criticismExhibitions
Friday, May 8th, 2015
 
Etel Adnan, Untitled, 2014. Oil on canvas, 13 x 16.1 inches. Courtesy of the artist and Galerie Lelong.
New work by the poet and painter, reviewed by one of artcritical’s poet-critics. ...
Thursday, May 7th, 2015
 
Philip-Lorca diCorcia, Cain and Abel, 2013. Inkjet print, 39 1/2 x 49 inches. Courtesy of the artist and David Zwirner Gallery.
The photographer’s new series connects the financial crisis to biblical narratives of guilt and redemption. ...
Tuesday, April 28th, 2015
 
Jonathas de Andrade
The Brazilian artist’s first New York solo show examine’s South America’s complicated relationship to race and labor. ...
 

Thursday, February 15th, 2007

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High Times, Hard Times: New York Painting, 1967-1975


Exhibition curated by Katy Siegel with David Reed

Sunday, February 4th, 2007

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Andrew Forge at Betty Cuningham Gallery


Until February 17 541 W. 25th St., between Tenth and Eleventh avenues, 212-242-2772 Andrew Forge (1923–2002) was the author of shimmering abstract paintings of intense chromatic lyricism. His canvases are constructed from an even layer of closely woven, abutting colored dots, a kind of modernist update of Georges Seurat’s pointillism. His second notational device, a…

Thursday, February 1st, 2007

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Annie Leibovitz: A Photographer’s Life, 1990 – 2005


The Brooklyn Museum October 20, 2006-January 21, 2007 “I don’t have two lives. This is one life, and the personal pictures and the assignment work are all part of it.” –Annie Leibovitz, A Photographer’s Life, 1990 – 2005 Why did so many people go to see Annie Leibovitz’s show at The Brooklyn Museum? First things first:…

Thursday, February 1st, 2007

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Benjamin Edwards: We


Greenberg Van Doren Gallery 730 Fifth Avenue at 57th Street New York City 212 445 0444 November 17, 2006 – January 12, 2007 Benjamin Edwards’s architectural landscapes are at once painterly and constructed, present and absent of human activity. The painter’s third exhibition at Greenberg Van Doren Gallery is titled “We.” This title, though seemingly…

Monday, January 29th, 2007

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Saint Clair Cemin, James Hyde, Jac Leirner at Sikkema Jenkins & Co


Just as Mr. Cemin’s somewhat romantic synthesis of the organic and the mechanical begins to relate to Mr. Hyde’s collision of the wayward and the contained, along comes Ms. Leirner, to remind the company that it is just art that’s being talked about.

Monday, January 1st, 2007

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Sean Scully: Wall of Light


Metropolitan Museum of Art 1000 Fifth Avenue New York September 28, 2006 – January 15, 2007 This article was first published in the New York Sun, September 28, 2006 By the time Sean Scully (b. 1945) began his career in the 1960s, two generations of the avant-garde had already established the legitimacy of nonrepresentational art….

Sunday, December 3rd, 2006

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John Currin at Gagosian Gallery


until December 22 980 Madison Ave., between 76th and 77th streets, 212-744-2313 John Currin’s new show draws a sharp distinction between sex and sexiness. There is more explicit erotic action on view than in any images hitherto by this avid courter of controversy, and there is sexy paintwork to boot. But, instructively, you don’t find…

Friday, December 1st, 2006

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The Scabrous Intensity of Lucian Freud


A review of his 2006 show at Acquavella Galleries

Friday, December 1st, 2006

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Echo Eggebrecht: Come Hell or High Water


Nicole Klagsbrun Gallery 526 West 26 Street, Second Floor New York City 212 243 3335 October 21 – November 25, 2006 Echo Eggebrecht’s narrative is surreal without being illustrative. The title of her exhibition, “Come Hell or High Water”, shares a similar tone with previous exhibitions, “The Least Missing” and “Oh, But You Will.” Eggebrecht’s…

Friday, December 1st, 2006

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James Reilly and Keith Mayerson


James Rielly: Tell us a Story Galeria Ramis Barquet Chelsea 532 West 24 Street New York City October 20, 2006 – November 22, 2006 Keith Mayerson: Kings & Queens Derek Eller Gallery 615 West 27th Street New York City October 20-November 25, 2006 Keith Mayerson and James Rielly appropriate photographic and filmic source material, transforming it through…