Criticism
Thursday, June 23rd, 2016
 
schroedinger_rainbowsgravity_feature
A show of color film and video since the 1970s surveys radical formulations of storytelling and color. ...
Sunday, June 19th, 2016
 
ostrow_creed_feature
The Turner Prize-winning artist and musician’s exhibition is currently on view at the Park Avenue Armory. ...
Saturday, June 18th, 2016
 
arm-cover
on view at P.P.O.W. through June 25 ...
 

Thursday, December 4th, 2008

rp_Boepple-Preston.jpg

Willard Boepple: Looms at Lori Bookstein Fine Art


The author finds unexpected links between Boepple and the Surrealist phase of Alberto Giacometti

Thursday, December 4th, 2008

rp_Blakelock-Corcoran.jpg

The Unknown Blakelock at the National Academy Museum


In addition to his spontaneous brushstrokes, Blakelock explores a decalcomania-like technique of load, press, smear, and lift. This emphatically material-based process creates a raised, textural web of paint activity with a few scattered reds, oranges and yellows flecking a surface that is eerily similar to Jackson Pollock’s and as interesting to ponder.

Thursday, December 4th, 2008

rp_heinz-mack.jpg

Zero in NY at Sperone Westwater Gallery


Working outside the gallery system, these artists made single-evening exhibitions, often in their own studios, issuing manifestos with these events. While some artists involved with Zero, like Lucio Fontana, are well recognized in America, this is the first survey of the lesser-known group in the States.

Monday, December 1st, 2008

rp_polish-rider.jpg

Old Masters, New World: America’s Raid on Europe’s Great Pictures by Cynthia Saltzman


At the end of the Civil War, there were very few significant paintings in America. By the start of the Great War, however, thanks to a surprisingly small group of men and women, the extensive collections we possess today had started to be formed. Cynthia Saltzman, a marvelously writerly writer, has studied the literature, read…

Monday, December 1st, 2008

rp_huan-33-meters.jpg

New China New Art by Richard Vine


Vine and artist Zhang Hongtu present revised/expanded edition at New York Public Library this Wednesday (February 1)

Monday, December 1st, 2008

rp_Max-Weber_Signs.jpg

Max Weber: Paintings from the 1930s, 40s, and 50s at Gerald Peters Gallery


Woman Holding Tablet (1946) pleasingly and convincingly locates a seated figure within a geometric environment, with ochre tints and warm blacks set deftly against notes of bright coral and medium blue. The rather strenuous engineering of the pose and surroundings, however, give the impression of an exercise – a demonstration of the plastic re-creation of a generic event.

Monday, December 1st, 2008

rp_worth-thumbs.jpg

Alexi Worth at D.C. Moore


The grainy, opaque paint surfaces and austere earth palette bespeak an unfashionably non-ironic desire to produce ‘quality’ paintings. And there are learned references and quotations from art history and photography.

Friday, November 28th, 2008

rp_HilaryBrace-Sept.jpg

Hilary Brace: Recent Drawings at Edward Thorp Gallery


At first the eye is fooled – one thinks one is looking at silvery photographs of sublime cloudscapes shot from an airplane above an uninhabited wilderness. Closer examination reveals the patient, expert mark of the hand, as well as an improvisatory richness of imagination that, while consistently illusionistic, is decidedly otherworldly.

Friday, November 28th, 2008

rp_hesidence-1.jpg

Daniel Hesidence: 1779 / Pedestrians at Feature Inc


The artist softens his vigorous brushwork using a blending brush, a staple of the realist painter’s tool kit, relying too heavily on an admixture of white to sidestep the chromatic muddiness that would otherwise ensue. In places this unexpected technique imparts a smeary appearance, while elsewhere the forms are so hairy-looking you want to take a big comb to them.

Wednesday, November 19th, 2008

rp_Liza-Lou-Tower.jpg

Liza Lou at L&M Arts


We all know that beautiful artifacts are grand commodities, and so have to be carefully guarded. But by making her sculptures beautiful and menacing, both at the same time, Lou brings home that contradiction.