Andy Warhol: The Last Decade at the Brooklyn Museum.
For some 30 years Il Lee has exclusively used, and abused, ballpoint pens.
This image was featured in the May 2010 listings
One senses that drawing is how Clements comes to grips with her surroundings, whether those stimuli are constructed, imagined or discovered.
Given their extraordinary force and paradoxical restraint, these paintings represent the kind of psychic change that distinguishes the fifties from the sixties.
Reinterpreting Flavin’s purist experiments with light within the medium of oil on linen enables Mosse to describe the moment when color becomes something as indefinable as light.
Joseph Beuys: Make the Secrets Productive at Pace Gallery, March 5 to April 10, 2010
If nature was his springboard, as Avery once famously declared, then in this body of work nature is also the lens through which he experienced the city.
His touring exhibition, now arriving at the Brooklyn Museum, was reviewed at the Tang this summer.
These staggering images made it clear that the universe is an interconnected assembly of electrical circuits and that energy and matter are, indeed, infinite in their connectivity.