Uncovering a sense of presence through an implied absence, these drawings and paintings explore a peculiar, discontinuous narrative.
Using few footnotes, this collection of Boris Groys’s essays offers a compulsively original account of contemporary art and the political systems that support it. Educated in the former USSR, now a professor in Germany who also teaches at NYU, he brings to contemporary art theory a highly original perspective. Groys discusses fundamental topics: the nature…
Norman Bluhm at James Graham & Sons
Even an astute connoisseur would be hard pressed to locate specific Nozkowskian tropes. There are some recurring motifs, but internal scale, texture, and mood present themselves in different coordinates. This is the more remarkable because Mr. Nozkowski’s modus operandi is so prescribed in terms of scale, medium, taste, and authentic touch.
The experience in this richly diverse exhibition is not of transition so much as consolidation: the new works, whether big loopy abstractions in fat confident brushstrokes or weirdo figuration, seem legitimate outgrowths of the precious, tight, miniaturist Siena of old.
Karen Bookatz on Andy Warhol and Dan Flavin
Regardless of the medium he works in, Johns’s busy, agile yet weirdly reticent hand presents an oxymoronic mix of attributes, being at once tentative and emphatic.
Marcel Dzama’s drawings evoke the ethos of an adult dreamscape while recalling a style of childrenís picture book.