Criticism
 
Andrew Lampert, still from DCP/Steenbeck, 2014. Video, TRT 4:53 minutes. Courtesy of the artist.
A show examining our relationship to tech, old and new. ...
 
Elizabeth Ferry, installation view of "Dems Toad," 2014, at Honey Ramka. Courtesy of the gallery.
An exhibition of sculptures and paintings of beastly sexual energy. ...
 
Carla Gannis, The Garden of Emoji Delights, 2014. Digital C-print, detail of left panel. Courtesy of the Artists
On view at Kasia Kay Art Projects, Chicago ...
 


Alexander Ross, Untitled, 2014. Crayon on paper, 30 x 22 1/2 inches. Courtesy of the artist and David Nolan Gallery.

Hybrids, Mutants: Alexander Ross at David Nolan


A show of “Archimboldo-esque coagulations that insist on being read as faces.”


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Happy Hunting: Michael Bell-Smith at Foxy Production


Who is the Elmer Fudd of Post-Internet art?


Neil Greenberg, Urban "What If" Map, 2013. Crayon, ink, and colored pencil on paper. Courtesy of the artist and Staten Island Arts.

Social Collaboration in the Fifth Borough: William Corwin and Neil Greenberg at Staten Island Arts


Show remembers the borough’s past and imagines possible futures


Ying Li, City Series #3, Blue Curtain; 2014. Oil on panel, 10 x 10 inches. Courtesy of the artist and The Painting Center.

Clusterfunk: Six Solo Shows in Two Galleries


Two galleries cluster three solo shows each, a less-than-ideal way to show interesting work by six artists.


Bettina Blohm, Diagram 1, 2014. Charcoal on paper, Courtesy of Marc Straus Gallery

Diagrams Intuited: Bettina Blohm at Marc Straus


An abstract painter with drawing roots in the landscape


Blue Note, for Al, 2014. Melted plastic, acrylic pigmented fiberglass, electric lights, 105 x 172 x 35 inches. Courtesy of Loretta Howard Gallery

Quicksand: Judy Pfaff at Loretta Howard and Pavel Zoubok


A double whammy show at 531 West 26th Street


Karla Black, exhibition view, Modern Art, 13 October - 8 November 2014. Photograph courtesy of Modern Art.

Absolutely Curtains: Karla Black’s Diaphanous Walls at Modern Art


Black’s site-specific installation undermine the conventions around materials and their gendered connotations.


Theresa Chong, LU (Walking Carefully), 2014. Gouache and colored pencil on Shikibu Gampi, 12 x 11-3/4 inches. Courtesy of Danese/Corey

Imagined Landscape: Theresa Chong at Danese/Corey


A show of small works on paper, through November 15


A scene from Frederick Wiseman’s “National Gallery”. Courtesy of Zipporah Films

Upstairs Downstairs: Frederick Wiseman’s National Gallery


Now playing at Film Forum, through November 18


Christopher Williams; Untitled (Study in Yellow/ Berlin) / Dirk Schaper Studio, Berlin / June 21, 2007 (No. 1); 2008. Chromogenic color print, 20 x 16 inches. Courtesy David Zwirner, New York/London and Galerie Gisela Capitain, Cologne © Christopher Williams.

The Production Line of Credulity: The Rhetoric of Christopher Williams


Williams’s recent retrospective was praised for its critical and visual ingenuity, but was that adoration misplaced?