Criticism
Thursday, May 17th, 2018
 
hi-cover
What’s allegory in Chinatown is reality in rural China, Robert C. Morgan argues ...
Wednesday, May 16th, 2018
 
An exhibition in two parts in London this winter ...
Wednesday, May 16th, 2018
 
A two-part show at Bookstein Projects and Steven Harvey Fine Art Projects ...
 

Tuesday, June 22nd, 2010

installation shot of Heather Rowe: Trouble Everyday at D’Amelio Terras, May 8 - June 19, 2010

The mirror stage: Heather Rowe’s latest installation


Heather Rowe: Trouble Everyday at D’Amelio Terras

Monday, June 21st, 2010

Anne Truitt, Gloucester, 1963. Acrylic on wood, 73-1/2 x 72 x 13 inches. Courtesy of Matthew Marks Gallery

Beauty en bloc: Anne Truitt finds her form at Matthew Marks


Anne Truitt: Sculpture 1962-2004 at Matthew Marks Gallery

Monday, June 21st, 2010

Andy Warhol, Rorschach, 1984. Acrylic on canvas, 158 x 110 inches. The Baltimore Museum of Art: Purchase with funds provided by Laura R. Burrows-Jackson, Baltimore; and partial gift of The Andy Warhol Foundation for the Visual Arts, Inc. © 2010 The Andy Warhol Foundation for the Visual Arts/Artists Rights Society (ARS), New York. Photo: Mitro Hood

Mysterious to the End: Andy Warhol’s late work


Andy Warhol: The Last Decade at the Brooklyn Museum.

Saturday, June 19th, 2010

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Contrapuntal Infinitudes: Il Lee at Art Projects International


For some 30 years Il Lee has exclusively used, and abused, ballpoint pens.

Friday, June 18th, 2010

Hearne Pardee, Hearne Pardee, Birch Lane, 2010. Acrylic on Paper, 12 X 19 inches. Courtesy Bowery Gallery

Hearne Pardee at Bowery Gallery


This image was featured in the May 2010 listings

Friday, June 4th, 2010

Dawn Clements, Ruin, 2009. Sumi Ink on Paper, 143 x 116 inches. Courtesy of Pierogi 2000

Dawn Clements at The Boiler (Pierogi)


One senses that drawing is how Clements comes to grips with her surroundings, whether those stimuli are constructed, imagined or discovered.

Friday, June 4th, 2010

Michael Goldberg, Sam Wells, 1962. Oil on canvas, 99-3/4 x 88-3/4inches. Courtesy Knoedler & Company

Michael Goldberg at Knoedler & Company


Given their extraordinary force and paradoxical restraint, these paintings represent the kind of psychic change that distinguishes the fifties from the sixties.

Friday, June 4th, 2010

Gerard Mosse, Step Into Light, 2008-2009. Oil on Linen, 79 x 59 inches. Courtesy Elga Wimmer PCC

Gerard Mosse at Elga Wimmer


Reinterpreting Flavin’s purist experiments with light within the medium of oil on linen enables Mosse to describe the moment when color becomes something as indefinable as light.

Monday, May 10th, 2010

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Revolution in Felt and Fat: Joseph Beuys’s New York comeback


Joseph Beuys: Make the Secrets Productive at Pace Gallery, March 5 to April 10, 2010

Saturday, May 1st, 2010

Milton Avery, Drawbridge, 1932. Oil on canvas, 32 x 48 inches. Courtesy of Knoedler & Company

Milton Avery: Industrial Revelations, at Knoedler & Company


If nature was his springboard, as Avery once famously declared, then in this body of work nature is also the lens through which he experienced the city.