Criticism
Wednesday, September 12th, 2018
 
Edward Hopper, Night Window, 1928. Oil on canvas, 29 x 34 inches. Museum of Modern Art, New York. Gift of John Hay Whitney
Irish-honed literary skills placed at service of cosmopolitan visual culture ...
Tuesday, August 28th, 2018
 
Gauri Gill. Untitled from the series Acts of Appearance. 2015–ongoing. Pigmented inkjet print. The Museum of Modern Art, New York. Acquired through the generosity of Robert B. Menschel. © 2018 Gauri Gill
“Projects 108” is at PS1 through September 3 ...
Thursday, August 16th, 2018
 
Selected works by Charles Long, installation shot, Made in L.A. 2018. Courtesy of UCLA Hammer Museum. Photo: Brian Forrest
The fourth “Made in L.A.” is at the Hammer through September 2 ...
 

Tuesday, March 27th, 2018

Perry Hoberman, Suspensions, 2018. Installation view with visitor preparing to wear VR goggles. Courtesy of the artist and Postmasters, New York

Non-Trip to a Non-Site: Perry Hoberman’s Suspensions


Combining virtual reality and assemblage, on view at Postmasters through March 31

Sunday, March 25th, 2018

Marguerite Louppe, Rustic Chair, n.d. Oil on canvas, 82 x 66.5 cm

Bourgeois Charm: Marguerite Louppe and Maurice Brianchon


Husband and Wife painters, on view at Seton Hall University

Thursday, March 22nd, 2018

Trevor Winkfield, Upwardly Dripping, 2009. Acrylic on linen, 12 x 12 inches. Courtesy of the artist and Tibor de Nagy Gallery

A Credit-Worthy Show of Trevor Winkfield, at Milton Art Bank, Milton, PA


Plus a show of his work at Tibor de Nagy Gallery, New York

Thursday, March 15th, 2018

Untitled (Drift Upload), 2017
UV ink on Alumacore
94 x 46 inches

The Willful Glitch: Chris Dorland and Technological Singularity


His show was at Lyles & King last month

Tuesday, February 27th, 2018

James Castle, Untitled (Red Jacket), n.d. Found paper, thread, crayon with applied paper buttons, 10.5 x 6.5 inches (Double-sided). The William Louis-Dreyfus Foundation Inc. © James Castle Collection and Archive LP

Beyond Soot and Spit: Rethinking James Castle


An important show of his work at the New York Studio School on view through March 4

Thursday, February 15th, 2018

Hans Hartung, T1982-H29, 1982. Acrylic on canvas, 70.9 x 55.9 inches. Courtesy of Nahmad Contemporary, Perrotin and Hartung-Bergman Foundation

In a Galaxy of their Own Design: Line and Atmosphere in Hans Hartung


A pair of exhibitions makes a case for the German-born post-war French master

Thursday, February 15th, 2018

Suzy Spence, Untitled (Portrait), 2017. Flashe on paper, 16 x 16 inches. Courtesy of the artist and Sears Peyton Gallery, New York

Hunters and Hustlers: Feminism and Theatricality in Suzy Spence and Heather Morgan


Contrasting approaches and messages in two recent shows

Wednesday, February 14th, 2018

barber

Films by Stephanie Barber and Amy Jenkins Premiere in New York


At Anthology Film Archive and MoMA this weekend

Saturday, February 10th, 2018

Käthe Kollwitz, Seed-Corn Must Not be Ground, 1941. Lithograph , 14.5 x 15.5 inches. Private collection, Courtesy of Galerie St. Etienne

The Volunteers: Graphic Arts by Käthe Kollwitz and Sue Coe


An exhibition of powerful political work at Galerie St. Etienne, through March 10

Sunday, February 4th, 2018

Claire Lieberman, Sunspot Silencer, 2017. Sunspot Silencer, Glass, 5.25 x 10.5 x 2.75 inches. Courtesy of the artist and Massey Lyuben Gallery

Serious Play: Claire Lieberman’s Unidentified Dangerous Beautiful Objects


A show last year at Massey Lyuben Gallery