhibitions at Gagosian Gallery, the Sesostris cycle and a survey of drawings, through late April ...
Sunday, April 15th, 2018
 
Diana Cooper, Overdrive, 2007. Ink and Markers on paper 60 x 80 inches. Courtesy of the artist and Postmasters Gallery
“It is as if she didn’t get the memo that drawing has an end.” Show closes Sunday ...
 

Thursday, February 11th, 2010

Installation shot of the exhibition under review, Courtesy Haunch of Venison, New York

Brian Alfred: It’s Already the End of the World at Haunch of Venison


Brian Alfred at Haunch of Venison

Sunday, February 7th, 2010

Josh-Smith

Josh Smith at Deitch Studios


The best works are vibrant and fun, and show the chops of a painter who takes delight in straightforward, rambunctious picture making.

Sunday, February 7th, 2010

Linda Cross, Fresh Kills 2005. Paper and acrylic on panel, 47 x 42 x 8 inches

Linda Cross at the James W. Palmer Gallery, Vassar College and the Beacon Institute of Rivers and Estuaries


She doesn’t paint so much as build her pictures…they seem to convey the reality of water stopped up with manmade detritus.

Sunday, February 7th, 2010

Zhang-Huan, installation shot of the exhibition under review. Photography by G.R. Christmas. Courtesy of PaceWildenstein, New York. (c) Zhang Huan Studio

Zhang Huan at Pace Wildenstein


With Zhang’s Rulai one senses the conflicting elements of life and death within the gray ash.

Sunday, February 7th, 2010

Man Ray, Le Violon d'Ingres, 1924, vintage gelatin silver print. Rosalind and Melvin Jacobs Collection. © 2009 Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris

Alias Man Ray: The Art of Reinvention at the Jewish Museum


Transgressive, experimental, fiercely individualistic, Man Ray evaded any categories not of his own creation.

Friday, February 5th, 2010

Fred Tomaselli, After Migrant Fruit Thugs 2008. Wool background, silk birds with metallic thread detail, 98 x 64 inches. Edition of 5. Both images, Copyright the artist, Courtesy of James Cohan Gallery and Banners of Persuasion

Demons, Yarns & Tales: Tapestries by Contemporary Artists at James Cohan Gallery


Among thirteen tapestries commissioned from contemporary artists, the most interesting are those in which the medium adds a level of meaning to the image.

Wednesday, February 3rd, 2010

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West Coast Minimalism: Four New York Shows


We still have much to learn about California’s cool recasting of New York’s cold Minimalism, but these shows provide a good place to start.

Tuesday, February 2nd, 2010

Erick Johnson, Smiles of a Summer Night 2009. Oil on canvas, 16 x 20 inches. Courtesy of Heskin Contemporary.

Erick Johnson Parallelogram Paintings at Heskin Contemporary


Once the complexity of the paintings’ under-layers have revealed themselves, we are in a position to appreciate the way in which these paintings offer up to us a visual metaphor of their own making.

Tuesday, February 2nd, 2010

William Carroll, NYC 466 2009. Acrylic on paper, 5-1/4 x 6-7/8 inches

Victor Pesce and William Carroll at the Elizabeth Harris Gallery


Pesce freeze’s the moment, Carroll celebrates transience, and together they create a deeply meaningful and thoughtful dialogue.

Monday, February 1st, 2010

Phillip Taaffe, Subsaxana, 2007. Mixed media on paper, 21 x 30 inches. images courtesy of Gagosian Gallery

Phillip Taaffe at Gagosian


Taaffe’s pure decorativeness nevertheless embraces, almost as fetish, the visible husks of signs.