Criticism
Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Wednesday, September 14th, 2016
 
rabinowitz_feature
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
 

Saturday, May 14th, 2016

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Thank You For What Is Underneath, Nathlie Provosty


Her extended exhibition closes May 15 at Nathalie Karg on the Lower East Side

Saturday, May 14th, 2016

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Sara Greenberger Rafferty’s Dresses and Books at Rachel Uffner


The artist explores the interrelation of intellectual, aesthetic, and corporeal adornment.

Wednesday, May 11th, 2016

Robert Irwin, Untitled, 1969. Acrylic on cast-acrylic disc, 48 inches. Courtesy of the artist and the Hirshhorn.

Speculative Modernism: Robert Irwin at the Hirshhorn


Can Modernism’s history be seen through the lens of Irwin’s work?

Wednesday, May 11th, 2016

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“Inventive Disorientation”: Katy and Matthew Fischer at Louis B. James


The artists use ceramics and painting to alter viewers’ perceptions of space and objects.

Wednesday, May 11th, 2016

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Library of Babel: Ward Shelley’s Complex Taxonomies at Pierogi


The artist’s drawings, paintings, and collaborative installation use Borgesian parodies of organization.

Monday, May 9th, 2016

Nøne Futbol Club, Work nº2B : La tonsure (after Marcel Duchamp), 2015 Collage, 21 x 29,7 cm Courtesy Nøne Futbol Club et Galerie Derouillon

Network as Artist: The Web as Creator of Aesthetic Experience


Co-workers: le raseau comme artiste, an inclusive exhibition in Paris

Saturday, May 7th, 2016

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Black Genius: Roy DeCarava at Anders Wahlstedt


The photographer’s documentary images of Harlem reveal lives and history there.

Friday, May 6th, 2016

Group IX/SUW, No. 17. The Swan, No. 17, by Hilma af Klint. Courtesy of Stiftelsen Hilma af Klints Verk. Photo: Moderna Museet / Stockholm

“If a spirit told me to do this, I’d do it”: Painters Respond to Hilma af Klint


A report from London where her show is at the Serpentine Gallery

Friday, May 6th, 2016

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Originals: Amy Hill and the Kids of America


At Front Room Gallery in Brooklyn, the show is a disconcerting delight

Tuesday, May 3rd, 2016

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H/er Transformative Art: Genesis Breyer P-Orridge at the Rubin


An installation brings sympathetic magic to the museum.