Criticism
 
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Richard Phillips: Negation of the Universe from Rizzoli ...
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 


Installation view featuring (on the right) Nine Cosmic CD’s: For The Firespitter (Jayne Cortez), 2013, acrylic on canvas, 45h x 137.5w inches. Courtesy Alexander Gray Associates, New York.

Cosmic Put-on: Notes on Jack Whitten


Paintings of the 4th dimension


Words For Art

Too Smart To Be Caught In A System: Barry Schwabsky’s Words for Art


“Schwabsky is a master of concision”


Anne Truitt, Second Requiem, 1977/1980. Acrylic on wood, 84 x 8 x 10 inches. Courtesy of Matthew Marks Gallery

Finding a Place: Anne Truitt from the 1970s at Matthew Marks Gallery


A true independent with a pastoral sense of existing within a landscape


Torbjørn Rødland, The Corner, 2008-13, 55 1/8 x 43 5/16 inches. Courtesy of Algus Greenspon.

The New Image: Torbjørn Rødland at Algus Greenspon


A photographer’s serious conceptual tone with a hint of satire


Joanne Ziprin, screen-printed greeting card for Inkweed Art [“Stop doodling! Be my Valentine~”] 4 7?8 x 23 7?8 inches, ca. 1952. Photo credit: Jeffrey Sturges. Courtesy of the artist and Maccarone, New York.

Carol Bove’s Uncanny Authorship


A staged meeting of the art object with its other at Maccarone


David Rhodes, Untitled, 2013. Acrylic on raw canvas, 20 x 19 inches. Courtesy of Hionas Gallery

Starkness and Range: David Rhodes at Hionas Gallery


In its last week, a remarkable New York debut on the Lower East Side


Gretchen Bender, video still from Total Recall. Courtesy of The Kitchen.

The Flow of the Pulse: Gretchen Bender at The Kitchen


The future was in the past


Angelina Gualdoni, Opening the Gates, 2011, acrylic on canvas, 47 x 52 inches. Courtesy of the artist and Asya Geisberg Gallery.

Oil as Water: POUR at Lesley Heller and Asya Geisberg


Is the act of pouring paint free from the shackles of art history?


Cy Twombly, Untitled, 1971. Lithograph, 21.6 x 29.5 inches. © 2013 Cy Twombly Foundation

Calligraphy, Meet Graffiti: Calligraffiti at Leila Heller Gallery


Islamic calligraphy, graffiti art and AbEx painting in Chelsea


Darrien Jones, Pumping Irony, 2013. Intervention on gym motivational board / digital image 5 x 7 inches. Courtesy of Illuminated Metropolis Gallery and the Artist

Pumping Irony: Darren Jones on Fire Island


“Eden’s Remains,” the Scottish artist’s latest solo show, was at Illuminated Metropolis last month.