Criticism
Thursday, June 23rd, 2016
 
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A show of color film and video since the 1970s surveys radical formulations of storytelling and color. ...
Sunday, June 19th, 2016
 
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The Turner Prize-winning artist and musician’s exhibition is currently on view at the Park Avenue Armory. ...
Saturday, June 18th, 2016
 
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on view at P.P.O.W. through June 25 ...
 

Wednesday, January 13th, 2016

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Ceci N’est Pas: “Not a Photo” at The Hole


An exhibition explores photography’s relationship to and influence on other media.

Friday, January 1st, 2016

publicity image for Alex Katz windows at Barney's, New York

Old Year’s Resolutions: Eight great shows I didn’t review


Jpegs were gathered, soundbites poised, but circumstances got the better of noble intentions

Thursday, December 31st, 2015

Jean Tinguely, Trüffelsau, 1984.

Mindless Machines: Jean Tinguely at Gladstone


The gallery mounts a retrospective of the artist’s madcap kinetic sculptures.

Thursday, December 31st, 2015

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“I Build Ruins”: Charles Simonds and the Dwellings of his Little People


His new memoir, Dwelling, is published by Walther König

Friday, December 25th, 2015

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Carnival Fun-House: Alva Noë’s Strange Tools


Reviewer to philosopher: Check your privilege

Monday, December 21st, 2015

Doron Langberg, Tyler, 2015, oil on linen, 35 x 45 inches. Courtesy of Danese/Corey

Seeing What Sticks: Doron Langberg & Gaby Collins-Fernandez


Two young artists who are friends, at Danese/Corey

Monday, December 21st, 2015

Peter Gallo, Glanz, der nicht tro?sten will, Glanz. Die Toten —sie betteln noch, Franz. (Celan), n.d. Oil & thread on canvas. 55 x 35 inches. Courtesy of the Artist and ZieherSmith & Horton

The Panopticon, The Pill and The Practitioner: David Byrd and Peter Gallo


The Patients and the Doctors at Zieher Smith & Horton

Sunday, December 13th, 2015

Cabaret Sign “Bat,” late 18th century–early 19th century. France. Wrought iron and rolled iron, repoussé, fastened with rivets; glass, 24-3/4 × 24-1/4 × 2 3/8 inches. Musée de la ferronnerie Le Secq des Tournelles, Rouen

Incarnated Curves: Ornamental Ironwork at the Barnes Foundation


Strength and Splendor, works from Rouen, on view in Philadelphia through January 3.

Tuesday, December 8th, 2015

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Retrospective Scraps: A Survey of Work by Nicola Ginzel


The artist’s embroidered fragments act as drawing, sculpture, and collage.

Tuesday, December 8th, 2015

Simon Hantaï, Blancs, 1973-1974. Acrylic on canvas, 78 x 84 5/8 inches. Courtesy of Paul Kasmin Gallery

Eyes Wide Shut: Simon Hantaï at Paul Kasmin


In the Blancs, colored forms made by folding and creasing the canvas