Criticism
 
Jiri Georg Dokoupil, Pokupis, 2014. Soap-lye and pigments on canvas, 61 1/8 x 78 3/4 inches. Courtesy of the artist and Paul Kasmin Gallery.
The artist uses an idiosyncratic technique to make colorful paintings of bubbles, following in a long line of Modernists. ...
 
Lisa Bradley, Through This, 2012. Oil on canvas, 48 x 38 inches. Courtesy of the artist and Hollis Taggart Galleries.
on view Hollis Taggart Galleries through February 28 ...
 
Ed Clark, New Orleans Series #4, 2012. Acrylic on canvas,  53 x 66 inches.
Courtesy of the artist and Stella Jones Gallery, New Orleans.
Two shows highlight the work of contemporary New Orleans artists and others connected to the city. ...
 


Jill Baroff, For Your Love, 2014. Acrylic on wood, size variable. Courtesy of Bartha Contemporary

Weaving a Thread: Fall shows in London and Beyond


From Richard Tuttle at two museums and Jill Baroff (pictured) to a show at Middlesbrough Railway Station


Richard Tuttle, Step by Step, 2002. Series of 41 unique woodcuts, printed in colors on Saunders Waterford 140 lb paper, 80 x 40 3/4 inches. © Richard Tuttle/Universal Limited Art Editions.

Natural History: Richard Tuttle’s Prints


A new monograph surveying prints by the influential multi-media artist shows his quixotic approach and affinity to a kind of natural abstraction.


Kianja Strobert, Untitled, 2011. Mixed media on paper, 30 × 22 inches. Private Collection, New York.

Subversive Methods: Kianja Strobert at the Studio Museum in Harlem


The first major New York exhibition by Strobert, a painter who reconfigures the medium itself.


Peter Blume, Crashing Surf, 1982. Oil on canvas, 30 x 50 inches. Courtesy of Elisabeth and William Landes. Art © The Educational Alliance, Inc./Estate of Peter Blume/Licensed by VAGA, New York.

Bloom and Drang: Peter Blume’s Eclecticism


A survey of the American painter’s career is currently on view.


Shepard Fairey, St. Mark’s horses, 2009. Screenprint, 27-1/2 x 35-1/2 inches, edition of 250. Courtesy of the Artist

Be Wild and Obey: Shepard Fairey in Naples


In the one neighborhood where there’s little graffiti, a show of street art


Joseph Montgomery, Image Two Hundred Sixty Five, 2014. Animation, monitor, Raspberry Pi, continuous loop. Courtesy the artist and Laurel Gitlen, New York.

Upcycled: Joe Montgomery’s Painting Remixes


The artist, who showed at at Laurel Gitlen last month, makes mutants of his materials.


Dorothy Iannone: You Who Read Me With Passion Now Must Forever Be My Friends, Siglio, 2014.

Dorothy Iannone: The Book of Love


Siglio’s new book of collected works gives an overview of the startling artist’s affectionate, erotic drawings.


Marisol, Lick the Tire of My Bicycle, 1974 © Marisol Escobar/Licensed by Vaga, New York, NY

Uncanny Presences: The Dynamic Sculptures of Marisol


closing this weekend at El Museo del Barrio, retrospective of a powerful, hands-on sculptor.


Cy Twombly, Untitled, 1970. Crayon, graphite pencil, ink, oil stick, colored pencil, tape, and cut and torn paper on paper. The Menil Collection, Houston; Gift of the artist. Photograph: Paul Hester © Cy Twombly Foundation

“Soft and Full of Patience”: Cy Twombly at the Morgan


“Treatise on the Veil” on view through January 25


Betty Tompkins, Photo Drawing #7, 2013. Ink on digital photograph, 11 x 8 1/2 inches. Courtesy of the artist and Louis B. James.

The Artist as Voyeur: Group Show as Peep Show


Rear Window Treatment at Louis B. James Gallery through January 17