Criticism
Wednesday, May 10th, 2017
 
Cover of the book under review. Image courtesy of the publisher.
A look at eight years of writing by Bob Nickas. ...
Wednesday, May 10th, 2017
 
Mimmo Rotella, TAL, 1957, Décollage on canvas, 12 7/8 x 14 1/4 inches. Image courtesy of the gallery.
selected early works were on view uptown ...
Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
 

Friday, May 5th, 2017

FrPaul-cover

Mentors, Muses and Mystery: Alfonse Borysewicz at First Things Gallery


A Catholic artist and his paintings of ideas

Wednesday, April 26th, 2017

1

Back Turned: The Romanticism of Susan Bee and Bill Jacobson


Work by two different artists examine and expand facets of the Romantic tradition in the visual arts.

Thursday, April 20th, 2017

nelson-cover2

Shared Spaces: Dona Nelson Brings Back The Figure


The new works stubbornly resist any reduction to decorative backdrops; extended through May 13

Tuesday, April 18th, 2017

Harvey Quaytman, Jacob’s Coat, 1984. Acrylic on canvas, 80 x 80 inches. Courtesy of Van Doren Waxter

Hard-Edge Happiness: The Paintings of Harvey Quaytman


On view at Van Doren Waxter through April 28

Friday, April 14th, 2017

Yvette Brackman, AGIT MEM, 2016. Video still. Courtesy of the Artist

The Gentle Art of Disruption: Three Shows in Philadelphia


Stephanie Bursese and Yvette Brackman at Vox Populi, Patrick McCaughy at Practice Gallery

Friday, April 14th, 2017

Glenn Adamson

Narrowing the Field: The Fate of Genius in the Age of the Readymade


A review of Art in the Making by Glenn Adamson and Julia Bryan-Wilson

Tuesday, April 11th, 2017

Agnès Varda, La terrasse du Corbusier, Marseille (1956) / Les gens de la terrasse (2008), 2012. Black and white digital c-print, color/sound video projection with English subtitles., 2 minutes 33 seconds, looped. Courtesy of Blum & Poe, Photo: Genevieve Hanson

An Impulse Towards Narrative: Agnès Varda at Blum & Poe


A survey in different mediums of the legendary New Wave director

Tuesday, March 28th, 2017

Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center

Site Specific: Diana Cooper and Lee Boroson at Fordham


Prismatic Shifts, a two person show curated by Carleen Sheehan

Tuesday, March 21st, 2017

Shinji Turner-Yamamoto, Pentimenti #1, 2010. Found plaster and chipped paint fragments, 24kt gold leaf, gesso, clay bole, animal glue, tree resin, 5-1/2 × 8 × inches. Courtesy of Sapar Contemporary

Uprooted from our Native Soil: A Two-Person show asks timely questions about nature and sustainability


Shinji Turner-Yamamoto and Gabriela Albergaria at Sapar Contemporary

Wednesday, March 15th, 2017

Screen Shot 2017-03-15 at 10.13.48 AM

To Organize Delirium: Five Installations by Hélio Oiticica


Currently in Chicago, coming to the Whitney this summer