Norman Bluhm at James Graham & Sons
Even an astute connoisseur would be hard pressed to locate specific Nozkowskian tropes. There are some recurring motifs, but internal scale, texture, and mood present themselves in different coordinates. This is the more remarkable because Mr. Nozkowski’s modus operandi is so prescribed in terms of scale, medium, taste, and authentic touch.
The experience in this richly diverse exhibition is not of transition so much as consolidation: the new works, whether big loopy abstractions in fat confident brushstrokes or weirdo figuration, seem legitimate outgrowths of the precious, tight, miniaturist Siena of old.
Karen Bookatz on Andy Warhol and Dan Flavin
Regardless of the medium he works in, Johns’s busy, agile yet weirdly reticent hand presents an oxymoronic mix of attributes, being at once tentative and emphatic.
Marcel Dzama’s drawings evoke the ethos of an adult dreamscape while recalling a style of childrenís picture book.
His new show opens Thursday, October 30
As a painter, Courbet ravishes a nude in the same manner as he would a tree or a trout: for the visual evidence of its expressive physicality.
For an abstract painter of her generation, the older distinctions between figurative and abstract art, or between politically critical art and the consumer products of mass culture cease to have much importance. Perhaps that is why her essentially cheerful art shows no signs of th angst which inspired so many of the pioneering Abstract Expressionists.