Criticism
Friday, July 22nd, 2016
 
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A group show gives Marxist voice to recent unrest in art and politics. ...
Sunday, July 17th, 2016
 
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The painter creates abstractions based on the coast of his home. ...
Friday, July 15th, 2016
 
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A performance, installation, and sound artist unites people in collective experience. ...
 

Thursday, March 19th, 2009

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Leon Kossoff: From the Early Years 1957-1967 at Mitchell-Innes & Nash


Commensurate with their disconcerting depth, Kossoff’s early paintings are literally and metaphorically heavy. The defiant sweeps of brush resemble nothing so much as tire tracks on a sodden road.

Monday, March 9th, 2009

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Bonnard: Drawing Color, Painting Light


For Bonnard drawing was sensation, and taking possession of the image. The next step was the translation of these notations into color, not local color, but the color that came from his interior logic.

Sunday, March 1st, 2009

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Nancy Haynes: Dissolution at Elizabeth Harris Gallery


As one grasps the combination of flatness, space, and light in Haynes’ paintings, the subtleties of her sophisticated palette and tonal gradations reveal a seductive luminosity.

Sunday, March 1st, 2009

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Francesca DiMattio at Salon 94 and Salon 94 Freemans


However closely she references classical, renaissance and modernist genres, her paintings never lapse into nostalgia, but instead give off an arch contemporary emotion.

Sunday, March 1st, 2009

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Brooklyn DIY: A Story of Williamsburg Art Scene 1987-2007 directed by Martin Ramocki


In Julian Schnabel’s film Basquiat, the title character, exemplar of the flameout credo of the East Village, is assisting an artist-installer at the Mary Boone Gallery.  This mediocrity, played by Willem Da Foe, attempts to counsel the hero about the benefits of a reliable day job.  Basquiat replies that someday he would show on those very…

Sunday, March 1st, 2009

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San Antonio, Texas: Marcia Gygli King: forty years


Visiting San Antonio, Texas for Marcia Gygli King’s mutli-venue retrospective, ALISON HEARST discovered a robust art community of involved participants and high-caliber work.

Sunday, March 1st, 2009

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Barkley L. Hendricks: Birth of the Cool at the Studio Museum in Harlem


The painter Barkley L. Hendricks caught not only the mood, but also the dress of black Americans in the late 1960s and early 1970s. Indeed, the subhead of the Studio Museum’s exhibition, “Birth of the Cool,” gives the nod to the development of a style whose casual hipness and intimated militancy marked a generation of African Americans.

Sunday, March 1st, 2009

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Oona Ratcliffe: Deep Forgetting at gallerynine5


March 6 to 24, 2009 24 Spring Street New York City, 212 965 9995 POETRY FOR ART presents newly published poetry (or poetry posted to the web for the first time) that relates, responds, or is dedicated to the work of a contemporary artist on display in New York or elsewhere at the time of…

Tuesday, February 24th, 2009

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Joe Fyfe: Recent Work at James Graham & Sons


While Fyfe has worked with combining more traditional methods of painting with textile collages for years, it is through the overt focus on counterparts in this exhibition, contrasting the more serious with the playful and the reserved with the whimsical, that Fyfe reveals both the diversity of his artistic interests and the extent of expressive versatility he has reached in his work.

Monday, February 23rd, 2009

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Artist’s Choice: Vik Muniz, Rebus at the Museum of Modern Art


“Rebus,” conceived and spearheaded by an artist, Brazilian conceptual trickster, Vik Muniz, made me re-think the current trend of curator-as-artist and made me see MoMA’s amazing collection in new ways (yes, that old cliché). Plus, it even made me laugh out loud.