criticismExhibitions
Wednesday, May 10th, 2017
 
Mimmo Rotella, TAL, 1957, Décollage on canvas, 12 7/8 x 14 1/4 inches. Image courtesy of the gallery.
selected early works were on view uptown ...
Friday, January 6th, 2017
 
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Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Sunday, August 21st, 2016
 
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A show of activist art from across Latin America. ...
 

Sunday, June 1st, 2008

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Peter Heinemann: Bluebird


Heinemann’s intensity, always apparent in his incisive, schematized shapes and hues, now describe with awkward purposefulness the trappings of rustic life: still lifes of dry good scales, vases, and lawn ornaments, and outdoor scenes populated by bird feeders and flower gardens – and, most notably, by the cats which by turns resemble inert, furry spheres or rocketing pillows with lethal teeth.

Sunday, June 1st, 2008

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Earning His Stripes: Kenneth Noland in the ‘60s


The forms in Noland’s paintings are usually dismissed as mere devices to enable him to explore color, but the lines and shapes of these paintings have a basis in the natural world as well. They add to the feelings of harmony and serenity that these paintings project, while titles like “Via Light” and “Via Shimmer” suggest Roman roads and air mail stickers, thus ideas of travel and motion and speed.

Sunday, June 1st, 2008

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Take your Time: Olafur Eliasson


The waterfalls promise to be impressive and quite the sensation, but they will also reveal Eliasson’s main strength – the skill to turn a generous gesture into a subjective experience, which even in a city of millions can be as personal as it will be communal.

Sunday, June 1st, 2008

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Delia Brown: Precious at D’Amelio Terras, Hilary Harness at Mary Boone


Hilary Harkness shares with Sade not just the pathology to which the Marquis lent his name but also an essential element of style — endless variation, at once exhilerating and enervating, upon an obsessive theme.

Sunday, June 1st, 2008

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Walton Ford at Paul Kasmin Gallery and Neo Rauch at David Zwirner Gallery


Neo Rauch is a prodigious talent. His canvases are lush with painterly dexterity, compelling characterization, and compositional intrigue. But, as with Walton Ford’s animal portraits, there is more about these costume dramas that transports viewers back to the amalgamated past they never knew — the very definition of nostalgia — than truly puts them in touch with a sense of being here and now.

Sunday, May 25th, 2008

Frank Selby: We Weren’t Never Here


Uncovering a sense of presence through an implied absence, these drawings and paintings explore a peculiar, discontinuous narrative.

Wednesday, April 16th, 2008

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Thomas Nozkowski at PaceWildenstein


Even an astute connoisseur would be hard pressed to locate specific Nozkowskian tropes. There are some recurring motifs, but internal scale, texture, and mood present themselves in different coordinates. This is the more remarkable because Mr. Nozkowski’s modus operandi is so prescribed in terms of scale, medium, taste, and authentic touch.

Friday, April 11th, 2008

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James Siena at PaceWildenstein


The experience in this richly diverse exhibition is not of transition so much as consolidation: the new works, whether big loopy abstractions in fat confident brushstrokes or weirdo figuration, seem legitimate outgrowths of the precious, tight, miniaturist Siena of old.

Sunday, March 30th, 2008

Alexander Ross, Untitled, 2014. Oil on canvas, 62 x 54 inches. Courtesy of David Nolan Gallery

Alexander Ross at David Nolan Gallery


His new show opens Thursday, October 30

Sunday, March 30th, 2008

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Gustave Courbet


As a painter, Courbet ravishes a nude in the same manner as he would a tree or a trout: for the visual evidence of its expressive physicality.