Wednesday, October 28th, 2015
View of "Diary: How to Improve the World (You Will Only Make Matters Worse)," 2015, by John Cage, published by Siglio Press. Courtesy of Siglio.
The radically inventive and prolific musician’s ethics and curiosity are revealed in a new diary facsimile by Siglio Press. ...
Thursday, October 15th, 2015
On view at Valentine in Ridgewood and Hionas on the Lower East Side ...
Tuesday, October 13th, 2015
Sarah Sze, Measuring Stick, 2015. Video projectors, fan, light, mirrors, wood, stone, archival prints, speakers, stainless steel, balloon, sand, fruit, egg, plastic, toilet paper, aluminum foil, grass; 132 x 90 x 51 inches. Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo: Mike Barnett.
Sze’s new exhibition makes astronomical allusions with everyday goods and plays with viewer expectations. ...

Tuesday, December 11th, 2007


Painting Then For Now; Fragments of Tiepolo at the Ca’ Dolfin

When these three Tiepolos at the Met were removed from the main salon of Ca’Dolfin, the intended site-specific lighting effects were lost. But Alpers, Hyde and Kulok recreate the way that, to quote Alpers and Baxandall, “the world, on Tiepolo’s account, presents a conundrum and his painting makes us conscious of having to work to make things out.”

Tuesday, December 11th, 2007


Karen Yasinsky at Mireille Mosler, Alex McQuilkin at Marvelli, Isaac Julien at Metro Pictures

Where Yasinsky accesses early girlhood through dolls and dinky illustration technique, McQuilkin seems dedicated to a perpetual state of teenage angst. The specific identification of both with early cinema relates to a broader trend in feminist-influenced art.

Tuesday, December 11th, 2007


Alex Mcquilkin: Joan of Arc at Marvelli

Alex Mcquilkin’s new two-screen projection film is ironic, sincere, casual, rigorous, knowing, adolescent, narcissistic, and emotionally generous. It is a small masterpiece about another masterpiece.

Tuesday, December 4th, 2007


The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art

In tribute to curator Walter Liedtke, tragically killed in the Metro-North train crash Tuesday.

Friday, November 9th, 2007


Anthony Caro at Mitchell-Innes & Nash

These hefty yet open-form, emphatic yet enigmatic assemblages of prefabricated, found, and adapted components show a youthful, spry, curiosity-filled artist at the top of his game.

Friday, November 9th, 2007


Ryan McGinness: Varied Editions

Laser-cut skateboards, flocked wallpaper, buttons pinned on raw canvas, gold leaf on paper, painted aluminum sculpture and fluorescent-metallic spray paint are all interwoven with his signature silkscreen technique.

Sunday, November 4th, 2007


Shirley Kaneda: New Paintings

Her praxis, based on a social reading of the feminine, is remarkably similar to Emily Dickinsonís: imaginative freedom within extreme restraint.

Monday, October 1st, 2007


Anna Hostvedt: Recent Paintings

Tibor de Nagy Gallery 724 Fifth Avenue New York City 212 262 5050 October 4- November 10, 2007 Anna Hostvedt’s small, intricate paintings offer a personal vision of the mundane. One could say she is painting what Georgio Morandi would have painted had his window faced a non-descript American parking lot instead of an Italian…

Monday, October 1st, 2007


Lost Vanguard: Soviet Modern Architecture, 1922-32 Photographs by Richard Pare

The Museum of Modern Art 11 West 53 Street, between Fifth and Sixth Avenues New York City 212 708 9400 July 18–October 29, 2007 Richard Pare is a documentary photographer who specializes in historical architecture and has written a book on the subject entitled Photography and Architecture. He spent fifteen years collecting examples of architectural photography,…

Monday, October 1st, 2007


Philip Geiger

Tibor deNagy Gallery 724 Fifth Avenue New York City 212 262 5050 October 4 to November 10, 2007 In Phillip Geiger’s painting “A Different Shirt” of 2006, on display at Tibor deNagy, we look beyond a tabletop display of deliciousness, cake, sunflowers, etc to a young woman, her head turned completely away from the viewer,…