criticismExhibitions
Saturday, April 4th, 2015
 
Russell Roberts, Paper Bed, Concrete Head #1, 2015. Oil on canvas, 30 x 30 inches. Courtesy of Heskin Contemporary
Grid paintings that take a serial risk ...
Friday, April 3rd, 2015
 
Thomas Hart Benton, Woodland Stream, Martha's Vineyard/Chilmark Landscape, 1922. Oil on metal, 4 1/2 x 7 7/8 inches. Photo courtesy of FreedmanArt.
Exhibitions at the New York Studio School and Freedman Art examine art about its own creation. ...
Thursday, March 19th, 2015
 
Francesca Woodman, Untitled, New York (N.409), 1979. Vintage Color Print, 3-3/8 x 3-1/2 inches. © Francesca Woodman/ Courtesy of Marian Goodman Gallery
‘I’m trying my hand at fashion photography’ was on view through March 12 ...
 

Sunday, October 1st, 2006

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Strangers Seen Through a Telephoto Lens


BEAT STREULI: Bruxelles Midi Murray Guy Gallery JESPER JUST: It Will All End In Tears Perry Rubenstein Gallery A version of this article appeared in the New York Sun, October 19, 2006 Swiss-born, Dusseldorf-based artist Beat Streuli rose to prominence in the early 1990s for his work in color photography and video. Mr. Streuli’s abiding…

Sunday, October 1st, 2006

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High Times, Hard Times: New York Painting, 1967-1975


an exhibition curated by Katy Siegel with David Reed

Sunday, October 1st, 2006

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Leah Durner: Paintings


Wooster Art Space, 147 Wooster Street New York City September 5 to 30, 2006 This show – which was curated by David Cohen, editor and publisher of artcritical.com — covers a time range from 2001 to 2006 and as would be expected reflects some diversity. Durner appears to have moved from a rougher esthetic to…

Sunday, October 1st, 2006

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Liu Ye, Kyung Jeon, Chie Fueki


Liu Ye: “Temptations” Sperone Westwater 14 September-28 October 2006 Kyung Jeon: “The Impulse Garden” The Proposition 16 September-28 October 2006 Chie Fueki: “Lucky, Star, Super, Hero” Mary Boone 9 September-21 October 2006 Pop appropriation meets eroticism in the work of Liu Ye and Kyung Jeon. These artists remind us of the persistence of sexuality throughout…

Sunday, October 1st, 2006

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Robin Hill: Multiplying the Variations


University Art Gallery School of Fine and Performing Arts California State University, Sanlislaus Turlock, California September 7 to October 5, 2006 Cotton batting, plywood, ping pong balls, washers, stand-mounted lights, disused filing cabinets, plaster, wax, computers and CD players were among the unlikely list of items in Robin Hill’s recent exhibition at CSU Stanislaus. Her…

Sunday, October 1st, 2006

Amy Myers, Chroma Zoma Bubble Chamber, 2006. Graphite , colored pencil and soft pastel on paper, 88 x 90 inches. Courtesy Mike Weiss Gallery

A Magically-Engendered World: Amy Myers at Mike Weiss


Her watercolors refer to subatomic particles, galactic forces and sexual organs.

Thursday, September 7th, 2006

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Alexi Worth at DC Moore, Joe Coleman at Jack Tilton


ALEXI WORTH: COUPLES DC Moore until October 7 (724 Fifth Avenue at 57 Street, 212 247 2111) JOE COLEMAN Jack Tilton until October 4 (8 East 76 Street, between Madison and Fifth Avenues, 212 737 2221)     The girl in Alexi Worth’s “Beautiful Unfinishable Magazine” (all works 2006) crouches in a moulded plastic Eames…

Friday, September 1st, 2006

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Isca Greenfield-Sanders: Pinelawn Pools


Goff & Rosenthal 537B W 23 Street New York City 212-675-0461 September 7 to October 14, 2006 Isca Greenfield-Sanders alters found images, faded photographs from the 1960s, using digital manipulation and traditional oil painting. The resultant mixed media paintings and sketches in her “Pinelawn Pools” series depict a family lounging about a familiar suburban swimming…

Friday, September 1st, 2006

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Norbert Schwontkowski and Jockum Nordström


Norbert Schwontkowski: “We Make Any Size of Mirror” (Norbert Schwontkowski and Forrest Bess, Philip Guston, Alex Katz, Pablo Picasso) Mitchell-Innes & Nash 1018 Madison Ave New York City September 21 through November 22 Jockum Nordström David Zwirner 525 West 19th Street New York City September 8 – October 14, 2006 Jockum Nordström and Norbert Schwontkowski…

Thursday, August 31st, 2006

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Michael Heizer at PaceWildenstein


A fascination with prehistory links Mr. Heizer’s Stonehenge-like “City” to these sculptural objects, though his architectural forms are fastidiously hard-edged in comparison with the flint-facetted tools. But for all his insistence on freeing himself from European precedents, to explore instead an American sense of wide open space and anti-individual scale, Mr. Heizer’s prehistoric sensibility has a long modernist precedent with deep roots in European culture.