Criticism
 
Mike Yaniro, Caric 1, 2013, graphite and ink on paper, found frame, 21 x 18 inches. Courtesy of Room East.
A young artist’s debut on the Lower East Side plays with language, drawing, and commercial processes ...
 
Installation view: Aldo Tambellini, We Are The Primitives Of A New Era at James Cohan Gallery, 2013. Photographer: Bill Orcutt
Reconstructed environments of pioneering cameraless films prefigure upcoming MoMA screenings ...
 
“Schwabsky is a master of concision” ...
 


David Hammons, In the Hood, 1993. Athletic sweatshirt hood with wire. 23 x 10 x 5 inches. Courtesy of Tilton Gallery

It Was Twenty Years Ago Today: NYC 1993 at the New Museum


On view through May 26


Sarah Walker, Near Earth Objects XII, 2013. Acrylic on paper, 14 x 13.25 inches. Courtesy of Pierogi Gallery

Quantum Fields and Cellular Processes: Sarah Walker at Pierogi


Planet X on view in Williamsburg thru’ April 21


burri-detail

Dimensions of Blackness: Alberto Burri’s “Cellotex Nero” at Luxembourg & Dayan


These late, sensuous and subtle works are on view through April 20


Gregory Corso, his attic room 9 Rue Gît-le-Coeur…., 1957 Gelatin silver print, printed 1984-97. National Gallery of Art, Gift of Gary S. Davis. © 2012 Allen Ginsberg LLC. All rights reserved.

Point Counterpoint: The Photographs of Allen Ginsberg


on view at NYU’s Grey Art Gallery through April 6


Alex Katz, Sea, Land, Sky, 1959. Cut and pasted paper, 8-5/8 x 11 inches. © Alex Katz/Licensed by VAGA, New York, NY Digital Image

Sea, Land, Sky: Alex Katz in England


An overview of his work traveled to seaside venues while his latest was on view in London


Sarah Lucas, Untitled (Tit Chair), 2012. Courtesy of Sadie Coles HQ, London

Maximum Gross-Out, Model Form: Sarah Lucas and Antony Gormley


Two very different kinds of sculpture in London


Jackie Gendel, Archers I, 2013. Oil on canvas, 48 x 36 inches. Courtesy of Jeff Bailey Gallery

Before and After the Flood: Two Shows of Jackie Gendel at Jeff Bailey Gallery


Thanks to Hurricane Sandy, a show bifurcates


Al Held, The Yellow X, 1965. Acrylic on canvas, 90 x 144 inches. Courtesy Cheim & Read, New York

Visually Self-Evident: Al Held’s Alphabet Paintings at Cheim & Read


Paintings of astonishing variety, through April 20


Marina Adams, Spin, 2010. Acrylic on Linen, 48 x 48 inches. Courtesy of Hionas Gallery

Post Hard: Marina Adams at Hionas Gallery


Quietly audacious abstract paintings on the Lower East Side


Margaret Grimes, Baldwin Hill Road, February, 2010. Oil on linen, 72 x 48 inches. Courtesy of the Artist

The Connective Sublime: A Retrospective for Margaret Grimes


at Western Connecticut State University through March 14