Criticism
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
Robert Janitz, Oriental Lumber (Casanova), 2014. Oil, wax, flour on linen, 63.5 x 51 cm. Courtesy of the artist and Meyer Riegger Berlin.
The artist’s first solo show in Berlin runs through October 25. ...
 


George Trakas, view of Atlantic Station's South East Plaza showing an unfinished section to the left of the bicycles. Photo by the artist.

A Tree Grows Immanent in Brooklyn: George Trakas’s Installation at Atlantic Station


The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station.


Jeff Koons, Play Doh, 1994-2014. © Jeff Koons

From Popeye to Play-Doh: The Psychology of Jeff Koons


The key to Koons is his narcissism


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Light Up Gold: The Work of Rafael Wardi


A legend in his own country, the Finnish painter expresses an almost greedy desire for light and color.


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A Dispatch from “Manifesta 10″


David Carrier reports on the politics and curatorial gambits of “Manifesta 10,” now on view in St. Petersburg.


The Brisbane Powerhouse. Photograph by Jon Linkins.

Scene Down Under


Juliet Helmke reports on the Australian arts community.


Lygia Clark, Clark’s proposition Diálogo de mãos ("Dialogue of hands," 1966), in use probably by Clark and Hélio Oiticica. The object is made of elastic. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro.

Offline: Lygia Clark and the Original Social Media


This ambitious retrospective of Clark’s work is one of the first major exhibitions of her work outside of Brazil.


Vasily Kandinsky, Singer (Sängerin), 1903. Woodcut on Japanese paper, mounted on paper, 35.9 x 24.8 cm. Solomon R. Guggenheim Museum, New York. © 2014 Artists Rights Society (ARS), New York/ADAGP, Paris.

The Cloud Rises: Vasily Kandinsky Before Abstraction


“This is the moment where Kandinsky’s blues, his reds, his yellows, are becoming nouns, objects, substances in their own right.”


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The Smokey Life: Ohad Meromi at Nathalie Karg


Ohad Meromi carries the proletarian banner into Nathalie Karg Gallery.


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Burning Inside: Passion, Politics, and Disruption at Paul Kasmin


Arson as a kind of avant-garde, reorganizing our experience of the exhibition space.


James Wolfe, Just Right, 2013. Powder Coated Steel, 32 x 32 x 14 inches. Courtesy of the Artist.

Fluttering like Flags, Swaying like Saplings: Sculptures of James Wolfe


On view at the New York Studio School through August 10