Criticism
 
Jiri Georg Dokoupil, Pokupis, 2014. Soap-lye and pigments on canvas, 61 1/8 x 78 3/4 inches. Courtesy of the artist and Paul Kasmin Gallery.
The artist uses an idiosyncratic technique to make colorful paintings of bubbles, following in a long line of Modernists. ...
 
Lisa Bradley, Through This, 2012. Oil on canvas, 48 x 38 inches. Courtesy of the artist and Hollis Taggart Galleries.
on view Hollis Taggart Galleries through February 28 ...
 
Ed Clark, New Orleans Series #4, 2012. Acrylic on canvas,  53 x 66 inches.
Courtesy of the artist and Stella Jones Gallery, New Orleans.
Two shows highlight the work of contemporary New Orleans artists and others connected to the city. ...
 


Minoru Yamasaki, Model of the World Trade Center, ca. 1964. Mixed media. Photograph by Jin Lee P, courtesy of the 9/11 Memorial Museum.

In The Shadow of Loss, Make the World New Again: The 9/11 Memorial Museum


The new 9/11 Memorial Museum encourages misery, which might be its necessity.


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Eco-Formalism: Maya Lin at the Parrish Art Museum


Lin’s ecological concerns are apparent, but are they persuasive?


Anders Zorn, After the Bath, 1895. Oil on canvas, 21 x 14 inches. National Museum, Stockholm

“To steal its secret and beauty”: Anders Zorn, Sweden’s Underrated Master of Naturalism


Major monograph is from Rizzoli


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Multiple Layers of Significance: Mike Kelley at LA MoCA


The final stage of a two year retrospective is a prodigious homecoming.


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Surface Tension: William Corwin on Amalia Piccinini and Stephen Maine


Two artists’ recent shows in Brooklyn explore surface as substance.


Milton Resnick, Untitled, 1989. Oil on canvas, 30 x 40 inches. Copyright The Milton Resnick and Pat Passlof Foundation, 2014. Courtesy Cheim & Read.

Man Out of Time: Milton Resnick at Mana Contemporary


Milton Resnick’s long but underappreciated career gets a review and revision at Mana Contemporary.


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Wanted but Undesired: Andy Warhol at the 1964 World’s Fair


The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair.


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Waves: Swoon at the Brooklyn Museum


The acclaimed street artist creates an oceanic jungle in the Brooklyn Museum.


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Sun and Earth: Melanie Schiff at Kate Werble


Melanie Schiff’s work encourages viewers to stare at the sun.


Emmanuel Cooper, Stoneware with volcanic glaze (detail), ca. 1990s. Courtesy of the artist and Ruthin Craft Centre. Photograph by Dewi Tannatt Lloyd.

Flows of Light and Form: The Life and Work of Emmanuel Cooper


Darren Jones remembers the elemental work and personality of the English ceramicist.