criticismExhibitions
Wednesday, May 10th, 2017
 
Mimmo Rotella, TAL, 1957, Décollage on canvas, 12 7/8 x 14 1/4 inches. Image courtesy of the gallery.
selected early works were on view uptown ...
Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Sunday, August 21st, 2016
 
basta_feature
A show of activist art from across Latin America. ...
 

Friday, June 1st, 2007

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Anthony Goicolea: Almost Safe


Postmasters Gallery 459 W 19 Street New York City 212 727 3323 April 28- June 2, 2007 Anthony Goicolea’s photographs are fantastical constructions of derelict landscapes. His large-scale black and white photographs—they measure up to eight feet wide—fill the front room at Postmaster, depicting traces of man’s interaction with the natural environment in a surreal…

Friday, June 1st, 2007

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Nancy Shaver: “Retail,” sculpture and objects from Henry


Feature, Inc. 530 West 25th Street New York City 212 675 7772 14 April – 19 May 2007 The curiosity shop that artist Nancy Shaver runs in Hudson, N.Y., is named Henry. It is an antique store filled with non-art objects in display cases that customers pay cash for and carry away. In one sense…

Thursday, April 5th, 2007

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The Realist World: Alfred Leslie, Sylvia Sleigh, Philip Pearlstein


THE RADICAL THEATER OF ALFRED LESLIE Ameringer Yohe until April 21 (20 West 57th Street, between 5th and 6th Avenues, 212 445 0051) SYLVIA SLEIGH I-20 until May 10 (557 West 23rd Street between 10th and 11th Avenues, 212 645 1100) PHILIP PEARLSTEIN Betty Cuningham until April 28 (541 West 25 Street, between 10 and…

Sunday, April 1st, 2007

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The linear and the painterly: How art today uses its traditions


Saul Steinberg at the Morgan Library, Merlin James at the Studio School

Sunday, April 1st, 2007

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Justin Lieberman: Agency (Open House)


Zach Feuer Gallery 530 West 24th Street New York City 212-989-7720 January 11 to February 24, 2007 Historically speaking, the emphasis on written language in works of visual art, whether it is done in a mocking, disruptive, or sculptural way, introduced a level of criticality that was not there before. If a visual artist decides…

Sunday, April 1st, 2007

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About Borromi: Prints and Drawings by Deborah Rosenthal


The Bowery Gallery 530 West 25th Street, 4th flr, New York City 646-230-6655 February 27 to March 24, 2007 “About Borromini,” an exhibition of prints and drawings by Deborah Rosenthal and text by Jed Perl, had an almost curative feel to it. To look at these pieces and to read the accompanying prose was like…

Thursday, March 1st, 2007

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Time, Truth and History – El Greco to Picasso


Solomon R. Guggenheim Museum 1071 Fifth Avenue at 89th Street New York City 212 423 3500 November 17, 2006 to March 28, 2007 What to think of yet another in the procession of general surveys the Guggenheim has served up?  In 2000, the late, great Robert Rosenblum presented the 1900 show as an expansive index that…

Thursday, March 1st, 2007

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Developing an Eye for Color: Albers, Judd and Oursler


We think there is a clue in Oursler’s work that provides us with a deeper insight into the nature of the relationship involved in the Albers-Judd pairings. This is a rather surprising state of affairs given that Oursler’s grotesque sculptures are hardly known for their imaginative use of color.

Thursday, March 1st, 2007

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Melissa Meyer in Black and White: Works on paper, 1984-1994


New York Studio School 8 West 8 Street New York City 212 673 6466 December 14, 2006 to February 3, 2007 traveling to the Wiegand Gallery of Notre Dame of Namur University January 20 to March 3, 2008 What is it to exhibit the black and white works on paper of Melissa Meyer made between…

Thursday, March 1st, 2007

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Alan Davie: Mystic Visions


The Scottish-born painter Alan Davie turns 87 this year. He has been called one of Britain’s most significant living artists and one of its most famous beatniks. He wears a bushy, long white beard and is an accomplished jazz musician as well as a poet. Davie made a splash in the New York art scene…