Wednesday, October 28th, 2015
View of "Diary: How to Improve the World (You Will Only Make Matters Worse)," 2015, by John Cage, published by Siglio Press. Courtesy of Siglio.
The radically inventive and prolific musician’s ethics and curiosity are revealed in a new diary facsimile by Siglio Press. ...
Thursday, October 15th, 2015
On view at Valentine in Ridgewood and Hionas on the Lower East Side ...
Tuesday, October 13th, 2015
Sarah Sze, Measuring Stick, 2015. Video projectors, fan, light, mirrors, wood, stone, archival prints, speakers, stainless steel, balloon, sand, fruit, egg, plastic, toilet paper, aluminum foil, grass; 132 x 90 x 51 inches. Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo: Mike Barnett.
Sze’s new exhibition makes astronomical allusions with everyday goods and plays with viewer expectations. ...

Wednesday, February 25th, 2015

Jiri Georg Dokoupil, Untitled, 2014. Soap-lye and pigments on canvas, 98 1/2 x 118 1/8 inches. Courtesy of the artist and Paul Kasmin Gallery.

Pop History: Jiri Georg Dokoupil’s Modernist Bubbles

The artist uses an idiosyncratic technique to make colorful paintings of bubbles, following in a long line of Modernists.

Wednesday, February 25th, 2015

Scooter LaForge, Roadside Memorial with Virgin Mary (Bisbee, Az), 2014. Oil on linen, 40 x 40 inches. Photo courtesy of Munch Gallery.

States of Mind: Scooter LaForge Paints Cross-Country

The artist has documented his journey across the United States in bright and colorful paintings of passing moments.

Thursday, February 19th, 2015

Anne Neukamp, Latz, 2014. Oil, acrylic and tempera on canvas, 78 3/4 by 59 inches. Courtesy of the artist and Mitchell-Innes & Nash.

Like This: An Exhibition of Near-Representations

A show of paintings and sculptures by three women takes allusion as its theme and raison.

Thursday, February 19th, 2015

Sonia Delaunay Prismes électriques, 1913-1914. Photo Davis Museum at Wellesley College, Wellesley, MA. Courtesy of the Musée d'Art Moderne.

Sonia Delaunay in Paris and London

A traveling retrospective of the artist and designer’s work charts her mix of fine and applied art through the previous century.

Wednesday, February 18th, 2015

Lisa Bradley, Through This, 2012. Oil on canvas, 48 x 38 inches. Courtesy of the artist and Hollis Taggart Galleries.

“Hard to Explain”: Lisa Bradley’s Mysterious Abstractions

on view Hollis Taggart Galleries through February 28

Tuesday, February 17th, 2015

Deanna Lee, Eagle Street 1, 2014. Ink on vellum, 8 1/2 x 9 inches. Courtesy of the artist and Robert Henry Gallery.

The Pictorial: Deanna Lee on the Cusp of Figuration and Abstraction

Lee’s panels blend aesthetic and biographical heritage, and show their own creation and materials.

Monday, February 16th, 2015

Ed Clark, New Orleans Series #4, 2012. Acrylic on canvas,  53 x 66 inches.
Courtesy of the artist and Stella Jones Gallery, New Orleans.

Notes from NOLA: Two Shows in New Orleans

Two shows highlight the work of contemporary New Orleans artists and others connected to the city.

Monday, February 16th, 2015

Tom Anholt, Irish Family, 2014, oil on panel, 30 x 40 cm. Courtesy of Galerie Mikael Andersen, Copenhagen

“Another Route to Particularity”: Islanders in Copenhagen

A group show of four Brits at Galerie Mikael Andersen

Monday, February 16th, 2015


“Best When He’s Messy”: Jason Brinkerhoff’s Unfinished Drawings

Taking a cue from Morton Feldman’s remark that “the love of the past in art is something very different to the artist than it is to the audience,” it’s fair to assume that the audience can remain attached to their favorite masters all their lives without very much ado. For the artist, however, a fixity…

Saturday, February 14th, 2015

Annette Wehrhahn, Traces, 2015. Acrylic and shirt on canvas, 40 x 32 inches. Courtesy of the artist and Soloway Gallery.

Workerism: Annette Wehrhahn at Soloway Gallery

Wehrhahn shows part of artists’ experience: the interdependence of the studio and the home.