Criticism
Monday, August 13th, 2018
 
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Presented by the museum of her work, through September 30 ...
Monday, August 13th, 2018
 
Gertrude Abercrombie, The Door and the Rock, 1971. Oil on masonite, 8 x 10 inches. Courtesy Karma Gallery.
Surreal paintings from the mid-century Mid West, in the East Village through September 16 ...
Saturday, July 28th, 2018
 
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Her second show with the gallery was on Grand Street this month ...
 

Sunday, November 27th, 2016

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Sunset Sex: Loie Hollowell at Feuer/Mesler


Hollowell combines eroticism, landscape, and allusions to natural and human form.

Saturday, November 19th, 2016

Liam Gillick, Industry and Intelligence: Contemporary Art Since 1820 (Columbia University Press, 2016). Courtesy the publisher.

Pedagogy on the Loose: A Book of Lectures by Liam Gillick


Industry and Intelligence: Contemporary Art Since 1820

Monday, November 14th, 2016

Installation shot of the exhibition under review, courtesy of ART 3/ Silas Shabelewska Gallery

Fulfillment Centers: Brett Wallace at ART3


This recent Bushwick show examined the relationship between digital and physical labor

Tuesday, November 8th, 2016

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Lusting for Kale: Suzanne Joelson in Bushwick


Vinyl supermarket banners make their way into new paintings at Studio 10

Tuesday, November 8th, 2016

Marina Abramovic, The Hero II, 2001 (2008). Gelatin silver print, 35 x 35 inches. Courtesy of David Nolan Gallery

Vive La Revolution


American Artists and the Communist Party at St. Etienne, George Grosz: Politics and Influence at Nolan

Saturday, November 5th, 2016

Clyfford Still, PH-950, 1950. 
Oil on canvas, 233.7 x 177.8 cm. 
Clyfford Still Museum, Denver (c) City and County of Denver / DACS 2016.
Photo courtesy the Clyfford Still Museum, Denver, CO

Conflicted Ambitions: Abstract Expressionism at London’s Royal Academy


Art made in turbulent times revisited in a conflicted present

Friday, October 28th, 2016

Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.

Flood of Images: Nathaniel Dorsky and Jerome Hiler at the New York Film Festival


Two experimental filmmakers depict the world, using the methodology of poetry.

Friday, October 28th, 2016

Jane Benson, Faux Faux (Iris Yellow), 2015. Hand cut artificial flower and glass 30 x 15 x 13 inches. Courtesy of the artist and The Parlour Bushwick

Faux Faux and Hooker Shoes: Parlor Games in Bushwick


What a World, What a World at The Parlour Bushwick through November 6

Wednesday, October 26th, 2016

Installation view, "Calvin Marcus: Were Good Men," 2016, at CLEARING Gallery. Courtesy of the gallery.

Spilled Blood: Calvin Marcus at Clearing


A show of new paintings puts questions to cultural assumptions about war.

Friday, October 21st, 2016

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True Stripes: Sean Scully at Mnuchin


A survey of Sean Scully’s formative work of the 1980s.