Criticism
Wednesday, January 20th, 2016
 
Joseph Mallord William Turner, Depositing of John Bellini’s Three Pictures in La Chiesa Redentore, Venice, 1841. Oil on canvas, 29 x 45 1/2 inches. Courtesy of the Paul G. Allen Family Collection.
A traveling exhibition presents the changing way artists have approached nature over the past half millennium. ...
Tuesday, January 19th, 2016
 
Joan Tanner, endofred #3, 2015. Oil stick, metallic powder, ballpoint pen and chalk on Bristol paper, 22 x 30 inches. Courtesy of the artist and Locks Gallery.
on view at Locks Gallery, Philadelphia, through January 30. ...
Monday, January 18th, 2016
 
A show of new and old work by the English sculptor illuminates the natural world. ...
 

Wednesday, November 4th, 2015

Installation of works by Robert Rauschenberg, Andy Warhol and Ed Ruscha in The Broad's third-floor galleries; photo by Bruce Damonte, courtesy of The Broad and Diller Scofidio + Renfro.

The Veil and Vault: The Broad Museum in Los Angeles


A report on its architecture and its inaugural exhibition.

Wednesday, October 28th, 2015

View of "Diary: How to Improve the World (You Will Only Make Matters Worse)," 2015, by John Cage, published by Siglio Press. Courtesy of Siglio.

“Paper Should Be Edible, Nutritious”: John Cage’s Diary


The radically inventive and prolific musician’s ethics and curiosity are revealed in a new diary facsimile by Siglio Press.

Friday, October 23rd, 2015

Wolfgang Tillmans: PCR at David Zwirner September 16 to October 24, 2015

Right Beneath Our Noses: The Beauty in Wolfgang Tillmans


Wolfgang Tillmans: PCR at David Zwirner through October 24

Friday, October 23rd, 2015

Davina Semo, “IT’S GOOD,” SHE WHISPERS. “SOMETIMES I FORGET HOW GOOD IT IS.”, 2015. Pigmented reinforced concrete, cast glass; 42 1/4 x 36 x 2 7/8 inches. Courtesy of the artist and Lyles & King. Photograph by Charles Benton.

Concrete, Leather, Light, Glass: Davina Semo at Lyles & King


Semo’s new sculptures use language and erotically industrial materials to manipulate and entice.

Wednesday, October 21st, 2015

6

Tamar Ettun’s Embodied Sculptures


Her new solo exhibition at Fridman Gallery uses anatomy as form and as subject.

Thursday, October 15th, 2015

oliver-cover

Slow Spilling Movement: The Paintings of Bobbie Oliver


On view at Valentine in Ridgewood and Hionas on the Lower East Side

Thursday, October 15th, 2015

Wasserman Projects, Detroit, with entry portal by Harley Valentine.

Painting the Town Red: Wasserman Projects, Detroit


Gary Wasserman is one of Detroit’s most enthusiastic boosters

Wednesday, October 14th, 2015

19

The Quiet One: Morgane Tschiember at Tracy Williams Ltd.


Tschiember’s erotic sculptures call attention to the pre-verbal responses of the bodies to one another.

Tuesday, October 13th, 2015

Sarah Sze, Measuring Stick, 2015. Video projectors, fan, light, mirrors, wood, stone, archival prints, speakers, stainless steel, balloon, sand, fruit, egg, plastic, toilet paper, aluminum foil, grass; 132 x 90 x 51 inches. Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo: Mike Barnett.

Cosmos of the Quotidian: Sarah Sze at Tanya Bonakdar


Sze’s new exhibition makes astronomical allusions with everyday goods and plays with viewer expectations.

Tuesday, October 13th, 2015

Trevor Paglen. Installation view, 2015. Metro Pictures, New York.

The Squirrel Accumulator: Trevor Paglen and the NSA


Blending the didactic with the paranoid style of conspiracy theories, at Metro Pictures through October 24