Criticism
Sunday, March 3rd, 2019
 
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A derangement of the senses is arrived at via multifarious stimuli ...
Tuesday, February 26th, 2019
 
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Her show of bells and mirrors was in Chelsea this winter. ...
Friday, February 22nd, 2019
 
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Interventions in the permanent collection of American art, up through March 3 ...
 

Thursday, November 29th, 2018

Jeff Koons in a scene from The Price of Everything, the documentary under review

What “The Price of Everything” Says About The Value of Art


Nathaniel Kahn’s documentary on HBO

Thursday, November 29th, 2018

Helio Oiticica, Metaesquema 212, 1957. Gouache on board, 16.6 x 19.5 inches. Courtesy of Galerie Lelong & Co., New York

The Source of Growth and Change: Hélio Oiticica at Galerie Lelong


Early forays into abstraction by the Brazilian master

Thursday, November 29th, 2018

Installation shot, Stanley Whitney: In the Color, Lisson Gallery, New York, 2018 © Stanley Whitney; Courtesy Lisson Gallery

Where Color Takes Shape: Stanley Whitney at Lisson Gallery


His fourth show with the gallery, up through December 21

Sunday, November 11th, 2018

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The Painted Word: Monique Johannet at The Painting Center


Her project room show, Intimations, is up through November 24

Saturday, November 10th, 2018

Kara Walker, Untitled, 2016, graphite on paper, 75 x 37.5 in. ©Kara Walker. Courtesy of the artist and Sikkema Jenkins & Co., New York

Representing Rape: A Powerful Show at John Jay College


Curated by Monika Fabijianska earlier this fall

Monday, November 5th, 2018

Katinka Lampe, 6080179, 2017. Oil on canvas, 31 1/2 x 23 3/5 inches.
Courtesy of Elizabeth Houston Gallery.

Nemo: The Anonymous Portaits of Katinka Lampe and Colin Chillag


Overlapping Lower East Side shows at Elizabeth Houston Gallery

Thursday, November 1st, 2018

Installation shot, Ron Baron: Ode to A Void, at Studio 10, Brooklyn, 2018

Silent Procession: Ron Baron in Bushwick


Ode to a Void, at Studio 10, through Sunday

Saturday, October 27th, 2018

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Initial Impact: Benjamin Pritchard and the Art of Legible Shapes


Wayfarer, his first show at SFA Projects, through Sunday

Sunday, October 21st, 2018

Elena Sisto, Rapunella, 2018. Oil on linen, 24 x 30 inches. Courtesy of the artist and Bookstein Projects

A New Ecology of Signs: Elena Sisto beyond the studio


As We Dream at Bookstein Projects through October 27

Thursday, October 18th, 2018

Installation shot, Graham Nickson: Cumulus, Monumental Trees and Transient Skies, at the New York Studio School, 2018, with works from the Monumental Tree series in the collection of the Louis-Drefus Family Collection. Image courtesy of the New York Studio School

Saturated Color and Subtle Harmonies: Graham Nickson’s Watercolors


“Cumulus, Monumental Trees and Transient Skies”, on view at the New York Studio School