Criticism
Monday, August 28th, 2017
 
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On view in Chelsea, extended to September 1 ...
Wednesday, August 9th, 2017
 
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Exuberant joy in the face of anguish; through September 10 ...
Tuesday, July 18th, 2017
 
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For Dumas, the question of extinction also points to violence against African-Americans ...
 

Sunday, March 30th, 2008

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Fay Ku


Like Henry Darger, Ku refers to a mindset populated by children who undermine confidence in the world as it is. She presents disturbing tableaux, meditations on transgressions that make no sense, that seem to come out of nowhere.

Thursday, March 20th, 2008

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Sean McCarthy: I Think of Demons


McCarthy’s chimerical hybrid creations are sphinx-like. Mysterious and inscrutable, their individual characteristics undermine any symbolic reading. They are rooted in the real world, but also convey a complete sense of otherness.

Friday, March 14th, 2008

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Luc Tuymans


In Luc Tuymans, you are never allowed to forget that the source is banal and secondary. Painterliness underscores alienation rather than ameliorating it.

Friday, March 14th, 2008

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Stanley Lewis


Lewis’s unfailingly authoritative skill for painting real, rich and crystalline light, joined to his muscular composition, is the key to his power and success.

Wednesday, March 12th, 2008

Installation shot, details to follow.

Successive Approximation: Tauba Auerbach, Daniel Buren, Sol Lewitt, Mike Quinn and Robin Rhode


Tauba Auerbach, Daniel Buren, Sol Lewitt, Mike Quinn, and Robin Rhode at Perry Rubenstein Gallery

Monday, March 3rd, 2008

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Bingyi Huang at Max Protetch


Given Huang’s indirectness, we experience the scene as if imbued with symbolist forms, which reveal their meaning only fleetingly. Yet the painting does not feel deliberately obscure, but rather poses the question, How much must be revealed before the images makes narrative sense?

Saturday, March 1st, 2008

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Rackstraw Downes at Betty Cuningham and Greg Lindquist at Elizabeth Harris


Downes paintings reflect a unique combination of aggressive conception and passive elaboration. Fervent perceptions of space enliven their broad outlines; details follow, filling in the story of each site exactly “as is.” Colors add atmosphere and light.

Saturday, March 1st, 2008

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Juan Usle at Cheim & Read and Silvia Bachli at Peter Freeman, Inc.


Despite different approaches towards scale, texture and color, a common attitude pervades each artist’s style that isolates a cool tension between involvedness and restraint.

Saturday, March 1st, 2008

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The Artwork Caught by the Tail: Two on Francis Picabia from MIT


Francis Picabia and Dada in Paris by George Baker and I Am a Beautiful Monster: Poetry, Prose, and Provocation by Francis Picabia

Saturday, March 1st, 2008

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Diana Puntar: Lived Live Evil Devil at Oliver Kamm/5BE Gallery


Their biomorphic qualities are undermined by the fabrication process, but this increases the sense of otherness they generate. They suggest imaginary beings that are not the product of fantasy, but rather of imaginative speculation on the real but unknown.