Criticism
 
Stephen Maine, HP11-0402,  2011. Acrylic on panel, 20 x 16 inches. Courtesy of the artist and 490 Atlantic Gallery.
Two artists’ recent shows in Brooklyn explore surface as substance. ...
 
Photograph of Milton Resnick.
Milton Resnick’s long but underappreciated career gets a review and revision at Mana Contemporary. ...
 
Andy Warhol, Nelson Rockefeller, 1967. Acrylic and silkscreen on canvas, 75 x 56 x 1 1/4 inches. Copyright The Andy Warhol Foundation, courtesy of The Queens Museum.
The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair. ...
 


Matt Freedman, excerpt from Relatively Indolent But Relentless: A Cancer Treatment Journal, 2014.

Cancer, Chemo, Comedy: David Brody on Matt Freedman’s Cancer Treatment Journal


David Brody on Matt Freedman’s dark, comic, and touching memoir of recovery from cancer.


Saturn-n-Son_Lg

Fuzzy Reception: Michael Berryhill at Kansas


Berryhill’s new punning paintings tease viewers and confound their expectations.


Victoria Fu, Belle Captive III, 2013, digital video with sound, 6 minute loop. Courtesy the artist and Simon Preston Gallery, New York.

Beautiful Prisoners: Victoria Fu at Simon Preston and the Whitney


Hot colored video art on the Lower East Side, up thru Sat, June 7


Michael-Jackson-Eating-Popcorn

Mindy to Mork: Animated GIF as Cultural Relic


The Reaction GIF: Moving Image as Gesture at the Museum of the Moving Image


Paul Cézanne, The Buffet, 1887-79. Oil on linen, 65 x 81 cm. Museum of Fine Arts, Budapest

Paul Cézanne: Site/Non-Site


Madrid show applies Robert Smithson’s ideas to Cézanne


Stuart Elster, In Dazzle Blue #2, 2012. Oil on canvas, 16 x 24 inches. Courtesy of Junior Projects

Constructing “Boatness” from the Abstraction of Camouflage: Stuart Elster at Junior Projects


Show references Dazzle campaign of World War I


Shirley Kaneda, Restrained Decadence , 2014. Acrylic and linen on canvas, 64 x 54 inches. Courtesy of Galerie Richard

The Painterly and the Linear: Shirley Kaneda and Robert Mangold


Slow abstractionists of contrasting sensibility in overlapping Chelsea shows


Installation shot of the exhibition under review with, from left, Hare with Forks, c.1924, Plucked Goose, c.1933, The Rabbit, c.1924 and Table with Skinned Rabbit, c.1923. Photography by Chris Burke. Images courtesy of Paul Kasmin Gallery.

Sensuous Orgies of Luminous Writhing Paint: Chaim Soutine Still Lifes


At Kasmin Gallery, West 27th Street, through June 14


Andy Wicks. Courtesy &Model Gallery.

Letter from Leeds


Yorkshire is a surprising hub for contemporary art in the UK


David Salle, Ghost 10, 1992. Ink on photosensitized linen, 85 x 75 inches. © copyright David Salle, VAGA, NY courtesy of Skarstedt NY

Shape Shifters: David Salle Ghost Paintings


on view late last year at Skarstedt on the Upper East Side