Criticism
Sunday, March 3rd, 2019
 
Holling-cover
A derangement of the senses is arrived at via multifarious stimuli ...
Tuesday, February 26th, 2019
 
spot
Her show of bells and mirrors was in Chelsea this winter. ...
Friday, February 22nd, 2019
 
wynne-cover
Interventions in the permanent collection of American art, up through March 3 ...
 

Friday, April 13th, 2018

Screen Shot 2018-04-13 at 9.37.42 AM

From Stasis to Kinesis: The Woosters of Ted Stamm


After years of neglect, Lisson Gallery show offers interpretative clarity.

Friday, April 6th, 2018

Screen Shot 2018-04-06 at 11.45.52 PM

Excess Devoured: Steve DiBenedetto at Derek Eller


Paintings of newfound restraint, on view on the Lower East Side

Tuesday, March 27th, 2018

Mary Sibande, In the midst of chaos, there is opportunity, 2017. Life-size sculptures: Fibreglass, vinyl, metal, painted wood, 100% cotton, and polyester fiberfill, 800 x 400 x 20 cm. Photo credit: Antonia Steyn

Cathedral, Silo, Museum of Contemporary African Art: Welcome to the Zeitz


A dispatch from Cape Town and the unveiling of a major museum

Tuesday, March 27th, 2018

Installation shot of the room selected by Riccardo Muti with Masaccio's Trinity.

The Museum Reimagined: “Carta Bianca” at Museo di Capodimonte


Locals let loose with famed Naples collection, through June 17

Tuesday, March 27th, 2018

Perry Hoberman, Suspensions, 2018. Installation view with visitor preparing to wear VR goggles. Courtesy of the artist and Postmasters, New York

Non-Trip to a Non-Site: Perry Hoberman’s Suspensions


Combining virtual reality and assemblage, on view at Postmasters through March 31

Sunday, March 25th, 2018

Marguerite Louppe, Rustic Chair, n.d. Oil on canvas, 82 x 66.5 cm

Bourgeois Charm: Marguerite Louppe and Maurice Brianchon


Husband and Wife painters, on view at Seton Hall University

Thursday, March 22nd, 2018

Trevor Winkfield, Upwardly Dripping, 2009. Acrylic on linen, 12 x 12 inches. Courtesy of the artist and Tibor de Nagy Gallery

A Credit-Worthy Show of Trevor Winkfield, at Milton Art Bank, Milton, PA


Plus a show of his work at Tibor de Nagy Gallery, New York

Thursday, March 15th, 2018

Untitled (Drift Upload), 2017
UV ink on Alumacore
94 x 46 inches

The Willful Glitch: Chris Dorland and Technological Singularity


His show was at Lyles & King last month

Tuesday, February 27th, 2018

James Castle, Untitled (Red Jacket), n.d. Found paper, thread, crayon with applied paper buttons, 10.5 x 6.5 inches (Double-sided). The William Louis-Dreyfus Foundation Inc. © James Castle Collection and Archive LP

Beyond Soot and Spit: Rethinking James Castle


An important show of his work at the New York Studio School on view through March 4

Thursday, February 15th, 2018

Hans Hartung, T1982-H29, 1982. Acrylic on canvas, 70.9 x 55.9 inches. Courtesy of Nahmad Contemporary, Perrotin and Hartung-Bergman Foundation

In a Galaxy of their Own Design: Line and Atmosphere in Hans Hartung


A pair of exhibitions makes a case for the German-born post-war French master