“This is the moment where Kandinsky’s blues, his reds, his yellows, are becoming nouns, objects, substances in their own right.”
Ohad Meromi carries the proletarian banner into Nathalie Karg Gallery.
Arson as a kind of avant-garde, reorganizing our experience of the exhibition space.
On view at the New York Studio School through August 10
“…fashion or soft-core erotica are intermittently spaced around the gallery to form an underlayer of camp.”
A drawing animation, absolutely flat and yet 3-D at the same time
The new 9/11 Memorial Museum encourages misery, which might be its necessity.
Lin’s ecological concerns are apparent, but are they persuasive?
Major monograph is from Rizzoli
The final stage of a two year retrospective is a prodigious homecoming.