Criticism
Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Wednesday, September 14th, 2016
 
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The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
Monday, September 12th, 2016
 
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Process and history are manipulated and explored through Ruff’s use of found photographs. ...
 

Friday, July 29th, 2016

Verónica Puche, Granada, 2016. Archival pigment print, 13 x 17 inches. Courtesy of the artist

Overlap: Intersecting Identities at the Baxter St. Camera Club


A survey of new photography about identity.

Thursday, July 28th, 2016

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Diamond in the Smooth: Stephen Westfall at Lennon, Weinberg


“Color is liberated to function in a kinetic way”

Wednesday, July 27th, 2016

Bas Jan Ader, Untitled (The Elements), 1971/2003. C-type print, 11 x 14 inches. Copyright The Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Rights Society (ARS), New York. Courtesy Metro Pictures, New York and Meliksetian | Briggs, Los Angeles.

Practicing Falling: Bas Jan Ader at Metro Pictures


Twin surveys of Ader’s short but brightly burning career are mounted in New York and London.

Wednesday, July 27th, 2016

Bas Jan Ader, Primary Time, 1974. Color U-matic video tape transferred to DVD, silent, PAL format, TRT: 26 minutes. Copyright the Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Right’s Society (ARS), New York. Courtesy of Meliksetian | Briggs, Los Angeles and Simon Lee Gallery, London.

The Fall: Bas Jan Ader at Simon Lee, London


Twin surveys of Ader’s short but brightly burning career are mounted in London and New York.

Friday, July 22nd, 2016

David Mramor, Venus in Bed 3, 2014. Acrylic paint and archival inkjet on canvas, 48 x 72 inches. Courtesy of the artist and PPOW.

De Beauvouir’s Inheritors: “The Woman Destroyed” at PPOW


A painterly, sumptuous show of work by women.

Friday, July 22nd, 2016

Gardar Eide Einarsson, The Next Recession and Where to Hide, 2016. Acrylic, graphite and gesso on canvas, 87 x 71 inches. Courtesy of the artist and Team.

Encompassing Hostility: “Golden Eggs” at Team Gallery


A group show gives Marxist voice to recent unrest in art and politics.

Sunday, July 17th, 2016

Steven MacIver, Sentinel 1, 2016. Acrylic and gold on birch wood panel, 23.6 x 19.7 inches. Courtesy of the artist and Dillon Gallery.

In the Spaces of Memory, Geometries of Place: Steven MacIver at Dillon Gallery


The painter creates abstractions based on the coast of his home.

Friday, July 15th, 2016

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Back to the Rest of Us: Isabel Lewis at Dia


A performance, installation, and sound artist unites people in collective experience.

Friday, July 15th, 2016

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Shaped Canvases and Broken Rules: Shapeshifters at Luhring Augustine


A group show explores the contemporary history of unconventional supports.

Thursday, July 14th, 2016

Cora Cohen, 015-11, 2011. Archival ink jet, pencil on paper, 21.25 x 22.5 inches. Courtesy of the Artist

Slippery Conditions: A Show of Drawings by Cora Cohen


Seen at the New York Studio School earlier this summer