Criticism
Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Wednesday, September 14th, 2016
 
rabinowitz_feature
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
 

Tuesday, February 3rd, 2009

rp_All-Held-Roberta.jpg

Al Held: Paintings, 1979-1985 at Paul Kasmin Gallery


The interplay of colors and contrasting directions endows the open spaces with their own specific movements. The entire composition is cropped cinematically to add implied drama to what can only be called a scene.

Sunday, February 1st, 2009

rp_kristen-hassenfeld.jpg

Kirsten Hassenfeld at Smack Mellon


January 17-February 22, 2009 92 Plymouth Street, at Washington Street Brooklyn, NY, 718 834 8761 It is hard to imagine an installation looking better in the industrial Smack Mellon main exhibition hall than Kirsten Hassenfeld’s current installation, Dans La Lune. Smack Mellon is a venue of raw physicality, with towering concrete columns framed in industrial steel,…

Sunday, February 1st, 2009

rp_figures-du-corps.jpg

Figures du corps – une leçon d’anatomie aux Beaux-arts at the École nationale supérieure des beaux-arts de Paris


21 october 2008 – 4 january 2009 Galeries du quai 13, quai Malaquais, 75506 Paris Telephone: 01 47 03 50 00 Figures du corps was a rare insight into the archive of one of the most significant art schools in the world.  The anatomy collection of École nationale supérieure des beaux-arts de Paris is an…

Wednesday, January 28th, 2009

rp_Hayter-painting-1944.jpg

Stanley William Hayter in America: Paintings, Drawings and Prints, 1940-1950 at Francis M. Naumann Fine Art


Naumann has had the courage and good taste to break the medium barrier between Hayter’s experiments in printmaking, drawing and painting by presenting his work chronologically, regardless of – and mixing up – medium and support.

The resulting hang is very refreshing, and vindicating, to those afficionados sick to the hind teeth of Hayter being dismissed as a “technical wizard” in the etching studio, and therefore not, by extension, a “real” artist outside of it.

Tuesday, January 27th, 2009

rp_Mullican_651.jpg

Matt Mullican: A Drawing Translates the Way of Thinking at The Drawing Center


When Mullican asserts in writing that the “preoccupation with materials and processes seems to clutter up the phenomenon of what interests me,” he is making it clear to us that no individual person or thing can contain the entirety of that which engages him. Thus the artist reworks appearances as a means of describing the gestalt that both energizes and evades his hand.

Monday, January 26th, 2009

rp_RHQuaytman.jpg

R. H. Quaytman: chapter 12: iamb at Miguel Abreu Gallery


Quaytman works in a mode of painting/silkscreen hybrid, an at once middle-brow and mass-produced liminal form that is ideologically adrift between the elite and the unique in a way that recalls Warhol. The show quietly crackles with ideas about production; perception and legibility; the nature of the “image;” and the play between painterly and photographic values.

Thursday, January 1st, 2009

rp_peter-plagens.jpg

The Art Critic by Peter Plagens


I’ve long felt that Peter Plagens and I had a community of interest, as we’ve both written about art for weekly newsmagazines (he for Newsweek, I for Time, having preceded Robert Hughes in that slot). Imagine my delight when I learned last August that Plagens was publishing his second novel, The Art Critic, in 24 installments on artnet! Twenty-four…

Thursday, January 1st, 2009

rp_warhol-bernhardt.jpg

Proust/Warhol by David Carrier


Marcel Proust begins his novel In Search of Lost Time with a famously long passage in which the Narrator describes sleep, or more properly, the antics of his imagination, while semi-conscious. When I read this passage for the first time, the image that most struck me was that of the Narrator sitting in an armchair reading…

Thursday, January 1st, 2009

rp_jeanprouve-ladder.jpg

Jean Prouvé by Laurence Bergerot and Patrick Seguin (editors)


Chelsea, New York gallery goers with an astute eye for furnishings will have picked up on the cult status of French mid-century modernist Jean Prouvé.  A vintage specimen of his legendary Potence lamp provides scant illumination and surreally displaced period charm to the very public back office at Sonnabend Gallery, for instance; a weatherworn school…

Thursday, January 1st, 2009

rp_laverty-pagespread.jpg

Beyond Sacred: Recent painting from Australia’s remote Aboriginal Communities: The Collection of Colin and Elizabeth Laverty


Colin Laverty is a Sydney doctor, who, along with his wife Elizabeth, has amassed one of the most singular collections of recent and contemporary aboriginal art in Australia. This book documents the collection, containing clear, color-accurate reproductions, photographs of the landscapes in which particular artists work and some portraits. There are informed essays throughout. The…