criticismExhibitions
Saturday, May 14th, 2016
 
NP-cover
Her extended exhibition closes May 15 at Nathalie Karg on the Lower East Side ...
Saturday, May 14th, 2016
 
cover
The artist explores the interrelation of intellectual, aesthetic, and corporeal adornment. ...
Wednesday, May 11th, 2016
 
4a
The artists use ceramics and painting to alter viewers’ perceptions of space and objects. ...
 

Saturday, June 28th, 2008

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David Kinast: The ISM


Vacillation between equilibrium, a consistently busy surface that can be read as a singular gestalt, and the disequilibrium caused by the dark and sometimes opaque asymmetrical highlights that disrupt these linear networks, creates unpredictable rhythms within the iterations of abstract shapes.

Friday, June 27th, 2008

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Dara Friedman: Musical


Like the Impressionists, Friedman transfigures the contemporary world. What more could we ask of any artist?

Friday, June 27th, 2008

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Dawn Mellor at Team


Dawn Mellor: A Curse on Your Walls Team Gallery until August 8 83 Grand St., between Greene and Wooster streets, 212-279-9219 The Surrealist writer André Breton once declared that beauty would have to become convulsive, otherwise it would cease to be. As if in late vindication of this injunction, the paintings of Dawn Mellor set…

Monday, June 23rd, 2008

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Jess: Paintings and Paste-Ups


This is Jess in a nutshell: sincere literalism colliding with arch semiotics and giving off rare alchemical heat.

Sunday, June 15th, 2008

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Milton Resnick at Cheim & Read


There is a weird sense of a form searing its way through the canvas, from left to right, an accumulation of atomic energy boiling up the space it penetrates, making it a Monet for the nuclear age. It almost becomes tempting to read the image in cartoon-like graphic terms, or like a Futurist depiction of movement.

Sunday, June 15th, 2008

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Jilaine Jones: Sculpture


Wonder World is built of hard steel rods, bars and sheet steel that interact with somewhat more malleable slabs and blocks of concrete and rock board. The whole is tough, hard, aggressive and muscular—yet also slender, graceful, sensitive and wise.

Thursday, June 12th, 2008

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Catherine Murphy at Knoedler & Company


The motifs of her seven paintings and four drawings are diverse to the point of perversity, suggesting the kind of mind drawn less to things than problems. What is consistent across these images is the sense of a fanatical empiricist picking quarrels with the perceived world.

Friday, June 6th, 2008

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Nicolas Carone: Recent Paintings


The author celebrates the audacious, austere, muscular canvases by the 90 year old veteran of Abstract Expressionism.

Wednesday, June 4th, 2008

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Eduardo Santiere: Draw In


Much of the imagery seems star-struck; viewers have the feeling that they are looking at a kind of intimate astronomy, in which planets and galaxies move about as they build centers of energy. Scratches on the paper add the slightest sense of relief, giving the picture its hard-to-recognize yet palpable sense of depth.

Sunday, June 1st, 2008

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Peter Heinemann: Bluebird


Heinemann’s intensity, always apparent in his incisive, schematized shapes and hues, now describe with awkward purposefulness the trappings of rustic life: still lifes of dry good scales, vases, and lawn ornaments, and outdoor scenes populated by bird feeders and flower gardens – and, most notably, by the cats which by turns resemble inert, furry spheres or rocketing pillows with lethal teeth.