criticismExhibitions
Wednesday, May 10th, 2017
 
Mimmo Rotella, TAL, 1957, Décollage on canvas, 12 7/8 x 14 1/4 inches. Image courtesy of the gallery.
selected early works were on view uptown ...
Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Sunday, August 21st, 2016
 
basta_feature
A show of activist art from across Latin America. ...
 

Monday, March 23rd, 2009

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The Third Mind: American Artists Contemplate Asia, 1860-1989 at the Solomon R. Guggenheim Museum


Like some earlier Guggenheim exhibitions, Mark Rosenthal’s 1996 splendid, mindless history of abstraction and the more recent survey Russia! are two examples, The Third Mind presents much great art without a convincing visual premise.

Monday, March 23rd, 2009

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Serban Savu: The Edge of Empire at David Nolan Gallery


Although the architecture’s physical decay reflects its economic uselessness, such romantic titles as The Guardian of the Valley and Mountain of Nostalgia lend emotional value to these dour and severe scenes. These paintings speak to the failed utopian ideas in Communism.

Sunday, March 22nd, 2009

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Jack Bush: Works on Paper at the New York Studio School


What most truly characterizes Bush’s mature work is a seriousness, even a gravitas that amounts to a truly Olympian detachment.

Monday, March 9th, 2009

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Bonnard: Drawing Color, Painting Light


For Bonnard drawing was sensation, and taking possession of the image. The next step was the translation of these notations into color, not local color, but the color that came from his interior logic.

Sunday, March 1st, 2009

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Nancy Haynes: Dissolution at Elizabeth Harris Gallery


As one grasps the combination of flatness, space, and light in Haynes’ paintings, the subtleties of her sophisticated palette and tonal gradations reveal a seductive luminosity.

Sunday, March 1st, 2009

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Francesca DiMattio at Salon 94 and Salon 94 Freemans


However closely she references classical, renaissance and modernist genres, her paintings never lapse into nostalgia, but instead give off an arch contemporary emotion.

Sunday, March 1st, 2009

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Barkley L. Hendricks: Birth of the Cool at the Studio Museum in Harlem


The painter Barkley L. Hendricks caught not only the mood, but also the dress of black Americans in the late 1960s and early 1970s. Indeed, the subhead of the Studio Museum’s exhibition, “Birth of the Cool,” gives the nod to the development of a style whose casual hipness and intimated militancy marked a generation of African Americans.

Sunday, March 1st, 2009

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Oona Ratcliffe: Deep Forgetting at gallerynine5


March 6 to 24, 2009 24 Spring Street New York City, 212 965 9995 POETRY FOR ART presents newly published poetry (or poetry posted to the web for the first time) that relates, responds, or is dedicated to the work of a contemporary artist on display in New York or elsewhere at the time of…

Tuesday, February 24th, 2009

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Joe Fyfe: Recent Work at James Graham & Sons


While Fyfe has worked with combining more traditional methods of painting with textile collages for years, it is through the overt focus on counterparts in this exhibition, contrasting the more serious with the playful and the reserved with the whimsical, that Fyfe reveals both the diversity of his artistic interests and the extent of expressive versatility he has reached in his work.

Monday, February 23rd, 2009

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Artist’s Choice: Vik Muniz, Rebus at the Museum of Modern Art


“Rebus,” conceived and spearheaded by an artist, Brazilian conceptual trickster, Vik Muniz, made me re-think the current trend of curator-as-artist and made me see MoMA’s amazing collection in new ways (yes, that old cliché). Plus, it even made me laugh out loud.