criticismExhibitions
Tuesday, July 3rd, 2018
 
Hiraki Sawa (left), Dwelling, 2002. Video, 9:20 minutes; Olafur Eliasson (right), Yellow Double Hung Windows, 1999. Two halogen, 60 watt profle spotlights on tripod with gobos, dimensions variable. Courtesy of the artists and 601Artspace. Photo: Jason Mandella
Curated by Jesse Penridge and Harriet Salmon, through July 31 ...
Wednesday, June 27th, 2018
 
Jill Nathanson, Key of Be, 2016. Acrylic and polymers with oil on panel, 60 x 60 inches. © Jill Nathanson. Courtesy Berry Campbell Gallery
“Nathanson’s colors feel harvested from sensations of all that is sunlit” ...
Saturday, June 23rd, 2018
 
Installation shot of the exhibition under review, Jordan Wolfson, Riverboat song, 2017–2018, David Zwirner Gallery
Jordan Wolfson: Riverboat song at David Zwirner through June 23 ...
 

Friday, October 28th, 2016

Jane Benson, Faux Faux (Iris Yellow), 2015. Hand cut artificial flower and glass 30 x 15 x 13 inches. Courtesy of the artist and The Parlour Bushwick

Faux Faux and Hooker Shoes: Parlor Games in Bushwick


What a World, What a World at The Parlour Bushwick through November 6

Wednesday, October 26th, 2016

Installation view, "Calvin Marcus: Were Good Men," 2016, at CLEARING Gallery. Courtesy of the gallery.

Spilled Blood: Calvin Marcus at Clearing


A show of new paintings puts questions to cultural assumptions about war.

Friday, October 21st, 2016

Untitled_11

True Stripes: Sean Scully at Mnuchin


A survey of Sean Scully’s formative work of the 1980s.

Thursday, October 20th, 2016

Robert Overby, DCT, 1973. Oil on canvas, 38½ x 51¼ inches. Courtesy of Fredericks & Freiser

Esquire Showcard: Another layer excavated from the legacy of Robert Overby


at at Fredericks & Freiser through October 22

Thursday, October 20th, 2016

ch-for-cover

A Passionate Visual Idiom: Carmen Herrera at the Whitney


A segment of her long career leaves a critic hungry for more

Sunday, October 16th, 2016

Rebecca Morgan, Pajama Jug, 2015. Raku ware, 6.75 x 4.5 x 5 inches. Courtesy of the artist.

Hillbillies in Chelsea: Rebecca Morgan at Asya Geisberg


Morgan’s new work develops in the direction of lovingly perverse caricature.

Friday, October 7th, 2016

House of Worth, tea gown, blue cut velvet on a green satin ground, Valenciennes lace, circa 1897. © Stéphane Piera/Galliera/Roger-Viollet.

How To Dress The Guermantes Way: “Proust’s Muse” at FIT


Proust’s Muse, The Countess Greffulhe is on view through January 7

Thursday, October 6th, 2016

teiji_feature

So Slow It Stopped: Teiji Furuhashi at MoMA


MoMA re-stages a 1995 installation by one of Japan’s late, great performance, tech, and collaboration innovators.

Saturday, October 1st, 2016

Installation view: Victor Burgin: Midwest, 2016, with still from Prairie. Cristin Tierney Gallery, New York. Photo by John Muggenborg.

Destructive Modernism: Two exhibitions of Victor Burgin


Recent projections at Cristin Tierney, work from 1976 at Bridget Donahue

Thursday, September 29th, 2016

Installation view, "Joel Perlman: New Sculpture," 2016, at Loretta Howard Gallery. Courtesy of the gallery.

Man of Steel: Joel Perlman at Loretta Howard


An exhibition of new sculpture makes an argument for virtuosity.