criticismExhibitions
Wednesday, May 10th, 2017
 
Mimmo Rotella, TAL, 1957, Décollage on canvas, 12 7/8 x 14 1/4 inches. Image courtesy of the gallery.
selected early works were on view uptown ...
Friday, January 6th, 2017
 
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Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Sunday, August 21st, 2016
 
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A show of activist art from across Latin America. ...
 

Tuesday, January 22nd, 2008

Alberto Burri, Nero cretto (Black Cretto), 1976. Acrylic and PVA on Celotex, 147.3 x 246.5 cm. On view at the Solomon R. Guggenheim Museum, New York, in their exhibition, Alberto Burri: The Trauma of Painting. Private collection, courtesy Luxembourg & Dayan

Alberto Burri at Mitchell-Innes & Nash


As Burri’s retrospective continues at the Guggenheim through January 6, a review from 2008

Tuesday, January 22nd, 2008

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Ariane Lopez-Huici: Photography


Lopez-Huici acknowledges the mythic power of the Venus of Willendorf, that of the earth mother and other myths of femininity, as she de-mystifies them through her subjects’ specificity and ambient humanity.

Sunday, December 23rd, 2007

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The Panza Collection: An Experience of Color and Light


As the skies become grey, the sunlight becomes scarce, and the air becomes frigid, we find in snowy Buffalo at the Albright-Knox, a respite for all of this, an oasis of color and light.

Tuesday, December 11th, 2007

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Painting Then For Now; Fragments of Tiepolo at the Ca’ Dolfin


When these three Tiepolos at the Met were removed from the main salon of Ca’Dolfin, the intended site-specific lighting effects were lost. But Alpers, Hyde and Kulok recreate the way that, to quote Alpers and Baxandall, “the world, on Tiepolo’s account, presents a conundrum and his painting makes us conscious of having to work to make things out.”

Tuesday, December 11th, 2007

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Karen Yasinsky at Mireille Mosler, Alex McQuilkin at Marvelli, Isaac Julien at Metro Pictures


Where Yasinsky accesses early girlhood through dolls and dinky illustration technique, McQuilkin seems dedicated to a perpetual state of teenage angst. The specific identification of both with early cinema relates to a broader trend in feminist-influenced art.

Tuesday, December 4th, 2007

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The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art


In tribute to curator Walter Liedtke, tragically killed in the Metro-North train crash Tuesday.

Friday, November 9th, 2007

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Anthony Caro at Mitchell-Innes & Nash


These hefty yet open-form, emphatic yet enigmatic assemblages of prefabricated, found, and adapted components show a youthful, spry, curiosity-filled artist at the top of his game.

Monday, October 1st, 2007

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Anna Hostvedt: Recent Paintings


Tibor de Nagy Gallery 724 Fifth Avenue New York City 212 262 5050 October 4- November 10, 2007 Anna Hostvedt’s small, intricate paintings offer a personal vision of the mundane. One could say she is painting what Georgio Morandi would have painted had his window faced a non-descript American parking lot instead of an Italian…

Monday, October 1st, 2007

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Lost Vanguard: Soviet Modern Architecture, 1922-32 Photographs by Richard Pare


The Museum of Modern Art 11 West 53 Street, between Fifth and Sixth Avenues New York City 212 708 9400 July 18–October 29, 2007 Richard Pare is a documentary photographer who specializes in historical architecture and has written a book on the subject entitled Photography and Architecture. He spent fifteen years collecting examples of architectural photography,…

Monday, October 1st, 2007

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Philip Geiger


Tibor deNagy Gallery 724 Fifth Avenue New York City 212 262 5050 October 4 to November 10, 2007 In Phillip Geiger’s painting “A Different Shirt” of 2006, on display at Tibor deNagy, we look beyond a tabletop display of deliciousness, cake, sunflowers, etc to a young woman, her head turned completely away from the viewer,…