criticismExhibitions
Tuesday, August 28th, 2018
 
Gauri Gill. Untitled from the series Acts of Appearance. 2015–ongoing. Pigmented inkjet print. The Museum of Modern Art, New York. Acquired through the generosity of Robert B. Menschel. © 2018 Gauri Gill
“Projects 108” is at PS1 through September 3 ...
Monday, August 13th, 2018
 
Gertrude Abercrombie, The Door and the Rock, 1971. Oil on masonite, 8 x 10 inches. Courtesy Karma Gallery.
Surreal paintings from the mid-century Mid West, in the East Village through September 16 ...
Saturday, July 28th, 2018
 
appel-cover
Her second show with the gallery was on Grand Street this month ...
 

Wednesday, October 7th, 2009

Kara Walker, 10 Years Massacre (and its Retelling) #3 2009. Mixed media, cut paper and acrylic on gessoed panel, 84 x 72 inches. Courtesy of Sikkema Jenkins & Co., New York

Mark Bradford and Kara Walker at Sikkema Jenkins & Co.


To Walker and Bradford alike, density of visual information is an aesthetic choice that mirrors the mutliple layers of reality and complexity retrieved from subject matter.

Sunday, October 4th, 2009

penck-installation-3

A.R. Penck: New System Paintings at Michael Werner


Saving the imagery from what we might call barbarous chaos is Penck’s highly skilled orientation and spacing of the visual components of an individual work.

Thursday, October 1st, 2009

Peter Halley, Rectangular Prison with Smokestack 1987. Acrylic, roll-a-tex/canvas, 72 x 124 inches. Courtesy of Mary Boone Gallery.

Peter Halley Early Work: 1982 to 1987 at Mary Boone


10 September to 24 October, 2009 745 Fifth Avenue, between 57th and 58th streets New York City, 212 752 2929 In the 1980s, when painting was beleaguered and abstract painting under much pressure, Peter Halley was one of the few younger abstractionists who attracted attention. His distinctive hard-edge pictures were accompanied by his theorizing that,…

Saturday, September 26th, 2009

installation shot of the exhibition under review.

Will Ryman: A New Beginning at Marlborough Chelsea


As in the films of David Lynch, a seedy underbelly lurks below this rosy landscape.

Monday, September 21st, 2009

Enoc Perez, Pavilion of the Soviet Union, Expo 67 2009. Oil on canvas, 60 by 80 inches. Courtesy the Artist and Mitchell-Innes & Nash

Enoc Perez at Mitchell-Innes & Nash


Enoc Perez uses the contours of modernist architecture and feminine beauty to explore ideas of longing, nostalgia, optimism and melancholy.

Saturday, September 12th, 2009

Stanley Boxer, Somewhereamarbleman, 1990. Mixed media on canvas, 50 x 50 inches. Courtesy of Spanierman Modern

Remembering Stanley Boxer: A retrospective, 1946-2000


An exhibition of Boxer’s work runs at Spanierman Gallery through February 18

Monday, August 24th, 2009

detail of Orange Fizz 2008. Elmer's glue & ink on panel, 36 x 72 inches. Courtesy of Margaret Thatcher Projects.

Heidi Van Wieren at Margaret Thatcher Projects


The consequences of Van Wieren’s style allow for simultaneous readings of her art.

Sunday, August 16th, 2009

Installation view of the exhibition under review show, foreground, Hanne Darboven 100 Books 00–99. 1970. One hundred books, 365 or 366 pages each, offset printed, each 10 15/16 x 8 7/16 x 1 7/16 inches. Collection of the Artist, and Lawrence Weinerr IN AND OUT. OUT AND IN. AND IN AND OUT. AND OUT AND IN. 1971. lettering, dimensions variable. Collection Ghislain Mollet-Viéville, MAMCO, Geneva. © 2009 Lawrence Weiner/Artists Rights Society (ARS), New York. Photograph: Jason Mandella

In & Out of Amsterdam at the Museum of Modern Art


As these mercurial installations, films, and performances indicate, Conceptual art often yielded works of great elegance in novel forms of presentation.

Thursday, July 9th, 2009

Dorsal Fin 2009. Oil on panel, 11.81 x 7.87 inches. Images courtesy of Marc Jancou Contemporary

Ross Chisholm at Marc Jancou Contemporary


The background shadows throb with an almost Goya-esque expressionism. Maybe the matron is escaping into a sci-fi film. Maybe she’s wandering through the forbidden recesses of memory itself.

Wednesday, July 1st, 2009

The Family (Algis, Julie and Bailey) 1968. Oil on canvas, 63-3/8 x 37-1/8. © The Estate of Alice Neel. Courtesy David Zwirner, New York

Alice Neel at David Zwirner and Zwirner & Wirth


Thinking of herself as a “collector of souls,” Neel created an oeuvre that not only reveals different facets of humanity, but also sums up the diversity of American urban society.