criticismExhibitions
Wednesday, June 27th, 2018
 
Jill Nathanson, Key of Be, 2016. Acrylic and polymers with oil on panel, 60 x 60 inches. © Jill Nathanson. Courtesy Berry Campbell Gallery
“Nathanson’s colors feel harvested from sensations of all that is sunlit” ...
Saturday, June 23rd, 2018
 
Installation shot of the exhibition under review, Jordan Wolfson, Riverboat song, 2017–2018, David Zwirner Gallery
Jordan Wolfson: Riverboat song at David Zwirner through June 23 ...
Monday, June 18th, 2018
 
Donna Dennis, Night Dock and Stars, 2016. Gouache on paper, 11 x 14-1/8 inches. Courtesy of the artist and Lesley Heller Gallery
“Ship and Dock/Nights and Days or The Gazer”, on view through June 30 ...
 

Thursday, May 11th, 2017

Betty Tompkins, Sex Grid Painting #2, 2016, Acrylic and pencil on paper, 19 1/2 x 41 1/2 inches. Image courtesy of P.P.O.W.

The Opposite of Sex: Betty Tompkins Paints Porn


Shows at PPOW and Marlborough through this weekend

Wednesday, May 10th, 2017

Mimmo Rotella, TAL, 1957, Décollage on canvas, 12 7/8 x 14 1/4 inches. Image courtesy of the gallery.

City as Museum: Mimmo Rotella at Gladstone


selected early works were on view uptown

Friday, May 5th, 2017

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Mentors, Muses and Mystery: Alfonse Borysewicz at First Things Gallery


A Catholic artist and his paintings of ideas

Tuesday, April 18th, 2017

Harvey Quaytman, Jacob’s Coat, 1984. Acrylic on canvas, 80 x 80 inches. Courtesy of Van Doren Waxter

Hard-Edge Happiness: The Paintings of Harvey Quaytman


On view at Van Doren Waxter through April 28

Tuesday, April 11th, 2017

Agnès Varda, La terrasse du Corbusier, Marseille (1956) / Les gens de la terrasse (2008), 2012. Black and white digital c-print, color/sound video projection with English subtitles., 2 minutes 33 seconds, looped. Courtesy of Blum & Poe, Photo: Genevieve Hanson

An Impulse Towards Narrative: Agnès Varda at Blum & Poe


A survey in different mediums of the legendary New Wave director

Tuesday, March 28th, 2017

Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center

Site Specific: Diana Cooper and Lee Boroson at Fordham


Prismatic Shifts, a two person show curated by Carleen Sheehan

Wednesday, March 8th, 2017

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Clarity of Facture: David Reed, 1975 at Gagosian


Historical exhibition, curated by Katy Siegel and Christopher Wool, seen earlier this season

Tuesday, January 31st, 2017

Terry Adkins, Darkwater Record, 2002. Estate of Terry Adkins, Courtesy Salon 94

“Material Potentialities”: Terry Adkins and His Influence


An important exhibition, last year, at Penn’s Arthur Ross Gallery

Tuesday, January 31st, 2017

Installation shot of the exhibition under review, including, far right, , #14-1959, 1959. Oil on canvas, 60 x 46 inches. Photo: Joan Boykoff Baron

The Marvelous Void: Exhibitions in Los Angeles and New York of John McLaughlin


a major retrospective at LACMA of the Asia inspired abstractionist, through April 16

Tuesday, January 31st, 2017

Dan Walsh, Klimt Book, 2016. Artist's book, 9-1/2 × 14-7/8 inches. Courtesy of Paula Cooper Gallery

The Hermetic and the Everyday: Dan Walsh at Paula Cooper


on view in Chelsea, through February 4