Criticism
Wednesday, July 13th, 2016
 
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The dancer and performance artist plays with mortality and geological time in a new iteration of her famous work. ...
Friday, July 8th, 2016
 
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An exhibition of video and prints exploring landscapes of an apocalyptic future built on the present. ...
Thursday, July 7th, 2016
 
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The artist’s paintings and drawings are now on view in Philadelphia PA and Purchase NY. ...
 

Wednesday, January 13th, 2016

Ann Pibal, RBWC3, 2013. Acrylic on aluminum, 12-3/4 x 17-3/4 inches. Courtesy of Lucien Terras

Like a Sequence of Thoughts: Ann Pibal at Lucien Terras


quietly resonant color and stringent asymmetry, on view through January 17

Wednesday, January 13th, 2016

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Ceci N’est Pas: “Not a Photo” at The Hole


An exhibition explores photography’s relationship to and influence on other media.

Friday, January 1st, 2016

publicity image for Alex Katz windows at Barney's, New York

Old Year’s Resolutions: Eight great shows I didn’t review


Jpegs were gathered, soundbites poised, but circumstances got the better of noble intentions

Thursday, December 31st, 2015

Jean Tinguely, Trüffelsau, 1984.

Mindless Machines: Jean Tinguely at Gladstone


The gallery mounts a retrospective of the artist’s madcap kinetic sculptures.

Thursday, December 31st, 2015

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“I Build Ruins”: Charles Simonds and the Dwellings of his Little People


His new memoir, Dwelling, is published by Walther König

Friday, December 25th, 2015

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Carnival Fun-House: Alva Noë’s Strange Tools


Reviewer to philosopher: Check your privilege

Monday, December 21st, 2015

Doron Langberg, Tyler, 2015, oil on linen, 35 x 45 inches. Courtesy of Danese/Corey

Seeing What Sticks: Doron Langberg & Gaby Collins-Fernandez


Two young artists who are friends, at Danese/Corey

Monday, December 21st, 2015

Peter Gallo, Glanz, der nicht tro?sten will, Glanz. Die Toten —sie betteln noch, Franz. (Celan), n.d. Oil & thread on canvas. 55 x 35 inches. Courtesy of the Artist and ZieherSmith & Horton

The Panopticon, The Pill and The Practitioner: David Byrd and Peter Gallo


The Patients and the Doctors at Zieher Smith & Horton

Sunday, December 13th, 2015

Cabaret Sign “Bat,” late 18th century–early 19th century. France. Wrought iron and rolled iron, repoussé, fastened with rivets; glass, 24-3/4 × 24-1/4 × 2 3/8 inches. Musée de la ferronnerie Le Secq des Tournelles, Rouen

Incarnated Curves: Ornamental Ironwork at the Barnes Foundation


Strength and Splendor, works from Rouen, on view in Philadelphia through January 3.

Tuesday, December 8th, 2015

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Retrospective Scraps: A Survey of Work by Nicola Ginzel


The artist’s embroidered fragments act as drawing, sculpture, and collage.