criticismExhibitions
Saturday, May 14th, 2016
 
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Her extended exhibition closes May 15 at Nathalie Karg on the Lower East Side ...
Saturday, May 14th, 2016
 
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The artist explores the interrelation of intellectual, aesthetic, and corporeal adornment. ...
Wednesday, May 11th, 2016
 
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The artists use ceramics and painting to alter viewers’ perceptions of space and objects. ...
 

Friday, March 14th, 2008

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Luc Tuymans


In Luc Tuymans, you are never allowed to forget that the source is banal and secondary. Painterliness underscores alienation rather than ameliorating it.

Friday, March 14th, 2008

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Stanley Lewis


Lewis’s unfailingly authoritative skill for painting real, rich and crystalline light, joined to his muscular composition, is the key to his power and success.

Monday, March 3rd, 2008

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Bingyi Huang at Max Protetch


Given Huang’s indirectness, we experience the scene as if imbued with symbolist forms, which reveal their meaning only fleetingly. Yet the painting does not feel deliberately obscure, but rather poses the question, How much must be revealed before the images makes narrative sense?

Saturday, March 1st, 2008

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Rackstraw Downes at Betty Cuningham and Greg Lindquist at Elizabeth Harris


Downes paintings reflect a unique combination of aggressive conception and passive elaboration. Fervent perceptions of space enliven their broad outlines; details follow, filling in the story of each site exactly “as is.” Colors add atmosphere and light.

Saturday, March 1st, 2008

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Successive Approximation: Tauba Auerbach, Daniel Buren, Sol Lewitt, Mike Quinn and Robin Rhode


Too often group exhibitions, especially those that mix together young artists and famous figures, fail to reveal elective affinities. This tight small show, however, revealed that these nine very different looking works of art all shared a genuine concern with successive approximation. And in doing that, it also displayed the totally unexpected relationship of these contemporary works of art with the traditions of old master painting.

Saturday, March 1st, 2008

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Juan Usle at Cheim & Read and Silvia Bachli at Peter Freeman, Inc.


Despite different approaches towards scale, texture and color, a common attitude pervades each artist’s style that isolates a cool tension between involvedness and restraint.

Saturday, March 1st, 2008

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Diana Puntar: Lived Live Evil Devil at Oliver Kamm/5BE Gallery


Their biomorphic qualities are undermined by the fabrication process, but this increases the sense of otherness they generate. They suggest imaginary beings that are not the product of fantasy, but rather of imaginative speculation on the real but unknown.

Thursday, February 7th, 2008

William Kentridge, What Will Come, 2007. Courtesy of Marian Goodman Gallery

A Surfeit of Genius: William Kentridge at Marian Goodman Gallery


Seeing Double is packed with elaborations of his trademark idiom: imagery transmogrified

Wednesday, February 6th, 2008

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Lisa Robinson: Snowbound at Klompching Gallery


Although Robinson’s snowscapes recall the nineteenth-century Arctic exploration that captured America’s imagination, her work also conjures our 21st-century fear of natural disaster—that nature will reclaim the manmade landscape by our own disregard for the environment.

Sunday, February 3rd, 2008

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Alan Saret at the Drawing Center, Richard Pousette-Dart at Knoedler


Physical gesture means the artist’s hand is present yet transcended: there is no question that the arcs or circles are handmade, but an unforced, lyrical all-overness creates a cosmic, suprapersonal sense of order and well-being.