If nature was his springboard, as Avery once famously declared, then in this body of work nature is also the lens through which he experienced the city.
His touring exhibition, now arriving at the Brooklyn Museum, was reviewed at the Tang this summer.
These staggering images made it clear that the universe is an interconnected assembly of electrical circuits and that energy and matter are, indeed, infinite in their connectivity.
Jaffe completely jettisoned the stiff grid and strict geometric shapes in favor of a loose, undeniably playful series of rectangles with interior forms.
The ensemble represents a series of very carefully thought-out painting decisions — yet never do the results look cold or calculated.
Gillick’s show is cerebrally engaging and visually interesting, but the visual and cerebral components never coming together to form a layered experience.
There’s an internalized severity to her art; its fierce angularity suggests an appetite for sensual abandon constrained by geometry, argues HEARNE PARDEE
Stylistic textures are revealed to be unselfconscious tics without which Steffen cannot construct flesh.
Storms of tiny lines and colored boxes remain powerful statements on their own, even if they were to be completely disconnected from the music they ultimately represent.