Growing To Know A Place: Susannah Phillips and Landscape
by Beverly Acha
continues at Lori Bookstein through January 2013
The Cannibal: Phyllida Barlow at Hauser & Wirth
This slow cook artist is something of a speed freak.
Resistance of Steel: Melvin Edwards at Alexander Gray
In “Lynch Fragments” chains signify cultural connectedness and violent repression
Each To His Own Tahiti: Peter Doig and Luc Tuymans in London
by Anne Sassoon
Moon and Sixpence moments for two contemporary painters
Bringing the Hand Back into Play: Carolanna Parlato at Elizabeth Harris
by Beverly Acha
Her latest show marked a shift in style
![Henry Rothman, Untitled (Blue and Red) [double-sided] circa 1960-63. Paper collage, 6-7/8 x 4-7/8 inches. Courtesy of Lori Bookstein Fine Art](http://www.artcritical.com/wp-content/uploads/2012/10/rothman2-71x71.jpg "Henry Rothman, Untitled (Blue and Red) [double-sided] circa 1960-63. Paper collage, 6-7/8 x 4-7/8 inches. Courtesy of Lori Bookstein Fine Art")
Beyond The Frame: Henry Rothman at Lori Bookstein
Collages of exquisite touch by frame maker to the New York School
What if…? Gutai, Japan’s New York School
A Visual Essay on Gutai at Hauser & Wirth, through October 27
Addressing Politics Poetically: Izhar Patkin at the Jewish Museum
by Ilka Scobie
The Messiah’s glAss is up through November 11
In Hot Pursuit: Fran O’Neill at the Studio School
Her show of rigorous gestural abstraction is up through October 13
