Criticism
 
click to enlarge
Richard Phillips: Negation of the Universe from Rizzoli ...
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 


_GJM4901

Eco-Formalism: Maya Lin at the Parrish Art Museum


Lin’s ecological concerns are apparent, but are they persuasive?


Anders Zorn, After the Bath, 1895. Oil on canvas, 21 x 14 inches. National Museum, Stockholm

“To steal its secret and beauty”: Anders Zorn, Sweden’s Underrated Master of Naturalism


Major monograph is from Rizzoli


Kelley-Install-11

Multiple Layers of Significance: Mike Kelley at LA MoCA


The final stage of a two year retrospective is a prodigious homecoming.


1.-HP11-0402,-20-x-16',-2011

Surface Tension: William Corwin on Amalia Piccinini and Stephen Maine


Two artists’ recent shows in Brooklyn explore surface as substance.


Milton Resnick, Untitled, 1989. Oil on canvas, 30 x 40 inches. Copyright The Milton Resnick and Pat Passlof Foundation, 2014. Courtesy Cheim & Read.

Man Out of Time: Milton Resnick at Mana Contemporary


Milton Resnick’s long but underappreciated career gets a review and revision at Mana Contemporary.


MWM-No-11

Wanted but Undesired: Andy Warhol at the 1964 World’s Fair


The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair.


S.SM(12)

Waves: Swoon at the Brooklyn Museum


The acclaimed street artist creates an oceanic jungle in the Brooklyn Museum.


KWG-Schiff_Threadbare-I,-2014

Sun and Earth: Melanie Schiff at Kate Werble


Melanie Schiff’s work encourages viewers to stare at the sun.


Emmanuel Cooper, Stoneware with volcanic glaze (detail), ca. 1990s. Courtesy of the artist and Ruthin Craft Centre. Photograph by Dewi Tannatt Lloyd.

Flows of Light and Form: The Life and Work of Emmanuel Cooper


Darren Jones remembers the elemental work and personality of the English ceramicist.


Installation view, "Phoenix: Xu Bing at the Cathedral," The Cathedral of Saint John the Divine. Courtesy of the artist and The Cathedral of Saint John the Divine. Photograph by Aileen June Wang.

Wood, Light and Steel from Ash: Xu Bing’s Phoenixes


Xu Bing’s interest in metamorphosis takes form as two colossal phoenixes.