Criticism
 
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Richard Phillips: Negation of the Universe from Rizzoli ...
 
Munro Galloway, 65” x 47.5” (What We Talk About When We Talk About Donuts), 2014. Oil, acrylic and inkjet on canvas, 65 x 47 1/2 inches. Photograph by John Berens,  courtesy of the artist and Soloway Gallery.
Galloway show’s his head-hand coordination. ...
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 


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Richmond Burton at Cheim & Read, Hunt Slonem: Recent Work at Marlborough Chelsea, Reed Danzinger at McKenzie Fine Art


Richmond Burton at Cheim & Read through October 23 (547 W 25 Street, between 10th and 11th Avenues, 212 242 7727) Hunt Slonem: Recent Work at Marlborough Chelsea through October 23 (211 West 19 Street, between 7th and 8th Avenues, 212 463 8634) Reed Danzinger at McKenzie Fine Art through October 9 (511 W 25…


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Pat Lipsky at Elizabeth Harris, Richard Deacon at Marian Goodman, Richard Long at Sperone Westwater


Pat Lipsky at Elizabeth Harris through October 9 (529 West 20 Street, between 10th and 11th Avenues, 212 463 9666) Richard Deacon at Marian Goodman through October 7 (24 West 57 Street, between 5th and 6th Avenues, 212 977 7160) Richard Long at Sperone Westwater through October 23 (415 West 13 Street, between 9th Avenue…


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Will Cotton at Mary Boone, Ena Swansea at Klemens Gasser & Tanja Grunert, Lois Dodd at Alexandre Gallery


“Will Cotton” at Mary Boone Gallery through October 23 (541 West 24 Street, between 10th and 11th Avenues, 212 752 2929) “Ena Swansea: situation” at Klemens Gasser & Tanja Grunert through October 9 (524 West 19th Street between 10th and 11th Avenues, 212 807 9494) “Lois Dodd: Flashings” at Alexandre Gallery through October 2 (Fuller…


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Gregory Botts and Stanley Lewis


Salander-O’Reilly Galleries 20 East 79th Street, New York, NY 10021, Telephone (212) 879-6606 September 8 to Octobrt 2, 2004 We have a convenient shorthand phrase for the making of meaningful marks on canvas: “the Painting Process.” But it isn’t really a single process, nor even a finite one. For representational painters the challenge has always…


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North Fork / South Fork: East End Art Now


Parrish Art Museum 25 Job’s Lane Southampton, New York 631.283.2118 Part I: May 23- July 18, 2004 Part II: July 25- September 12, 2004 This summer’s exhibition at the Parrish had a simple premise: to survey recent work by artists who live and work at least part of the time on the eastern end of…


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Julia Jacquette


Julia Jacquette: White Paintings Michael Steinberg Fine Art 526 West 26th St. Suite 9E-F New York, 212.924.5770 Mar 5 – Apr 3, 2004 Sometimes things change so gradually we don’t see it at all until we first look away and then, returning our gaze, do we find that nothing is as it was. This can…


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Contemporary Landscapes


Forum Gallery 745 Fifth Avenue at 57th Street 212.269.5436 This review was first published in The New York Sun, August 26, 2004 In August, galleries hang casual fare for accidental tourists, put their feet up and wait for fall. All the more reason, then, to applaud Forum Gallery for a vigorous selection of contemporary landscapes….


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Willard Boepple; Brush, pencil, chisel, knife; Industrial Beauty; Synthesis: Experiments in Collaboration; Joan Brown: Painted Constructions


Willard Boepple: Sculpture Salander-O’Reilly Galleries, 20 East 79th Street (212.879.6606). “brush, pencil, chisel, knife” 511 Gallery, 511 West 25 Street (212.255.2885). Industrial Beauty George Billis Gallery, 511 West 25th Street (212.645.2621). Synthesis: Experiments in Collaboration Axel Raben Gallery, 526 West 26 Street, (212.647.9064). Joan Brown: Painted Constructions George Adams Gallery, 41 West 57 Street, 212.644.5665)….


Andrew Masullo: Recent Paintings


Joan T. Washburn 20 West 57 Street, New York, N.Y., 10019 212-397-6780 June 3 – July 23, 2004 The extraordinary thing about Andrew Masullo’s current show at Washburn is its variety. In a period in which painters are constantly categorized as abstract or representational, geometric or organic, hard edge or painterly, Andrew Masullo exhibits a…


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Sean Scully by David Carrier


Sean Scully by David Carrier Thames & Hudson, 224 pages, $65 Sean Scully does for stripes what Giorgio Morandi did for bottles. He turns an unpreposessing form into the cipher for a fulsome range of painterly emotions. Morandi’s jugs and jars were things in the world, still-life motifs that precariously balanced specificity and generalization. Mr….