Wednesday, September 14th, 2016
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
Monday, September 12th, 2016
Process and history are manipulated and explored through Ruff’s use of found photographs. ...
Friday, September 9th, 2016
Is he a trickster, or a Warholian innovator? What’s the difference? ...

Wednesday, November 19th, 2008


Liza Lou at L&M Arts

We all know that beautiful artifacts are grand commodities, and so have to be carefully guarded. But by making her sculptures beautiful and menacing, both at the same time, Lou brings home that contradiction.

Monday, November 17th, 2008


Frankenthaler at Eighty: Six Decades at Knoedler & Company

A “pink lady” is a cocktail made with gin, Grenadine, cream and egg white—the gin packs a punch masked by the more ladylike ingredients. The punch in this painting lies in how its image, suggesting (among much else) an orchid and a human heart, boils upward and outward, from its slate-blue core through the billowing peach and fuchsia of its sides to the splattering blast of blue and reds at the top.

Wednesday, November 12th, 2008


Jackie Winsor at Paula Cooper Gallery

Much of Winsor’s originality derives from her enigmatic yet evocative treatment of form, which conceals as much as it reveals.

Sunday, November 9th, 2008


Louisa Matthiasdottir: Selected Paintings at Tibor de Nagy Gallery

Throughout this retrospective selection of her work, one senses in Matthiasdottir a luminous reserve – a private temperament joyfully submitting to an exacting task. We’re rewarded with extraordinary evocations of the observed.

Thursday, November 6th, 2008


Baker Overstreet: Follies at Fredericks & Freiser

Hints of past layers visible beneath the surface are the only counterpunch to a solid machine that affords little room for speculation beyond its shiny and seductive design. The label of “primitive” given to Overstreet and many of his peers in contemporary abstract painting belies a highly stylized, self-conscious approach to image construction.

Monday, November 3rd, 2008


Mary Heilmann: To Be Someone at the New Museum and Mary Heilmann: Some Pretty Colors at Zwirner & Wirth

Heilmann often seems be daring herself to do something truly “awful”—only to find beauty in it…The accumulated brushmarks and open drips make her act of painting transliterate into a kind of crime of passion.

Monday, November 3rd, 2008


Cora Cohen: Come in a Little Closer at Michael Steinberg

Cohen makes evident tribute to the shaping influences of artists such as Kline, de Kooning, Pollock, and Wols and yet, with seemingly equal force of curiosity explores her fascination with the humble, yet visibly rich, impossibly chaotic, anti-heroic marks and stains of life from street culture: the entropy of urbanism.

Saturday, November 1st, 2008


Antonie’s Alphabet: Watteau and His World by Jed Perl

I enjoyed every word of this beautifully composed book, a virtuoso performance by a writer at the top of his form, who almost never fails to be totally engaging.

Saturday, November 1st, 2008


Paintings in Proust: A Visual Companion to “In Search of Lost Time” by Eric Karpeles

Thanks to the very fully annotated correspondence, in 38 volumes, we know a great deal about Marcel Proust’s tastes in visual art. When young he frequented the Louvre, went to the Low Countries and, under the spell of John Ruskin, traveled to see France’s medieval churches. He devoted long essays to Gustave Moreau and Monet,…

Saturday, November 1st, 2008


Abstract Expressionism: A World Elsewhere curated by David Anfam at Haunch of Venison

We need to understand properly the Americanness of Abstract Expressionism, without treating it either as a triumph of chauvinistic mythmaking or as an episode in the Cold War.