Criticism
 
These paintings convey nature’s immensity even as they mangle its topography. ...
 
click to enlarge
Richard Phillips: Negation of the Universe from Rizzoli ...
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 


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Everything and Nothing At All: Roman Opalka Painting Infinity


Number paintings and early works on paper at Dominique Lévy


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Our Secret: Hidden Master Painter Paul Pagk


The masterful and little-known abstractionist has three concurrent shows on two continents.


Stanley Lewis, Winslow Park, Westport, 2010-2014. Oil on canvas, 21-1/4 x 35-1/4 inches. Courtesy of Betty Cuningham Gallery.

One-Two Punch: Stanley Lewis at Betty Cuningham


A crazy-quilt meditation on what painting can be.


Installation view, 'Monika Sosnowska: Tower', Hauser & Wirth New York, 18th Street, 2014. Courtesy the artist and Hauser & Wirth. Photograph by Genevieve Hanson.

Looming Tower: Monika Sosnowska at Hauser & Wirth


The artist’s enormous installation at raises questions about how architecture relates to history.


George Trakas, view of Atlantic Station's South East Plaza showing an unfinished section to the left of the bicycles. Photo by the artist.

A Tree Grows Immanent in Brooklyn: George Trakas’s Installation at Atlantic Station


The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station.


Jeff Koons, Play Doh, 1994-2014. © Jeff Koons

From Popeye to Play-Doh: The Psychology of Jeff Koons


The key to Koons is his narcissism


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Light Up Gold: The Work of Rafael Wardi


A legend in his own country, the Finnish painter expresses an almost greedy desire for light and color.


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A Dispatch from “Manifesta 10″


David Carrier reports on the politics and curatorial gambits of “Manifesta 10,” now on view in St. Petersburg.


The Brisbane Powerhouse. Photograph by Jon Linkins.

Scene Down Under


Juliet Helmke reports on the Australian arts community.


Lygia Clark, Clark’s proposition Diálogo de mãos ("Dialogue of hands," 1966), in use probably by Clark and Hélio Oiticica. The object is made of elastic. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro.

Offline: Lygia Clark and the Original Social Media


This ambitious retrospective of Clark’s work is one of the first major exhibitions of her work outside of Brazil.