Criticism
Wednesday, September 12th, 2018
 
Edward Hopper, Night Window, 1928. Oil on canvas, 29 x 34 inches. Museum of Modern Art, New York. Gift of John Hay Whitney
Irish-honed literary skills placed at service of cosmopolitan visual culture ...
Tuesday, August 28th, 2018
 
Gauri Gill. Untitled from the series Acts of Appearance. 2015–ongoing. Pigmented inkjet print. The Museum of Modern Art, New York. Acquired through the generosity of Robert B. Menschel. © 2018 Gauri Gill
“Projects 108” is at PS1 through September 3 ...
Thursday, August 16th, 2018
 
Selected works by Charles Long, installation shot, Made in L.A. 2018. Courtesy of UCLA Hammer Museum. Photo: Brian Forrest
The fourth “Made in L.A.” is at the Hammer through September 2 ...
 

Friday, November 10th, 2017

Julia Jacquette, Actress, Gold Dress, 2015. Oil on linen, 60 x 48 inches. Courtesy of the artist.

“Playground of my Mind”: Julia Jacquette Educates the Eye


New Jersey show of paintings and gouaches focused on graphic memoir

Tuesday, November 7th, 2017

munch-cover

“A Search For Solace”: Karl Ove Knausgård Curates Edvard Munch


The exhibition was at the Munch Museum, Oslo, this summer

Thursday, November 2nd, 2017

Cover of the book under review

Going His Own Way: A new monograph on Thomas Nozkowski by John Yau


launches a series on contemporary painters, edited by Barry Schwabsky

Friday, October 27th, 2017

Screen Shot 2017-10-27 at 12.25.03 PM

Visualizing Historicism: Mary Kelly’s Personal Reckoning


Life examined through the prism of feminist engagement, at Mitchell-Innes and Nash through November 22

Saturday, October 14th, 2017

Jason Stewart, Untitled (Saratoga Hot), 2017. Acrylic and goauche on canvas over panels, 24 x 24 inches. Courtesy of the artist and Geary Contemporary

Spatial Dance: Jason Stewart Color Reliefs at Geary Contemporary


solo show in the project space ends October 14

Saturday, October 14th, 2017

Damien Hirst, The Warrior and the Bear, 2017. All rights reserved, DACS 2017

Triumph of the Readymade: Damien Hirst in Venice


“Treasures from the Wreck of the Unbelievable” at Palazzo Grassi/Punta della Dogana

Saturday, October 14th, 2017

John Hoyland, 7.65, 1965. Acrylic on canvas, 120 x 84.5 inches. Courtesy of Pace Gallery © The John Hoyland Estate. All rights reserved, DACS 2017.

Bold, Beefy, British: John Hoyland Stain Paintings of the 1960s


On view through October 21 at Pace Gallery, 32 East 57th Street

Thursday, October 5th, 2017

Verge, 2017, oil on canvas, 72 x 60 inches.

Peekaboo: Rachel Rickert at E.TAY Gallery


“Frustrated vision can actually be fun,” writes Kalinovski. On view in TriBeCa through October 7

Wednesday, October 4th, 2017

Robert Motherwell, The Hotel Corridor, 1950. Oil on masonite, 44 x 55 inches© Dedalus Foundation, Inc. / Licensed by VAGA, NewYork, NY

Not The Readymade Modernist After All: A revisionist take on early Robert Motherwell


Kasmin show challenges assumptions about artist’s beginnings

Tuesday, September 26th, 2017

Ron Baron, detail

Perilous Journeys: Ron Baron and Karina Aguilera Skvirsky at Smack Mellon


A sculptural installation and a film, each eloquent on the poignancy of human journeys