David Carrier reports on the politics and curatorial gambits of “Manifesta 10,” now on view in St. Petersburg.
This ambitious retrospective of Clark’s work is one of the first major exhibitions of her work outside of Brazil.
“This is the moment where Kandinsky’s blues, his reds, his yellows, are becoming nouns, objects, substances in their own right.”
Ohad Meromi carries the proletarian banner into Nathalie Karg Gallery.
Arson as a kind of avant-garde, reorganizing our experience of the exhibition space.
On view at the New York Studio School through August 10
“…fashion or soft-core erotica are intermittently spaced around the gallery to form an underlayer of camp.”
A drawing animation, absolutely flat and yet 3-D at the same time
The new 9/11 Memorial Museum encourages misery, which might be its necessity.