Wednesday, October 28th, 2015
View of "Diary: How to Improve the World (You Will Only Make Matters Worse)," 2015, by John Cage, published by Siglio Press. Courtesy of Siglio.
The radically inventive and prolific musician’s ethics and curiosity are revealed in a new diary facsimile by Siglio Press. ...
Thursday, October 15th, 2015
On view at Valentine in Ridgewood and Hionas on the Lower East Side ...
Tuesday, October 13th, 2015
Sarah Sze, Measuring Stick, 2015. Video projectors, fan, light, mirrors, wood, stone, archival prints, speakers, stainless steel, balloon, sand, fruit, egg, plastic, toilet paper, aluminum foil, grass; 132 x 90 x 51 inches. Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo: Mike Barnett.
Sze’s new exhibition makes astronomical allusions with everyday goods and plays with viewer expectations. ...

Sunday, September 14th, 2008


John Ashbery: Collages at Tibor de Nagy Gallery, Mario Naves: Postcards from Florida at Elizabeth Harris Gallery and Trevor Winkfield at Tibor de Nagy Gallery

Is there something intrinsic to the appeal of collage to writers — to moving bits of paper around in startling, revelatory juxtapositions? The coincidence of two shows of collages by writers of markedly different ilk – a sometime poet laureate and a member of the third estate – begs the question.

Sunday, September 14th, 2008


If Love Could Have Saved You, You Would Have Lived Forever: Curated by Becky Smith

Like the bastard twin of metaphysics, we want art to tell us the meaning of it all.

Monday, September 8th, 2008


Nature Interrupted: Curated by Elga Wimmer

Artists, like everyone else in the world, are worried about the consequences of global warming in the natural world; moreover, they realize that the damage is psychic and imaginative as well as terribly real.

Sunday, September 7th, 2008


Katya Mezhibovskaya: Access Excess

Mezhibovskaya’s art is the most devastating commentary on Art Since 1900 and the most original supplement to Duchamp’s ready mades and Danto’s commentary on Brillo Box that I have had the pleasure to discover.

Sunday, September 7th, 2008

Philip Pearlstein, Model on Wooden Lounge with Swan, 2013. Oil on canvas, 30 x 40 inches. Courtesy of Betty Cuningham Gallery

Philip Pearlstein: Then and Now at Betty Cuningham Gallery

As his new show continues at the same venue, a topical pick from 2008

Friday, August 29th, 2008


Mike Nemire: HiColor

Nemire’s paintings carry the same obscure emotional charge as video color test bands, glowing stripes of pure color that signal a pause before the start of the video’s narrative. The paintings are all variations on that “before” moment, endowing it with resonance as the primary subject.

Friday, August 29th, 2008


Phoebe Washburn: Locating Propriety in the Inappropriate

Because it is a zany exploration of progress and decay, this is a work that, by its very nature, will unfold and only fully realize itself with the passage of time

Monday, August 11th, 2008



The overriding mood in the gallery is inexplicably hopeful, perhaps a subliminal effect of the Buckminster Fuller term, “Tensegrity,” given to the exhibition. Fuller’s theory of tensegrity, the harmonious synergy and tension of parts within an integral structure.

Sunday, August 10th, 2008


Utopia: The Genius of Emily Kame Kngwarreye

Emily (as she is called) moved from making batik to painting with acrylic polymer on canvas at the age of 78 and in the next eight years produced around three thousand paintings. Their impact, both as an emotionally communicative experience and in terms of a painting intelligence, is staggering.

Thursday, July 31st, 2008


Xiong Wenyu: Ten Years of Moving Rainbow

As an environmental activist, Xiong has created a process-oriented art whose dimensions are quite literally heavenly as well as humanist.