Criticism
Thursday, May 17th, 2018
 
hi-cover
What’s allegory in Chinatown is reality in rural China, Robert C. Morgan argues ...
Wednesday, May 16th, 2018
 
An exhibition in two parts in London this winter ...
Wednesday, May 16th, 2018
 
A two-part show at Bookstein Projects and Steven Harvey Fine Art Projects ...
 

Sunday, November 21st, 2010

Benicia Gantner, Ruby + Gold Waterweb, 2010. Vinyl collage on plexiglas, mounted on wood frame, 42 x 48 inches. Courtesy of Walker Contemporary, Boston

Abstraction in a Cold Climate


Kristin Baker at the MFA, Boston, and commercial gallery shows of Joanne Mattera, Imi Hwangbo and Benicia Gantner

Sunday, November 21st, 2010

Thomas Nozkowski, Untitled (N-26), 2010, Ink, colored pencil, oil and crayon on paper, 8 5/8 x 9-13/16" inches. The Pace Gallery

The Model Abstraction for Our Times: Thomas Nozkowski at Pace


A counter argument to David Cohen’s earlier review of the same show

Sunday, November 21st, 2010

8765_Roland

Cosmic Close-Ups: Stephen Mueller’s infinite spheres


until November 27 at Lennon, Weinberg, Inc.

Sunday, November 21st, 2010

Jannis Kounellis, Untitled / 12 Live Horses, Rome, 1969

Jannis Kounellis: Hard Materials, Transcendent Light


New monograph by Marc Scheps from Prestel

Saturday, November 20th, 2010

lemon-feature

Ralph Lemon at BAM


“How Can You Stay in the House All Day ..?” was at the New Wave Festival in October.

Saturday, November 20th, 2010

Lee Krasner, Gaea, 1966.?Oil on canvas, 69 x 125-1/2 inches. The Museum of Modern Art, New York. Kay Sage Tanguy Fund?© 2010 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

Strong on the Margins: AbEx New York at MoMA


Through April 25, the show draws exclusively from the museum’s collection.

Friday, November 12th, 2010

detail of John Chamberlain, Untitled, ca.1960. Painted paper, staples, and mixed media on collage board, 11-1/2 x 11-1/2 inches. Courtesy of Allan Stone Gallery

The Probity of Modernism: Collages by John Chamberlain and Alfred Leslie


Striking commonalities in the early works of two very different artists, at Allan Stone through December 23

Sunday, November 7th, 2010

Thomas Nozkowski, Untitled (N-22), 2010. Pencil and colored pencil on paper, 8-5/8 x 9-15/16 inches. The Pace Gallery

Ground Control to Major Tom: Please re-hang your show


Nozkowski’s current exhibition at Pace includes his best work to date, but the installation is another matter.

Sunday, November 7th, 2010

installation shot of exhibition under review, Ati Maier: The Great Dipper, Pierogi 2000, Williamsburg, 2010

Beyond Fuss and Fiddle: The universe according to Ati Maier


on view at Pierogi through November 15

Tuesday, November 2nd, 2010

Wallace Whitney, Quarry, 2010. Oil on canvas, 80 x 70 inches. Courtesy of Horton Gallery

The Big (Juicy) Apple: Three current shows of abstract painterliness


Russell Roberts at Heskin Contemporary, Cynthia Hartling at Janet Kurnatowski, and Wallace Whitney at Horton