Criticism
Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Wednesday, September 14th, 2016
 
rabinowitz_feature
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
 

Tuesday, June 23rd, 2009

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Automobiles: John Chamberlain, Chakaia Booker, Dirk Skreber


Retrieved in tribute to  John Chamberlain, 1927-2011

Friday, June 19th, 2009

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Chantal Joffe at Cheim & Read


Joffe is not a perfectionist. Instead, she is intent on capturing a moment in time, not with a photographer’s precision, but as a painterly tableau.

Saturday, June 13th, 2009

Installation shot of the exhibition under review showing, foreground, Demetrius Oliver Parallax, 2008. Digital c-print, anthracite

1992009 at D’Amelio Terras


1992009 is a group show with a catchy sci-fi name that offers the theory that 1992 and 2009 share not only similar cultural landmarks–the replacement of a Bush in the White House with a Democrat, the war in Iraq, and fiscal failure–but also an artistic vision.

Saturday, June 13th, 2009

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Chuck Close: Paintings and Tapestries from 2005-2009 at PaceWildenstein


The impulse to take Close for granted is perhaps all the greater because the work has an effortless assurance to it. But we must slow down, look past the facility, past the celebrity, to find the real investigation still taking place.

Saturday, June 13th, 2009

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Roxy Paine on the Roof: Maelstrom at the Metropolitan Museum of Art


Paine manages to steer these leafless “Dendroids,” as he calls them, between the Scylla of transparency and the Charibdis of mechanization.

Saturday, June 13th, 2009

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Takako Azami at M.Y. Art Prospects


One of the most interesting aspects is Azami’s negative capability: her technique demonstrates a willingness to expunge the self in favor of a poetic exactitude of description.

Monday, June 1st, 2009

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Report from Berlin


Rothko/Giotto Gemäldegalerie Staatliche Museen zu Berlin February 6-May 3, 2009 Picturing America: Photorealism in the 1970s Deutsche Guggenheim, Berlin March 7- May 10, 2009 Blockbuster exhibitions can be extremely small. When recently the Frick presented the London Cimabue alongside its Manhattan mate, in the small room next to the bookstore, a revelatory visual relationship was…

Monday, June 1st, 2009

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The 53rd Venice Biennale


In the Teatro la Fenice or the Chiostro Verde of San Giorgio one likes everything a little bit more than one might elsewhere. – Igor Stravinsky, in Stravinsky & Craft,Conversations with Stravinsky From the dais on the grass outside the U.S. Pavilion, at the June 4th press conference for Bruce Nauman’s exhibition, the State Department’s…

Monday, June 1st, 2009

Ariane Lopez-Huici, Priscille, 2009. Gelatin print, 24 x 20 inches. Courtesy of the Artist

A TOPICAL PICK FROM THE ARCHIVES: Ariane Lopez-Huici


A film review from 2009 coincides with the artist’s show at Hionas Gallery

Sunday, May 31st, 2009

Ins & Outs: Zaun Lee and Suzanne Song at Satori Galler


A persistence of hard-edged nonobjective painting shows the lineage of modernism hanging on, even if only by the fingernails.