Criticism
 
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Richard Phillips: Negation of the Universe from Rizzoli ...
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 


Ruben Pater, Drone Survival Guide, 2013. Offset printed on Chromolux ALU-E mirrored paper 19 x 13 inches. Courtesy of the artist and apexart.

Black Ships Ate the Sky: Drones and Photography at apexart


The confluences of flight and photography, forensics and art, are explored in an exhibition now at apexart.


detail of Roxy Paine, Checkpoint, 2014. Courtesy of Marianne Boesky Gallery

Denuded Lens: Roxy Paine at Marianne Boesky


spatial and informational compression in sculptures of relentless, scrupulous exploration


Richard Prince, installation view, "Richard Prince: New Portraits," 2014, at Gagosian Gallery. © Richard Prince. Courtesy Gagosian Gallery. Photography by Robert McKeever.

Try to Make Yourself a Work of Art: Richard Prince’s New Portraits at Gagosian


Richard Prince uses Instagram, but not in the way most people do.


Robert Janitz, Mirrors, 2014. Oil, wax, flour on linen, 63.5 x 51 cm. Courtesy of the artist and Meyer Riegger Berlin.

L’Orientaliste on the Continent: Robert Janitz in Berlin


The artist’s first solo show in Berlin runs through October 25.


YoshiWadaTashiWada_byBradleyBuehring_courtesyISSUEProjectRoom20140913_39

Special Low Frequency: Yoshi Wada & Tashi Wada at Issue Project Room


A performance of drone and minimal music for the body and head.


Samuel Fosso, Mémoire d'un ami, 2000. Gelatin-silver print, 98 x 146 cm. Courtesy of the Walther Collection.

“Would You Please Keep Looking, Please?”: Samuel Fosso at the Walther Collection


Fosso challenges visions of African identity through self-portraiture.


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In All Their Wondrous Weirdness: Raphael Rubinstein’s Personal Revisionist Dictionary of Art


Launch at White Columns, Friday, October 3


Xanti Schawinsky, Sphera (2859), 1970. Airbrush paint on two layers of stretched guaze on frame, 37 x 36.75 x 1.25 inches. Photograph courtesy of Broadway 1602.

Revival: Xanti Schawinsky is Rediscovered


Two concurrent exhibitions of the artist’s work run in Midtown and Soho.


Josh Dorman, Memento Mori, 2014. Ink, acrylic and antique paper on two panels, 56 x 120 inches. Courtesy of the artist and Ryan Lee Gallery.

Nature Tries Again: Josh Dorman at Ryan Lee


Geological-, biological-, and mechanical-history paintings as collage.


Paul Sietsema, Red painting, 2014. Enamel on linen, 50 1/8 x 46 3/8 inches. Courtesy of the artist and Matthew Marks Gallery.

Trompe-l’oeil and Postmodern Cheek: Paul Sietsema at Matthew Marks


Is trompe-l’oeil painting inherently anti-climactic?