Criticism
Monday, August 28th, 2017
 
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On view in Chelsea, extended to September 1 ...
Wednesday, August 9th, 2017
 
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Exuberant joy in the face of anguish; through September 10 ...
Tuesday, July 18th, 2017
 
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For Dumas, the question of extinction also points to violence against African-Americans ...
 

Friday, April 14th, 2017

Glenn Adamson

Narrowing the Field: The Fate of Genius in the Age of the Readymade


A review of Art in the Making by Glenn Adamson and Julia Bryan-Wilson

Tuesday, April 11th, 2017

Agnès Varda, La terrasse du Corbusier, Marseille (1956) / Les gens de la terrasse (2008), 2012. Black and white digital c-print, color/sound video projection with English subtitles., 2 minutes 33 seconds, looped. Courtesy of Blum & Poe, Photo: Genevieve Hanson

An Impulse Towards Narrative: Agnès Varda at Blum & Poe


A survey in different mediums of the legendary New Wave director

Tuesday, March 28th, 2017

Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center

Site Specific: Diana Cooper and Lee Boroson at Fordham


Prismatic Shifts, a two person show curated by Carleen Sheehan

Tuesday, March 21st, 2017

Shinji Turner-Yamamoto, Pentimenti #1, 2010. Found plaster and chipped paint fragments, 24kt gold leaf, gesso, clay bole, animal glue, tree resin, 5-1/2 × 8 × inches. Courtesy of Sapar Contemporary

Uprooted from our Native Soil: A Two-Person show asks timely questions about nature and sustainability


Shinji Turner-Yamamoto and Gabriela Albergaria at Sapar Contemporary

Wednesday, March 15th, 2017

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To Organize Delirium: Five Installations by Hélio Oiticica


Currently in Chicago, coming to the Whitney this summer

Wednesday, March 8th, 2017

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Clarity of Facture: David Reed, 1975 at Gagosian


Historical exhibition, curated by Katy Siegel and Christopher Wool, seen earlier this season

Thursday, February 23rd, 2017

Sean Scully, 2014. Photo: Courtesy Museum Ludwig

A Natural-Born Storyteller: The Writings of Sean Scully


Inner: The Collected Writings and Selected Interviews of Sean Scully

Thursday, February 23rd, 2017

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The End of History: Adrian Ghenie at Pace


New works by the Romanian painter were on view at Pace in Chelsea

Tuesday, February 7th, 2017

Yosef Zaritsky, Yehiam (Life on the Kibbutz), 1951. Oil on burlap mounted on canvas, 208 × 228 cm. Collection Tel Aviv Museum of Art

Postwar: A Revisionist Vision from Munich


An major survey exhibition at the Haus der Kunst offers a global approach

Monday, February 6th, 2017

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Autonomous Brushwork: Warhol, Wool, Guyton at Nahmad Contemporary


A small but striking exhibition on the Upper East Side