criticismExhibitions
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Samuel Fosso, Le chef qui a vendu l’Afrique aux colons, 1997. C-print, 101 x 101 cm. Courtesy of the Walther Collection.
Fosso challenges visions of African identity through self-portraiture. ...
 
Josh Dorman, Memento Mori (detail), 2014. Ink, acrylic and antique paper on two panels, 56 x 120 inches. Courtesy of the artist and Ryan Lee Gallery.
Geological-, biological-, and mechanical-history paintings as collage. ...
 


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Rudy Burckhardt


Rudy Burckhardt: New York Photographs Curated by Vincent Katz Tibor de Nagy Gallery May 1 – June 6, 2003 Rudy Burckhardt’s Maine: An Exhibition of Photographs, Paintings, and Films Curated by Vincent Katz New York Studio School Gallery May 8 – June 21, 2003 Rudy Burckhardt’s career dates from 1935 to 1999. Working in the…


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Thomas Nozkowski Drawings


January 23 to March 1, 2003 New York Studio School 8 West 8 Street, New York NY 10011 The key drawings in Thomas Nozkowski’s exhibition were hung just inside the entrance to the gallery. S68, dated 1984, is a semi-abstract pictogram made from short brushstrokes. The image is centered on a large empty field of…


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Abstraction in Photography


Von Lintel Gallery 555 W 25th Street, New York February 6 – March 22 2003 I would venture to guess that your average person regards photography as the instant capture of reality simply because real places and things are often photographed, and because the resulting image is documentary in nature. But the document is not…


Adolph Gottlieb: A Survey Exhibition


It might surprise us to learn that Adolph Gottlieb considered himself to be a conceptual artist. It is hard for us to imagine any painter as a conceptual artist. Don’t conceptual artists make their statements with pickled sharks and soiled beds? This survey at the Jewish Museum includes early paintings heavily influenced by Milton Avery…


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Donald Beal: New Paintings


Prince Street Gallery 530 West 25th Street, New York NY 10001 January 7 through 25, 2003 Tues – Sat 11 – 6 PM Donald Beal’s instinct for color is deeply appealing. And instinct it is. Color sense cannot be forced. It has to come of itself, rather as memories do, by natural association and unbidden,…


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The Irony and the Ecstasy: Michael Craig-Martin and Anselm Kiefer at Gagosian


Michael Craig-Martin: Eye of the Storm Gagosian Gallery, 555 West 24th Street, through February 15 Anselm Kiefer: Merkaba ran from November 8 to December 14; the catalogue is available from Gagosian Gallery at $80. What extraordinary scene changes an art gallery can witness. Take the Gagosian Gallery. One week it’s Anselm Kiefer, the next Michael…


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William Kentridge: Zeno Writing


William Kentridge Zeno Writing Marian Goodman Gallery 24 West 57 Street, New York November 8, 2002- January 4, 2003 ‘Zeno Writing’, a multi-media project by South African artist William Kentridge which included a short animated film and supporting drawings, recently on show at Marian Goodman, is based on Italo Svevo’s 1923 novel Confessions of Zeno. The novel,…


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Jeff Wall


Marian Goodman Gallery 24 West 57th Street New York, NY 10019 September 20 – November 2, 2002 The remnant of an old suitcase lies open, littered with garbage and filled with rain. Three strangers walk along an overpass on a partially cloudy day, carrying luggage. Smoke from a small fire rises through a forest’s bare…


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Sam Taylor-Wood: Passion


Matthew Marks Gallery 523 West 24 Street, New York October 21 to November 2, 2002 In the large video projection “Pietà,” facing the desk at Matthew Marks Gallery, the artist Sam Taylor Wood labors to support the draped body of Robert Downey Jr. Why him, one might ask, and for that matter, why her? Why…


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Elmer Bischoff Paintings


Elmer Bischoff Paintings Salander-O’Reilly Galleries 20 East 79 Street, New York October 29 to November 30, 2002 By focusing on the early and late abstractions and leaving out the figurative works for which he is best known, this exhibition offers a very clear look at Elmer Bischoff’s search for individuality. From the beginning of his…