Criticism
Saturday, May 14th, 2016
 
NP-cover
Her extended exhibition closes May 15 at Nathalie Karg on the Lower East Side ...
Saturday, May 14th, 2016
 
cover
The artist explores the interrelation of intellectual, aesthetic, and corporeal adornment. ...
Wednesday, May 11th, 2016
 
Irwin-Ocean-Parka
Can Modernism’s history be seen through the lens of Irwin’s work? ...
 

Friday, June 6th, 2008

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Nicolas Carone: Recent Paintings


The author celebrates the audacious, austere, muscular canvases by the 90 year old veteran of Abstract Expressionism.

Wednesday, June 4th, 2008

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Eduardo Santiere: Draw In


Much of the imagery seems star-struck; viewers have the feeling that they are looking at a kind of intimate astronomy, in which planets and galaxies move about as they build centers of energy. Scratches on the paper add the slightest sense of relief, giving the picture its hard-to-recognize yet palpable sense of depth.

Sunday, June 1st, 2008

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Peter Heinemann: Bluebird


Heinemann’s intensity, always apparent in his incisive, schematized shapes and hues, now describe with awkward purposefulness the trappings of rustic life: still lifes of dry good scales, vases, and lawn ornaments, and outdoor scenes populated by bird feeders and flower gardens – and, most notably, by the cats which by turns resemble inert, furry spheres or rocketing pillows with lethal teeth.

Sunday, June 1st, 2008

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Earning His Stripes: Kenneth Noland in the ‘60s


The forms in Noland’s paintings are usually dismissed as mere devices to enable him to explore color, but the lines and shapes of these paintings have a basis in the natural world as well. They add to the feelings of harmony and serenity that these paintings project, while titles like “Via Light” and “Via Shimmer” suggest Roman roads and air mail stickers, thus ideas of travel and motion and speed.

Sunday, June 1st, 2008

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Take your Time: Olafur Eliasson


The waterfalls promise to be impressive and quite the sensation, but they will also reveal Eliasson’s main strength – the skill to turn a generous gesture into a subjective experience, which even in a city of millions can be as personal as it will be communal.

Sunday, June 1st, 2008

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Delia Brown: Precious at D’Amelio Terras, Hilary Harness at Mary Boone


Hilary Harkness shares with Sade not just the pathology to which the Marquis lent his name but also an essential element of style — endless variation, at once exhilerating and enervating, upon an obsessive theme.

Sunday, June 1st, 2008

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Walton Ford at Paul Kasmin Gallery and Neo Rauch at David Zwirner Gallery


Neo Rauch is a prodigious talent. His canvases are lush with painterly dexterity, compelling characterization, and compositional intrigue. But, as with Walton Ford’s animal portraits, there is more about these costume dramas that transports viewers back to the amalgamated past they never knew — the very definition of nostalgia — than truly puts them in touch with a sense of being here and now.

Sunday, May 25th, 2008

Frank Selby: We Weren’t Never Here


Uncovering a sense of presence through an implied absence, these drawings and paintings explore a peculiar, discontinuous narrative.

Saturday, May 3rd, 2008

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Norman Bluhm: Large Scale Works on Paper


Squirmy, steadfast, and biologic in their surging rhythmic climax, Bluhm’s forms bulge and push up against the edges of his support, creating an explosive pressure. His use of bilateral symmetry heightens this effect.

Friday, May 2nd, 2008

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Jake Berthot at Betty Cuningham Gallery and Lois Dodd at Alexandre Gallery


The waterfalls promise to be impressive and quite the sensation, but they will also reveal Eliasson’s main strength – the skill to turn a generous gesture into a subjective experience, which even in a city of millions can be as personal as it will be communal.