Criticism
 
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Richard Phillips: Negation of the Universe from Rizzoli ...
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 


The Brisbane Powerhouse. Photograph by Jon Linkins.

Scene Down Under


Juliet Helmke reports on the Australian arts community.


Lygia Clark, Clark’s proposition Diálogo de mãos ("Dialogue of hands," 1966), in use probably by Clark and Hélio Oiticica. The object is made of elastic. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro.

Offline: Lygia Clark and the Original Social Media


This ambitious retrospective of Clark’s work is one of the first major exhibitions of her work outside of Brazil.


Vasily Kandinsky, Singer (Sängerin), 1903. Woodcut on Japanese paper, mounted on paper, 35.9 x 24.8 cm. Solomon R. Guggenheim Museum, New York. © 2014 Artists Rights Society (ARS), New York/ADAGP, Paris.

The Cloud Rises: Vasily Kandinsky Before Abstraction


“This is the moment where Kandinsky’s blues, his reds, his yellows, are becoming nouns, objects, substances in their own right.”


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The Smokey Life: Ohad Meromi at Nathalie Karg


Ohad Meromi carries the proletarian banner into Nathalie Karg Gallery.


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Burning Inside: Passion, Politics, and Disruption at Paul Kasmin


Arson as a kind of avant-garde, reorganizing our experience of the exhibition space.


James Wolfe, Just Right, 2013. Powder Coated Steel, 32 x 32 x 14 inches. Courtesy of the Artist.

Fluttering like Flags, Swaying like Saplings: Sculptures of James Wolfe


On view at the New York Studio School through August 10


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Model as Mayhem: Franklin Evans pace Yve-Alain Bois


“…fashion or soft-core erotica are intermittently spaced around the gallery to form an underlayer of camp.”


Installation shot of the exhibition under review with David Brody's untitled 2014 sculpture suspended from the ceiling. Courtesy of Pierogi

“Leave Me All On Fire”: David Brody at the Boiler


A drawing animation, absolutely flat and yet 3-D at the same time


Minoru Yamasaki, Model of the World Trade Center, ca. 1964. Mixed media. Photograph by Jin Lee P, courtesy of the 9/11 Memorial Museum.

In The Shadow of Loss, Make the World New Again: The 9/11 Memorial Museum


The new 9/11 Memorial Museum encourages misery, which might be its necessity.


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Eco-Formalism: Maya Lin at the Parrish Art Museum


Lin’s ecological concerns are apparent, but are they persuasive?