Criticism
Sunday, March 3rd, 2019
 
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A derangement of the senses is arrived at via multifarious stimuli ...
Tuesday, February 26th, 2019
 
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Her show of bells and mirrors was in Chelsea this winter. ...
Friday, February 22nd, 2019
 
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Interventions in the permanent collection of American art, up through March 3 ...
 

Thursday, September 27th, 2018

Malcolm Morley, Starry Starry Knight, 2017. Oil on linen, 50 x 50 inches. Courtesy of Sperone Westwater © Malcolm Morley

Starry Starry Knight: Malcolm Morley at Sperone Westwater


Works from the painter’s last three years, on view on the Lower East Side

Wednesday, September 12th, 2018

Edward Hopper, Night Window, 1928. Oil on canvas, 29 x 34 inches. Museum of Modern Art, New York. Gift of John Hay Whitney

“Right There, Looking”: Brian O’Doherty’s Collected Essays


Irish-honed literary skills placed at service of cosmopolitan visual culture

Tuesday, August 28th, 2018

Gauri Gill. Untitled from the series Acts of Appearance. 2015–ongoing. Pigmented inkjet print. The Museum of Modern Art, New York. Acquired through the generosity of Robert B. Menschel. © 2018 Gauri Gill

Mask Life: The Mystical and the Mundane in Gauri Gill


“Projects 108” is at PS1 through September 3

Thursday, August 16th, 2018

Linda Stark, Self-Portrait with Ray, 2017. Oil on canvas over panel, 36 x 36 inches. Courtesy the artist.

Made in L.A. 2018: A Provocative, “Woke” Biennial for Los Angeles


The fourth “Made in L.A.” is at the Hammer through September 2

Monday, August 13th, 2018

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Strange Intimacies: A Survey of Paula Rego in Cascais, Portugal


Presented by the museum of her work, through September 30

Monday, August 13th, 2018

Gertrude Abercrombie, Untitled (Blue Screen, Black Cat, Print of Same), 1945. Oil on board, 8 x 10 inches. Courtesy Karma Gallery.

The Queen of Chicago: Gertrude Abercrombie at Karma


Surreal paintings from the mid-century Mid West, in the East Village through September 16

Friday, August 3rd, 2018

Louis Eilshemius, Mother and Child, 1914, oil on masonite, 21 x 28 1/4 inches

Libidinal Charge: A Summer Group Show at Greenspon


The Seam, the Fault, the Flaw, through August 3

Thursday, August 2nd, 2018

Thomas Bayrle, Mao, 1966. Oil on wood construction and engine, 145 x 148 x 32 cm. Photo: Axel Schneider.

Disrupting the System: Thomas Bayrle at the New Museum


Five-decade survey delving culture, politics, economics, infrastructure

Saturday, July 28th, 2018

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Ekphrasis: Helene Appel at James Cohan


Her second show with the gallery was on Grand Street this month

Monday, July 23rd, 2018

Resource: Art curators Emily Tucker, Elisabeth Samuels and (seated) Anna Kaplan at the Hotel Henry with works by Ani Hoover. Courtesy of the Buffalo Spree

Is Buffalo the Next Berlin?


The capital of Western New York is ripe for artists looking for a place to hang their hats