Wednesday, September 14th, 2016
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
Monday, September 12th, 2016
Process and history are manipulated and explored through Ruff’s use of found photographs. ...
Friday, September 9th, 2016
Is he a trickster, or a Warholian innovator? What’s the difference? ...

Friday, May 6th, 2016

Group IX/SUW, No. 17. The Swan, No. 17, by Hilma af Klint. Courtesy of Stiftelsen Hilma af Klints Verk. Photo: Moderna Museet / Stockholm

“If a spirit told me to do this, I’d do it”: Painters Respond to Hilma af Klint

A report from London where her show is at the Serpentine Gallery

Friday, May 6th, 2016


Originals: Amy Hill and the Kids of America

At Front Room Gallery in Brooklyn, the show is a disconcerting delight

Tuesday, May 3rd, 2016


H/er Transformative Art: Genesis Breyer P-Orridge at the Rubin

An installation brings sympathetic magic to the museum.

Friday, April 29th, 2016


Revisiting the Never-Ending Now: Luigi Ghirri at Matthew Marks

A survey of the photographer’s work opens vistas onto small moments.

Wednesday, April 27th, 2016


The Common Methods of Commonwealths: An Exhibition by Alice Könitz

Interaction and collaboration build and use community at LA’s artist-run spaces.

Tuesday, April 26th, 2016

Photo of Eva Hesse in the Textile Factory Studio, Kettwig, Germany, 1964. Photographer unknown.

Vulnerable Visionary: Eva Hesse, A Film By Marcie Begleiter

Back at Film Forum through June 9

Tuesday, April 26th, 2016


At a Safe Remove: Omer Fast at James Cohan

a jarring experience, both intellectually and emotionally, his three films are on view through May 7

Monday, April 25th, 2016

Scott Zieher, Wave Pattern, 2015. Collage on found paper, 14 x 11 inches. Courtesy of the artist and Ampersand.

SkyDancers and Concrete Poetry: Scott Zieher at Ampersand

The collagist and gallerist presents “Totems & Cantos” in Portland, OR.

Saturday, April 23rd, 2016


Little Boxes: Samara Golden at Yerba Buena

A new installation holds a mirror to the stultifying nature of cookie-cutter housing.

Thursday, April 21st, 2016

Shimpei Takeda; Trace #7, Nihonmatsu Castle – Nihonmatsu, Fukushima; 2012, printed 2014. Gelatin silver print; 20 1/6 x 23 7/8 inches. Courtesy of the Museum of Fine Arts, Boston.

Intense Immobility: “In the Wake” at Japan Society

Photography, history, loss, and the Tohoku earthquake disaster at Japan Society.