Criticism
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
Robert Janitz, Oriental Lumber (Casanova), 2014. Oil, wax, flour on linen, 63.5 x 51 cm. Courtesy of the artist and Meyer Riegger Berlin.
The artist’s first solo show in Berlin runs through October 25. ...
 


Torbjørn Rødland, The Corner, 2008-13, 55 1/8 x 43 5/16 inches. Courtesy of Algus Greenspon.

The New Image: Torbjørn Rødland at Algus Greenspon


A photographer’s serious conceptual tone with a hint of satire


Joanne Ziprin, screen-printed greeting card for Inkweed Art [“Stop doodling! Be my Valentine~”] 4 7?8 x 23 7?8 inches, ca. 1952. Photo credit: Jeffrey Sturges. Courtesy of the artist and Maccarone, New York.

Carol Bove’s Uncanny Authorship


A staged meeting of the art object with its other at Maccarone


David Rhodes, Untitled, 2013. Acrylic on raw canvas, 20 x 19 inches. Courtesy of Hionas Gallery

Starkness and Range: David Rhodes at Hionas Gallery


In its last week, a remarkable New York debut on the Lower East Side


Gretchen Bender, video still from Total Recall. Courtesy of The Kitchen.

The Flow of the Pulse: Gretchen Bender at The Kitchen


The future was in the past


Angelina Gualdoni, Opening the Gates, 2011, acrylic on canvas, 47 x 52 inches. Courtesy of the artist and Asya Geisberg Gallery.

Oil as Water: POUR at Lesley Heller and Asya Geisberg


Is the act of pouring paint free from the shackles of art history?


Cy Twombly, Untitled, 1971. Lithograph, 21.6 x 29.5 inches. © 2013 Cy Twombly Foundation

Calligraphy, Meet Graffiti: Calligraffiti at Leila Heller Gallery


Islamic calligraphy, graffiti art and AbEx painting in Chelsea


Darrien Jones, Pumping Irony, 2013. Intervention on gym motivational board / digital image 5 x 7 inches. Courtesy of Illuminated Metropolis Gallery and the Artist

Pumping Irony: Darren Jones on Fire Island


“Eden’s Remains,” the Scottish artist’s latest solo show, was at Illuminated Metropolis last month.


Jonathan Lasker, Double Play, 1987, oil on linen, 76 x 100 inches. Courtesy Cheim & Read, New York.

Sentimental Education: Abstract Painting in the 1980s


The children of the 1960s grow-up into their paintings


Mengyun Han, Wandering Mind, 2012. Oil on canvas, 72 x 72 inches. Courtesy of the Artist

Beijing: Mengyun Han at the Today Art Museum


despite the muddy waters of the Chinese art market, a young painter achieves transcendence


Ellsworth Kelly, Chatham XI: Blue Yellow 1971. Oil on canvas, two joined panels. 90 inches x 77 inches. Albright-Knox Art Gallery, Buffalo. Gift of Seymour H. Knox, Jr. © Ellsworth Kelly. Photo credit: Albright-Knox Art Gallery / Art Resource, N.Y.

When Two Colors Meet: Ellsworth Kelly at MoMA


An exhibition in celebration of the artist’s 90th birthday