Criticism
Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Wednesday, September 14th, 2016
 
rabinowitz_feature
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
Monday, September 12th, 2016
 
ruff_feature
Process and history are manipulated and explored through Ruff’s use of found photographs. ...
 

Monday, September 22nd, 2008

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Robert Bordo: it’s always raining at Alexander and Bonin


His new exhibition, Three Point Turn, is on view through April 27

Sunday, September 14th, 2008

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Su Xinping: Toasting


One does not want to exaggerate Su’s gloom, but an unspoken anguish works its way into most of his art. His paintings beckon toward an isolation that is as moral as it is esthetic, so completely existential is its underpinnings.

Sunday, September 14th, 2008

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John Ashbery: Collages at Tibor de Nagy Gallery, Mario Naves: Postcards from Florida at Elizabeth Harris Gallery and Trevor Winkfield at Tibor de Nagy Gallery


Is there something intrinsic to the appeal of collage to writers — to moving bits of paper around in startling, revelatory juxtapositions? The coincidence of two shows of collages by writers of markedly different ilk – a sometime poet laureate and a member of the third estate – begs the question.

Sunday, September 14th, 2008

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If Love Could Have Saved You, You Would Have Lived Forever: Curated by Becky Smith


Like the bastard twin of metaphysics, we want art to tell us the meaning of it all.

Monday, September 8th, 2008

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Nature Interrupted: Curated by Elga Wimmer


Artists, like everyone else in the world, are worried about the consequences of global warming in the natural world; moreover, they realize that the damage is psychic and imaginative as well as terribly real.

Sunday, September 7th, 2008

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Katya Mezhibovskaya: Access Excess


Mezhibovskaya’s art is the most devastating commentary on Art Since 1900 and the most original supplement to Duchamp’s ready mades and Danto’s commentary on Brillo Box that I have had the pleasure to discover.

Sunday, September 7th, 2008

Philip Pearlstein, Model on Wooden Lounge with Swan, 2013. Oil on canvas, 30 x 40 inches. Courtesy of Betty Cuningham Gallery

Philip Pearlstein: Then and Now at Betty Cuningham Gallery


As his new show continues at the same venue, a topical pick from 2008

Friday, August 29th, 2008

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Mike Nemire: HiColor


Nemire’s paintings carry the same obscure emotional charge as video color test bands, glowing stripes of pure color that signal a pause before the start of the video’s narrative. The paintings are all variations on that “before” moment, endowing it with resonance as the primary subject.

Friday, August 29th, 2008

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Phoebe Washburn: Locating Propriety in the Inappropriate


Because it is a zany exploration of progress and decay, this is a work that, by its very nature, will unfold and only fully realize itself with the passage of time

Monday, August 11th, 2008

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Tensegrity


The overriding mood in the gallery is inexplicably hopeful, perhaps a subliminal effect of the Buckminster Fuller term, “Tensegrity,” given to the exhibition. Fuller’s theory of tensegrity, the harmonious synergy and tension of parts within an integral structure.