Criticism
Wednesday, September 14th, 2016
 
rabinowitz_feature
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
Monday, September 12th, 2016
 
ruff_feature
Process and history are manipulated and explored through Ruff’s use of found photographs. ...
Friday, September 9th, 2016
 
pruitt_feature
Is he a trickster, or a Warholian innovator? What’s the difference? ...
 

Wednesday, August 17th, 2016

Cover of Serious Bidness: The Letters of Richard Bellamy, 2016, by Richard Bellamy. Edited by Miles Bellamy.

Serious Eye: Two New Books About Richard Bellamy


Two new books document the life and letters of the influential dealer.

Saturday, August 13th, 2016

László Moholy-Nagy, caption details to follow

Light as a New Plastic Medium: László Moholy-Nagy at the Guggenheim


Moholy-Nagy: Future Present on view through September 7

Thursday, August 11th, 2016

William Corwin, Double Doors of the Horizon, 2016. Resin, 14 x 9.5 x 4 inches. Courtesy of Geary Contemporary, New York, 1916

Doors of Perception: William Corwin at Geary Contemporary


His exhibition, titled “Champollion”, closes this week

Tuesday, August 2nd, 2016

Mathew Cerletty, Almost Done 2, 2015. Oil on canvas, 48 X 70 X 1 1/4 inches. Courtesy of the artist and Marlborough Chelsea.

The World Outside: “Landscapes” at Marlborough Chelsea


An exhibition wonders at how landscape painting has changed to address the contemporary world.

Friday, July 29th, 2016

Verónica Puche, Granada, 2016. Archival pigment print, 13 x 17 inches. Courtesy of the artist

Overlap: Intersecting Identities at the Baxter St. Camera Club


A survey of new photography about identity.

Thursday, July 28th, 2016

westfall-cver

Diamond in the Smooth: Stephen Westfall at Lennon, Weinberg


“Color is liberated to function in a kinetic way”

Wednesday, July 27th, 2016

Bas Jan Ader, Untitled (The Elements), 1971/2003. C-type print, 11 x 14 inches. Copyright The Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Rights Society (ARS), New York. Courtesy Metro Pictures, New York and Meliksetian | Briggs, Los Angeles.

Practicing Falling: Bas Jan Ader at Metro Pictures


Twin surveys of Ader’s short but brightly burning career are mounted in New York and London.

Wednesday, July 27th, 2016

Bas Jan Ader, Primary Time, 1974. Color U-matic video tape transferred to DVD, silent, PAL format, TRT: 26 minutes. Copyright the Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Right’s Society (ARS), New York. Courtesy of Meliksetian | Briggs, Los Angeles and Simon Lee Gallery, London.

The Fall: Bas Jan Ader at Simon Lee, London


Twin surveys of Ader’s short but brightly burning career are mounted in London and New York.

Friday, July 22nd, 2016

David Mramor, Venus in Bed 3, 2014. Acrylic paint and archival inkjet on canvas, 48 x 72 inches. Courtesy of the artist and PPOW.

De Beauvouir’s Inheritors: “The Woman Destroyed” at PPOW


A painterly, sumptuous show of work by women.

Friday, July 22nd, 2016

Gardar Eide Einarsson, The Next Recession and Where to Hide, 2016. Acrylic, graphite and gesso on canvas, 87 x 71 inches. Courtesy of the artist and Team.

Encompassing Hostility: “Golden Eggs” at Team Gallery


A group show gives Marxist voice to recent unrest in art and politics.