criticismExhibitions
 
Elizabeth Ferry, installation view of "Dems Toad," 2014, at Honey Ramka. Courtesy of the gallery.
An exhibition of sculptures and paintings of beastly sexual energy. ...
 
Carla Gannis, The Garden of Emoji Delights, 2014. Digital C-print, detail of left panel. Courtesy of the Artists
On view at Kasia Kay Art Projects, Chicago ...
 
Michael Bell-Smith, Blind on Rips, 2014. Vinyl film on polyester painted aluminum composite panel, 47 1/2 × 35 5/8 inches. Courtesy of the artist and Foxy Production.
Who is the Elmer Fudd of Post-Internet art? ...
 


Sue Williams, Otis, 2013, oil and acrylic on canvas, 50 x 60 inches. Courtesy of 303 Gallery, New York.

As Abstract as Indigestion: Sue Williams at 303 Gallery


Paintings that revisit the trauma of 9/11 without sentimentality or patriotism


Leo Fitzpatrick, Never again (I was in love with you intill you left with him) again, 2013, acrylic on canvas 14”x 33”. Courtesy of the National Exemplar Gallery.

“the poems keep getting shorter/the explanations longer”: Leo Fitzpatrick at the National Exemplar


A young artist’s still-life portraits of poetry, now extended to February 22


Ena Swansea, Night and Day Reversible Sofa, 2014. Steel, auto body paint, burlap, fake fur, feathers, and computerized reproductions of paintings, on dye-sublimation casino gaming suede, 35.25 x 157 x 33.5 inches, Edition of 8, 2 APs. Courtesy of Friendman Benda Gallery. Photo: Christopher Burke Studio

Night and Day: Ena Swansea, Reversible


A show of paintings and a sofa at Friedman Benda, through February 15


Philip Pearlstein, Two Female Models on Cast Iron Bed, 1975. Wash on Paper, 29-1/4 x 40-1/4 inches. Courtesy of Betty Cuningham Gallery

Camp Blanding: The Naked and the Undead in Philip Pearlstein


His show, curated by Robert Storr, is at the New York Studio School


Melissa Meyer, Untitled, 2012. Watercolor on paper, 7-1/8 x 10-1/4 inches. Courtesy of Lennon, Weinberg, Inc.

Risk on the Horizon: Melissa Meyer at Lennon, Weinberg


Her show of paintings and watercolors enters its final week


Lois Dodd, Red Shirt and Window, 2013. Oil on panel, 15-3/4 x 16 inches. Courtesy of Alexandre Gallery

Nature, Reduced But Full: Lois Dodd at Alexandre Gallery


Probing, often mischievous curiosity about the appearance of ordinary objects


Sandi Slone, Red Letter Day, 2013, oil and acrylic on canvas, 76" x 60."

It’s Elementary: Painting 101 at Sargent’s Daughters


Five artists lay down the rules of the painting game


Larry Poons, Araminty, 2013. Acrylic on canvas, 65 x 92-7/8 inches. Courtesy of Danese/Corey

Orchestration Transformed: Larry Poons, Early and New


Shows this winter at Loretta Howard and Danese/Corey


Paul Glabicki, RELATIVITY # 6, 2013. Graphite pencil, Prismacolor pencil, ink acrylic on paper, 31-1/2 x 34-1/2 inches. Courtesy of the artist and Kim Foster Gallery

Hyper-Saturation of Sign and Signifier: Paul Glabicki’s Relativity


At Kim Foster Gallery through February 15


Dorothea Rockburne, Scalar,1971. Chipboard, crude oil, paper and nails, 80 x 114-1/2 inches. The Museum of Modern Art, New York © 2014 Dorothea Rockburne / Artists Rights Society (ARS), New York

Thought Embodied: Dorothea Rockburne’s Drawing Which Makes Itself


now in its final week at MoMA