Criticism
Saturday, May 14th, 2016
 
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Her extended exhibition closes May 15 at Nathalie Karg on the Lower East Side ...
Saturday, May 14th, 2016
 
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The artist explores the interrelation of intellectual, aesthetic, and corporeal adornment. ...
Wednesday, May 11th, 2016
 
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Can Modernism’s history be seen through the lens of Irwin’s work? ...
 

Sunday, March 6th, 2016

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BMPT at Hunter College: All There Is To It


A retrospective of the influential abstract painting group.

Sunday, March 6th, 2016

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Really Killer: Anna Ostoya’s Judith


A fractured re-examination of an infamous Renaissance execution image.

Sunday, March 6th, 2016

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Calisthenic Abstraction: Four Decades of David Row


Restless intelligence in evidence at Loretta Howard Gallery

Friday, March 4th, 2016

Cynthia Koppe, Marco D’Agostin and Teresa Silva in "For Claude Shannon," 2016, at The Kitchen. Courtesy of The Kitchen.

Data Dance: Ode to an Information Theorist at The Kitchen


A semi-improvisational dance series for the founding thinkers of the Digital Era.

Thursday, March 3rd, 2016

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Exercycles and Sweethearts: Firewall Internet Café


Baidu versus Google at a pop-up exhibition

Wednesday, March 2nd, 2016

Walter Robinson, Woman III, 1984. Acrylic on canvas. Courtesy of the artist and Moore College.

“Wanting to be Art”: Buy, Sell and Desire in the Paintings of Walter Robinson


His retrospective, at Moore College, Philadelphia, runs through March 12

Tuesday, March 1st, 2016

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Freewheeling: Josh Reames and José Lerma Collaborate


Their monumental collaboration on view at Luis de Jesus in LA

Monday, February 29th, 2016

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“The object of power is power”: Erika Blair at Rope Gallery


A performance at a Baltimore gallery that raises questions about government intrusion and our responses to it.

Saturday, February 27th, 2016

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The Somnambulist: Charles Yuen’s Painterly Waking Dreams


On view at Bushwick’s Studio 10 through Sunday

Wednesday, February 24th, 2016

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In the Beginning was the Image: Julian Bell and Archie Rand Paint the Bible


“What’s the right visual style for presenting Christian or Jewish texts? “