As Burri’s retrospective continues at the Guggenheim through January 6, a review from 2008
Lopez-Huici acknowledges the mythic power of the Venus of Willendorf, that of the earth mother and other myths of femininity, as she de-mystifies them through her subjects’ specificity and ambient humanity.
As the skies become grey, the sunlight becomes scarce, and the air becomes frigid, we find in snowy Buffalo at the Albright-Knox, a respite for all of this, an oasis of color and light.
When these three Tiepolos at the Met were removed from the main salon of Ca’Dolfin, the intended site-specific lighting effects were lost. But Alpers, Hyde and Kulok recreate the way that, to quote Alpers and Baxandall, “the world, on Tiepolo’s account, presents a conundrum and his painting makes us conscious of having to work to make things out.”
Where Yasinsky accesses early girlhood through dolls and dinky illustration technique, McQuilkin seems dedicated to a perpetual state of teenage angst. The specific identification of both with early cinema relates to a broader trend in feminist-influenced art.
In tribute to curator Walter Liedtke, tragically killed in the Metro-North train crash Tuesday.
These hefty yet open-form, emphatic yet enigmatic assemblages of prefabricated, found, and adapted components show a youthful, spry, curiosity-filled artist at the top of his game.
Tibor de Nagy Gallery 724 Fifth Avenue New York City 212 262 5050 October 4- November 10, 2007 Anna Hostvedt’s small, intricate paintings offer a personal vision of the mundane. One could say she is painting what Georgio Morandi would have painted had his window faced a non-descript American parking lot instead of an Italian…
The Museum of Modern Art 11 West 53 Street, between Fifth and Sixth Avenues New York City 212 708 9400 July 18–October 29, 2007 Richard Pare is a documentary photographer who specializes in historical architecture and has written a book on the subject entitled Photography and Architecture. He spent fifteen years collecting examples of architectural photography,…
Tibor deNagy Gallery 724 Fifth Avenue New York City 212 262 5050 October 4 to November 10, 2007 In Phillip Geiger’s painting “A Different Shirt” of 2006, on display at Tibor deNagy, we look beyond a tabletop display of deliciousness, cake, sunflowers, etc to a young woman, her head turned completely away from the viewer,…