criticismExhibitions
Sunday, June 19th, 2016
 
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The Turner Prize-winning artist and musician’s exhibition is currently on view at the Park Avenue Armory. ...
Saturday, June 18th, 2016
 
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on view at P.P.O.W. through June 25 ...
Friday, June 10th, 2016
 
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A brief history of the work of a West Coast abstract expressionist. ...
 

Wednesday, April 9th, 2008

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Jasper Johns: Drawings 1997–2007 at Matthew Marks Gallery


Regardless of the medium he works in, Johns’s busy, agile yet weirdly reticent hand presents an oxymoronic mix of attributes, being at once tentative and emphatic.

Monday, April 7th, 2008

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Marcel Dzama: Even The Ghost of the Past


Marcel Dzama’s drawings evoke the ethos of an adult dreamscape while recalling a style of childrenís picture book.

Sunday, March 30th, 2008

Alexander Ross, Untitled, 2014. Oil on canvas, 62 x 54 inches. Courtesy of David Nolan Gallery

Alexander Ross at David Nolan Gallery


His new show opens Thursday, October 30

Sunday, March 30th, 2008

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Gustave Courbet


As a painter, Courbet ravishes a nude in the same manner as he would a tree or a trout: for the visual evidence of its expressive physicality.

Sunday, March 30th, 2008

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Ruth Root


For an abstract painter of her generation, the older distinctions between figurative and abstract art, or between politically critical art and the consumer products of mass culture cease to have much importance. Perhaps that is why her essentially cheerful art shows no signs of th angst which inspired so many of the pioneering Abstract Expressionists.

Sunday, March 30th, 2008

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Fay Ku


Like Henry Darger, Ku refers to a mindset populated by children who undermine confidence in the world as it is. She presents disturbing tableaux, meditations on transgressions that make no sense, that seem to come out of nowhere.

Thursday, March 20th, 2008

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Sean McCarthy: I Think of Demons


McCarthy’s chimerical hybrid creations are sphinx-like. Mysterious and inscrutable, their individual characteristics undermine any symbolic reading. They are rooted in the real world, but also convey a complete sense of otherness.

Friday, March 14th, 2008

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Jeff Wall’s Unlovely World


The effect of scale, however, is to demand an attention the unglamorous, prosaic images might not otherwise command, to make moral, political claims for the importance of their subjects — in the senses both of the socially marginalized people and the issues raised.

Friday, March 14th, 2008

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Luc Tuymans


In Luc Tuymans, you are never allowed to forget that the source is banal and secondary. Painterliness underscores alienation rather than ameliorating it.

Friday, March 14th, 2008

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Stanley Lewis


Lewis’s unfailingly authoritative skill for painting real, rich and crystalline light, joined to his muscular composition, is the key to his power and success.