Criticism
Thursday, June 23rd, 2016
 
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A show of color film and video since the 1970s surveys radical formulations of storytelling and color. ...
Sunday, June 19th, 2016
 
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The Turner Prize-winning artist and musician’s exhibition is currently on view at the Park Avenue Armory. ...
Saturday, June 18th, 2016
 
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on view at P.P.O.W. through June 25 ...
 

Saturday, May 3rd, 2008

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Norman Bluhm: Large Scale Works on Paper


Squirmy, steadfast, and biologic in their surging rhythmic climax, Bluhm’s forms bulge and push up against the edges of his support, creating an explosive pressure. His use of bilateral symmetry heightens this effect.

Friday, May 2nd, 2008

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Jake Berthot at Betty Cuningham Gallery and Lois Dodd at Alexandre Gallery


The waterfalls promise to be impressive and quite the sensation, but they will also reveal Eliasson’s main strength – the skill to turn a generous gesture into a subjective experience, which even in a city of millions can be as personal as it will be communal.

Thursday, May 1st, 2008

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Art Power by Boris Groys


Using few footnotes, this collection of Boris Groys’s essays offers a compulsively original account of contemporary art and the political systems that support it. Educated in the former USSR, now a professor in Germany who also teaches at NYU, he brings to contemporary art theory a highly original perspective. Groys discusses fundamental topics: the nature…

Wednesday, April 16th, 2008

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Thomas Nozkowski at PaceWildenstein


Even an astute connoisseur would be hard pressed to locate specific Nozkowskian tropes. There are some recurring motifs, but internal scale, texture, and mood present themselves in different coordinates. This is the more remarkable because Mr. Nozkowski’s modus operandi is so prescribed in terms of scale, medium, taste, and authentic touch.

Friday, April 11th, 2008

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James Siena at PaceWildenstein


The experience in this richly diverse exhibition is not of transition so much as consolidation: the new works, whether big loopy abstractions in fat confident brushstrokes or weirdo figuration, seem legitimate outgrowths of the precious, tight, miniaturist Siena of old.

Friday, April 11th, 2008

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Franz West: Paßstück


Paßstück are like toys, and the people handling them like overgrown children. West replaces violence on bodies with bodies at play, but playing is unnatural and uncomfortable for modern adults: this is an art gallery, not a sandbox, and Paßstück can be awkward, even hostile, to the human form.

Wednesday, April 9th, 2008

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Color Chart: Reinventing Color, 1950 to Today


Color in general, as well as the emotional and highly individual effects it has on us, is mysterious and personal, no matter how neutrally it is applied. Though the way color was derived in many of the artworks on display was either scientific or arbitrary, the works nevertheless reach the audience on an emotional level that lies beyond anyone’s control.

Wednesday, April 9th, 2008

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Jasper Johns: Drawings 1997–2007 at Matthew Marks Gallery


Regardless of the medium he works in, Johns’s busy, agile yet weirdly reticent hand presents an oxymoronic mix of attributes, being at once tentative and emphatic.

Monday, April 7th, 2008

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Marcel Dzama: Even The Ghost of the Past


Marcel Dzama’s drawings evoke the ethos of an adult dreamscape while recalling a style of childrenís picture book.

Sunday, March 30th, 2008

Alexander Ross, Untitled, 2014. Oil on canvas, 62 x 54 inches. Courtesy of David Nolan Gallery

Alexander Ross at David Nolan Gallery


His new show opens Thursday, October 30