Criticism
Wednesday, January 20th, 2016
 
Joseph Mallord William Turner, Depositing of John Bellini’s Three Pictures in La Chiesa Redentore, Venice, 1841. Oil on canvas, 29 x 45 1/2 inches. Courtesy of the Paul G. Allen Family Collection.
A traveling exhibition presents the changing way artists have approached nature over the past half millennium. ...
Tuesday, January 19th, 2016
 
Joan Tanner, endofred #3, 2015. Oil stick, metallic powder, ballpoint pen and chalk on Bristol paper, 22 x 30 inches. Courtesy of the artist and Locks Gallery.
on view at Locks Gallery, Philadelphia, through January 30. ...
Monday, January 18th, 2016
 
A show of new and old work by the English sculptor illuminates the natural world. ...
 

Thursday, July 31st, 2008

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Xiong Wenyu: Ten Years of Moving Rainbow


As an environmental activist, Xiong has created a process-oriented art whose dimensions are quite literally heavenly as well as humanist.

Sunday, July 20th, 2008

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Cy Twombly at Tate Modern


His London retrospective, organized by Nicholas Serota

Saturday, June 28th, 2008

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David Kinast: The ISM


Vacillation between equilibrium, a consistently busy surface that can be read as a singular gestalt, and the disequilibrium caused by the dark and sometimes opaque asymmetrical highlights that disrupt these linear networks, creates unpredictable rhythms within the iterations of abstract shapes.

Friday, June 27th, 2008

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Dara Friedman: Musical


Like the Impressionists, Friedman transfigures the contemporary world. What more could we ask of any artist?

Friday, June 27th, 2008

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Dawn Mellor at Team


Dawn Mellor: A Curse on Your Walls Team Gallery until August 8 83 Grand St., between Greene and Wooster streets, 212-279-9219 The Surrealist writer André Breton once declared that beauty would have to become convulsive, otherwise it would cease to be. As if in late vindication of this injunction, the paintings of Dawn Mellor set…

Monday, June 23rd, 2008

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Jess: Paintings and Paste-Ups


This is Jess in a nutshell: sincere literalism colliding with arch semiotics and giving off rare alchemical heat.

Sunday, June 15th, 2008

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Milton Resnick at Cheim & Read


There is a weird sense of a form searing its way through the canvas, from left to right, an accumulation of atomic energy boiling up the space it penetrates, making it a Monet for the nuclear age. It almost becomes tempting to read the image in cartoon-like graphic terms, or like a Futurist depiction of movement.

Sunday, June 15th, 2008

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Jilaine Jones: Sculpture


Wonder World is built of hard steel rods, bars and sheet steel that interact with somewhat more malleable slabs and blocks of concrete and rock board. The whole is tough, hard, aggressive and muscular—yet also slender, graceful, sensitive and wise.

Thursday, June 12th, 2008

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Catherine Murphy at Knoedler & Company


The motifs of her seven paintings and four drawings are diverse to the point of perversity, suggesting the kind of mind drawn less to things than problems. What is consistent across these images is the sense of a fanatical empiricist picking quarrels with the perceived world.

Friday, June 6th, 2008

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Nicolas Carone: Recent Paintings


The author celebrates the audacious, austere, muscular canvases by the 90 year old veteran of Abstract Expressionism.