Criticism
Wednesday, September 14th, 2016
 
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The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
Monday, September 12th, 2016
 
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Process and history are manipulated and explored through Ruff’s use of found photographs. ...
Friday, September 9th, 2016
 
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Is he a trickster, or a Warholian innovator? What’s the difference? ...
 

Sunday, July 17th, 2016

Steven MacIver, Sentinel 1, 2016. Acrylic and gold on birch wood panel, 23.6 x 19.7 inches. Courtesy of the artist and Dillon Gallery.

In the Spaces of Memory, Geometries of Place: Steven MacIver at Dillon Gallery


The painter creates abstractions based on the coast of his home.

Friday, July 15th, 2016

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Back to the Rest of Us: Isabel Lewis at Dia


A performance, installation, and sound artist unites people in collective experience.

Friday, July 15th, 2016

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Shaped Canvases and Broken Rules: Shapeshifters at Luhring Augustine


A group show explores the contemporary history of unconventional supports.

Thursday, July 14th, 2016

Cora Cohen, 015-11, 2011. Archival ink jet, pencil on paper, 21.25 x 22.5 inches. Courtesy of the Artist

Slippery Conditions: A Show of Drawings by Cora Cohen


Seen at the New York Studio School earlier this summer

Wednesday, July 13th, 2016

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Dust Settling: Yvonne Rainer Choreographs History at The Kitchen


The dancer and performance artist plays with mortality and geological time in a new iteration of her famous work.

Friday, July 8th, 2016

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Death and Resurrection in the City: Tim Portlock at Locks Gallery


An exhibition of video and prints exploring landscapes of an apocalyptic future built on the present.

Thursday, July 7th, 2016

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Fully Fathoming Louise Fishman: Two Surveys of Her Work


The artist’s paintings and drawings are now on view in Philadelphia PA and Purchase NY.

Monday, July 4th, 2016

Paul Lee, "Washcloth Weight," 2016. Bath towel, washcloth, ink, aluminum, and steel, 127 1/2 x 105 inches. Courtesy of the artist and Maccarone, Los Angeles.

Making Glorious Something Slight: Paul Lee at Maccarone, Los Angeles


Lee’s abstract sculpture and painting reveal technological, social, and art historical allusions.

Friday, July 1st, 2016

Alisha Wessler, Shedding the Skin, 2016. Watercolor and ink on paper, 22.5 x 30 inches. Courtesy of the artist and Slag Gallery.

Live Fully and Well: Art at Slag Gallery in a Time of Trauma


In the wake of several highly visible acts of violence, artists present works of passion and compassion.

Monday, June 27th, 2016

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Master of Puppets: Jordan Wolfson at David Zwirner


Wolfson’s installation, an animatronic boy, is uncanny and awesome.