Monday, August 28th, 2017
On view in Chelsea, extended to September 1 ...
Wednesday, August 9th, 2017
Exuberant joy in the face of anguish; through September 10 ...
Tuesday, July 18th, 2017
Screen Shot 2017-07-18 at 6.50.43 AM
For Dumas, the question of extinction also points to violence against African-Americans ...

Tuesday, November 8th, 2016


Lusting for Kale: Suzanne Joelson in Bushwick

Vinyl supermarket banners make their way into new paintings at Studio 10

Tuesday, November 8th, 2016

Marina Abramovic, The Hero II, 2001 (2008). Gelatin silver print, 35 x 35 inches. Courtesy of David Nolan Gallery

Vive La Revolution

American Artists and the Communist Party at St. Etienne, George Grosz: Politics and Influence at Nolan

Saturday, November 5th, 2016

Clyfford Still, PH-950, 1950. 
Oil on canvas, 233.7 x 177.8 cm. 
Clyfford Still Museum, Denver (c) City and County of Denver / DACS 2016.
Photo courtesy the Clyfford Still Museum, Denver, CO

Conflicted Ambitions: Abstract Expressionism at London’s Royal Academy

Art made in turbulent times revisited in a conflicted present

Friday, October 28th, 2016

Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.

Flood of Images: Nathaniel Dorsky and Jerome Hiler at the New York Film Festival

Two experimental filmmakers depict the world, using the methodology of poetry.

Friday, October 28th, 2016

Jane Benson, Faux Faux (Iris Yellow), 2015. Hand cut artificial flower and glass 30 x 15 x 13 inches. Courtesy of the artist and The Parlour Bushwick

Faux Faux and Hooker Shoes: Parlor Games in Bushwick

What a World, What a World at The Parlour Bushwick through November 6

Wednesday, October 26th, 2016

Installation view, "Calvin Marcus: Were Good Men," 2016, at CLEARING Gallery. Courtesy of the gallery.

Spilled Blood: Calvin Marcus at Clearing

A show of new paintings puts questions to cultural assumptions about war.

Friday, October 21st, 2016


True Stripes: Sean Scully at Mnuchin

A survey of Sean Scully’s formative work of the 1980s.

Thursday, October 20th, 2016

Robert Overby, DCT, 1973. Oil on canvas, 38½ x 51¼ inches. Courtesy of Fredericks & Freiser

Esquire Showcard: Another layer excavated from the legacy of Robert Overby

at at Fredericks & Freiser through October 22

Thursday, October 20th, 2016


A Passionate Visual Idiom: Carmen Herrera at the Whitney

A segment of her long career leaves a critic hungry for more

Sunday, October 16th, 2016

Rebecca Morgan, Pajama Jug, 2015. Raku ware, 6.75 x 4.5 x 5 inches. Courtesy of the artist.

Hillbillies in Chelsea: Rebecca Morgan at Asya Geisberg

Morgan’s new work develops in the direction of lovingly perverse caricature.