criticismExhibitions
Wednesday, August 9th, 2017
 
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Exuberant joy in the face of anguish; through September 10 ...
Tuesday, July 18th, 2017
 
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For Dumas, the question of extinction also points to violence against African-Americans ...
Tuesday, July 11th, 2017
 
Florine Stettheimer, Self-Portrait with Palette (Painter and Faun), ca. 1915, oil on canvas. Avery Architectural & Fine Arts Library, Columbia University, New York
“Painting as Poetry” on view through September 25 ...
 

Thursday, October 1st, 2009

Peter Halley, Rectangular Prison with Smokestack 1987. Acrylic, roll-a-tex/canvas, 72 x 124 inches. Courtesy of Mary Boone Gallery.

Peter Halley Early Work: 1982 to 1987 at Mary Boone


10 September to 24 October, 2009 745 Fifth Avenue, between 57th and 58th streets New York City, 212 752 2929 In the 1980s, when painting was beleaguered and abstract painting under much pressure, Peter Halley was one of the few younger abstractionists who attracted attention. His distinctive hard-edge pictures were accompanied by his theorizing that,…

Saturday, September 26th, 2009

installation shot of the exhibition under review.

Will Ryman: A New Beginning at Marlborough Chelsea


As in the films of David Lynch, a seedy underbelly lurks below this rosy landscape.

Monday, September 21st, 2009

Enoc Perez, Pavilion of the Soviet Union, Expo 67 2009. Oil on canvas, 60 by 80 inches. Courtesy the Artist and Mitchell-Innes & Nash

Enoc Perez at Mitchell-Innes & Nash


Enoc Perez uses the contours of modernist architecture and feminine beauty to explore ideas of longing, nostalgia, optimism and melancholy.

Saturday, September 12th, 2009

Stanley Boxer, Somewhereamarbleman, 1990. Mixed media on canvas, 50 x 50 inches. Courtesy of Spanierman Modern

Remembering Stanley Boxer: A retrospective, 1946-2000


An exhibition of Boxer’s work runs at Spanierman Gallery through February 18

Monday, August 24th, 2009

detail of Orange Fizz 2008. Elmer's glue & ink on panel, 36 x 72 inches. Courtesy of Margaret Thatcher Projects.

Heidi Van Wieren at Margaret Thatcher Projects


The consequences of Van Wieren’s style allow for simultaneous readings of her art.

Sunday, August 16th, 2009

Installation view of the exhibition under review show, foreground, Hanne Darboven 100 Books 00–99. 1970. One hundred books, 365 or 366 pages each, offset printed, each 10 15/16 x 8 7/16 x 1 7/16 inches. Collection of the Artist, and Lawrence Weinerr IN AND OUT. OUT AND IN. AND IN AND OUT. AND OUT AND IN. 1971. lettering, dimensions variable. Collection Ghislain Mollet-Viéville, MAMCO, Geneva. © 2009 Lawrence Weiner/Artists Rights Society (ARS), New York. Photograph: Jason Mandella

In & Out of Amsterdam at the Museum of Modern Art


As these mercurial installations, films, and performances indicate, Conceptual art often yielded works of great elegance in novel forms of presentation.

Thursday, July 9th, 2009

Dorsal Fin 2009. Oil on panel, 11.81 x 7.87 inches. Images courtesy of Marc Jancou Contemporary

Ross Chisholm at Marc Jancou Contemporary


The background shadows throb with an almost Goya-esque expressionism. Maybe the matron is escaping into a sci-fi film. Maybe she’s wandering through the forbidden recesses of memory itself.

Wednesday, July 1st, 2009

The Family (Algis, Julie and Bailey) 1968. Oil on canvas, 63-3/8 x 37-1/8. © The Estate of Alice Neel. Courtesy David Zwirner, New York

Alice Neel at David Zwirner and Zwirner & Wirth


Thinking of herself as a “collector of souls,” Neel created an oeuvre that not only reveals different facets of humanity, but also sums up the diversity of American urban society.

Wednesday, July 1st, 2009

Kiefer-Thousand-Flowers

Broken Flowers and Grass: Nature and Landscape in the Drawings of Anselm Kiefer at the Metropolitan Museum of Art


Kiefer is a complicated independent, one who adopts the revanchist Neo Expressionist mode of his peers, yet embraces and exposes the repressed and tangled complexities of German life.

Sunday, June 28th, 2009

Regina Granne, Marika and Jacopo 1993. Pencil on paper, 17-1/2 x 12-1/2 inches. Courtesy of A.I.R. Gallery

Regina Granne: Increments: Drawings, 1970-1995 at A.I.R. Gallery


Precisely situated in undelineated seas of space, Granne’s forms feel at once boldly declarative and alarmingly precipitous.