Wednesday, October 28th, 2015
View of "Diary: How to Improve the World (You Will Only Make Matters Worse)," 2015, by John Cage, published by Siglio Press. Courtesy of Siglio.
The radically inventive and prolific musician’s ethics and curiosity are revealed in a new diary facsimile by Siglio Press. ...
Thursday, October 15th, 2015
On view at Valentine in Ridgewood and Hionas on the Lower East Side ...
Tuesday, October 13th, 2015
Sarah Sze, Measuring Stick, 2015. Video projectors, fan, light, mirrors, wood, stone, archival prints, speakers, stainless steel, balloon, sand, fruit, egg, plastic, toilet paper, aluminum foil, grass; 132 x 90 x 51 inches. Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo: Mike Barnett.
Sze’s new exhibition makes astronomical allusions with everyday goods and plays with viewer expectations. ...

Friday, April 1st, 2005


Richard Sloat and Su-Li Hung: Mr. & Mrs.

Michael Ingbar Gallery of Architectural Art 568 Broadway Until April 23 Richard Sloat and Su Li Hung share many things besides a household. Both are painters/printmakers inspired by views of New York City neighborhoods, and over the years both have exhibited numerous times in group shows at Michael Ingbar Gallery. Their current two-person show at…

Friday, April 1st, 2005


Scott Richter

Elizabeth Harris Gallery 529 West 20 Street New York 10011 212 463 9666 March 17-April 16, 2005 Scott Richter doesn’t use oil paint to create the illusion of depth on a two dimensional surface. He uses it to build three dimensional forms. We look down at or try to view Richter’s tabletop paintings from all…

Friday, April 1st, 2005


View Eight: A Few Domestic Objects Interrogate A Few Works of Art

Mary Boone Gallery 745 5th Avenue New York NY 10151 212 752 2929 As Marx claimed, in the introduction to his Critique of Political Economy, consumption is production. Taking this as his premise, Bruce Ferguson, Dean of the School of the Arts at Columbia University, has curated a show which is at once understatement and spectacle…

Thursday, March 10th, 2005


Eric Fischl at Mary Boone, Marlene Dumas at Zwirner & Wirth

Eric Fischl at Mary Boone through until April 23 (541 W. 24th Street, between Tenth and Eleventh Avenues, 212-752-2929) Marlene Dumas at Zwirner & Wirth until April 23 (32 E. 69th Street, between Madison and Park Avenues, 212-517-8677) MAKING MOVIES IN THE BEDROOM In March 2002 Eric Fischl was let loose in Mies van der…

Thursday, March 3rd, 2005

still from Baldessari Sings LeWitt

Logical Conclusions at PaceWildenstein

In remembrance of On Kawara, David Cohen’s 2005 review of “Logical Conclusions” at PaceWildenstein.

Tuesday, March 1st, 2005


Nathan Oliveira: Recent Paintings

DC Moore Gallery 724 Fifth Avenue at 57th Street New York NY 10019 212-247-2111 March 8 to April 9, 2005 A version of this review appeared in the New York Sun, March 17, 2005 The assured brushstrokes, iconic figures, and radiantly red backgrounds of Nathan Oliveira’s latest paintings suggest that, after five decades of exhibiting,…

Tuesday, March 1st, 2005


Noritoshi Hirakawa: In Search of a Purple Heart

Salon 94 12 East 94 Street New York NY 10128 646 672 9212 “In Search of a Purple Heart” a site-specific performance, written and directed by photographer Noritoshi Hirakawa, was presented twice on Sunday, February 27. The performances took place at Salon 94, a satellite of Artemis Greenberg Van Doren Gallery on East 94th Street…

Tuesday, March 1st, 2005


“Doors and Floors, War and More: Reflections on The Armory Show 05”

“Doors and Floors, War and More: Reflections on The Armory Show 05” The International Fair of New York Piers 90 and 92 March 10-14, 2005 This year’s Armory Show was a reasonably accurate reflection of today’s international art market with its vast array of sculpture, installations, painting, drawing, photography, and even some furniture. More than…

Tuesday, March 1st, 2005


Larry Zox: Five Decades

LARRY ZOX: FIVE DECADES Stephen Haller Gallery 542 26th Street New York 10001 212-741-7777 February 26 to April 5, 2005 One of the down sides of the Greenbergian formalism in the 1960s was its insufficient appreciation of how the energy and aggression, first of the Civil Rights movement and then the anti-Vietnam War protests, may…

Tuesday, March 1st, 2005


Jim Dingilian

McKenzie Fine Art 511 West 25th Street New York NY 10001 212 989 5467 February 17 to March 19, 2005 Jim Dingilian’s marker drawings and altered found photographs at Mackenzie Fine Art are intriguing in their process and choice of materials, so much so that it can require a conscious decision to linger for a…