Criticism
Wednesday, May 10th, 2017
 
Cover of the book under review. Image courtesy of the publisher.
A look at eight years of writing by Bob Nickas. ...
Wednesday, May 10th, 2017
 
Mimmo Rotella, TAL, 1957, Décollage on canvas, 12 7/8 x 14 1/4 inches. Image courtesy of the gallery.
selected early works were on view uptown ...
Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
 

Saturday, August 13th, 2016

László Moholy-Nagy, caption details to follow

Light as a New Plastic Medium: László Moholy-Nagy at the Guggenheim


Moholy-Nagy: Future Present on view through September 7

Thursday, August 11th, 2016

William Corwin, Double Doors of the Horizon, 2016. Resin, 14 x 9.5 x 4 inches. Courtesy of Geary Contemporary, New York, 1916

Doors of Perception: William Corwin at Geary Contemporary


His exhibition, titled “Champollion”, closes this week

Tuesday, August 2nd, 2016

Mathew Cerletty, Almost Done 2, 2015. Oil on canvas, 48 X 70 X 1 1/4 inches. Courtesy of the artist and Marlborough Chelsea.

The World Outside: “Landscapes” at Marlborough Chelsea


An exhibition wonders at how landscape painting has changed to address the contemporary world.

Friday, July 29th, 2016

Verónica Puche, Granada, 2016. Archival pigment print, 13 x 17 inches. Courtesy of the artist

Overlap: Intersecting Identities at the Baxter St. Camera Club


A survey of new photography about identity.

Thursday, July 28th, 2016

westfall-cver

Diamond in the Smooth: Stephen Westfall at Lennon, Weinberg


“Color is liberated to function in a kinetic way”

Wednesday, July 27th, 2016

Bas Jan Ader, Untitled (The Elements), 1971/2003. C-type print, 11 x 14 inches. Copyright The Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Rights Society (ARS), New York. Courtesy Metro Pictures, New York and Meliksetian | Briggs, Los Angeles.

Practicing Falling: Bas Jan Ader at Metro Pictures


Twin surveys of Ader’s short but brightly burning career are mounted in New York and London.

Wednesday, July 27th, 2016

Bas Jan Ader, Primary Time, 1974. Color U-matic video tape transferred to DVD, silent, PAL format, TRT: 26 minutes. Copyright the Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Right’s Society (ARS), New York. Courtesy of Meliksetian | Briggs, Los Angeles and Simon Lee Gallery, London.

The Fall: Bas Jan Ader at Simon Lee, London


Twin surveys of Ader’s short but brightly burning career are mounted in London and New York.

Friday, July 22nd, 2016

David Mramor, Venus in Bed 3, 2014. Acrylic paint and archival inkjet on canvas, 48 x 72 inches. Courtesy of the artist and PPOW.

De Beauvouir’s Inheritors: “The Woman Destroyed” at PPOW


A painterly, sumptuous show of work by women.

Friday, July 22nd, 2016

Gardar Eide Einarsson, The Next Recession and Where to Hide, 2016. Acrylic, graphite and gesso on canvas, 87 x 71 inches. Courtesy of the artist and Team.

Encompassing Hostility: “Golden Eggs” at Team Gallery


A group show gives Marxist voice to recent unrest in art and politics.

Sunday, July 17th, 2016

Steven MacIver, Sentinel 1, 2016. Acrylic and gold on birch wood panel, 23.6 x 19.7 inches. Courtesy of the artist and Dillon Gallery.

In the Spaces of Memory, Geometries of Place: Steven MacIver at Dillon Gallery


The painter creates abstractions based on the coast of his home.