Criticism
Monday, April 25th, 2016
 
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The collagist and gallerist presents “Totems & Cantos” in Portland, OR. ...
Tuesday, April 19th, 2016
 
agenda
A short show of heavy materials and tough, beautiful artworks. ...
Saturday, April 16th, 2016
 
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A recent group show connects dots between form and narrative. ...
 

Thursday, November 12th, 2015

Agnes Martin, Homage to Greece, 1959. Oil, canvas collage, and nails on panel, 12 x 12 inches.

Mythos and History: A New Agnes Martin Biography


A new biography of the idiosyncratic and influential painter untangles myth and fact.

Wednesday, November 11th, 2015

Screen Shot 2015-11-11 at 11.14.20 PM

Angelus Novus Anew: R.H. Quatyman’s Chapter 29


Interpreting Paul Klee after Walter Benjamin, her exhibition continues at Miguel Abreu

Tuesday, November 10th, 2015

Roy Ferdinand, Untitled (Sax Player), 1993

Missing People: An Art Dealer on the Trail of Unsolved Murder and Outsider Drawings


David Shapiro’s award winning documentary screens at DOC NYC Sunday and Wednesday

Wednesday, November 4th, 2015

Installation of works by Robert Rauschenberg, Andy Warhol and Ed Ruscha in The Broad's third-floor galleries; photo by Bruce Damonte, courtesy of The Broad and Diller Scofidio + Renfro.

The Veil and Vault: The Broad Museum in Los Angeles


A report on its architecture and its inaugural exhibition.

Wednesday, October 28th, 2015

View of "Diary: How to Improve the World (You Will Only Make Matters Worse)," 2015, by John Cage, published by Siglio Press. Courtesy of Siglio.

“Paper Should Be Edible, Nutritious”: John Cage’s Diary


The radically inventive and prolific musician’s ethics and curiosity are revealed in a new diary facsimile by Siglio Press.

Friday, October 23rd, 2015

Wolfgang Tillmans: PCR at David Zwirner September 16 to October 24, 2015

Right Beneath Our Noses: The Beauty in Wolfgang Tillmans


Wolfgang Tillmans: PCR at David Zwirner through October 24

Friday, October 23rd, 2015

Davina Semo, “IT’S GOOD,” SHE WHISPERS. “SOMETIMES I FORGET HOW GOOD IT IS.”, 2015. Pigmented reinforced concrete, cast glass; 42 1/4 x 36 x 2 7/8 inches. Courtesy of the artist and Lyles & King. Photograph by Charles Benton.

Concrete, Leather, Light, Glass: Davina Semo at Lyles & King


Semo’s new sculptures use language and erotically industrial materials to manipulate and entice.

Wednesday, October 21st, 2015

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Tamar Ettun’s Embodied Sculptures


Her new solo exhibition at Fridman Gallery uses anatomy as form and as subject.

Thursday, October 15th, 2015

oliver-cover

Slow Spilling Movement: The Paintings of Bobbie Oliver


On view at Valentine in Ridgewood and Hionas on the Lower East Side

Thursday, October 15th, 2015

Wasserman Projects, Detroit, with entry portal by Harley Valentine.

Painting the Town Red: Wasserman Projects, Detroit


Gary Wasserman is one of Detroit’s most enthusiastic boosters