Wednesday, September 14th, 2016
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
Monday, September 12th, 2016
Process and history are manipulated and explored through Ruff’s use of found photographs. ...
Friday, September 9th, 2016
Is he a trickster, or a Warholian innovator? What’s the difference? ...

Thursday, June 12th, 2008


Catherine Murphy at Knoedler & Company

The motifs of her seven paintings and four drawings are diverse to the point of perversity, suggesting the kind of mind drawn less to things than problems. What is consistent across these images is the sense of a fanatical empiricist picking quarrels with the perceived world.

Friday, June 6th, 2008


Nicolas Carone: Recent Paintings

The author celebrates the audacious, austere, muscular canvases by the 90 year old veteran of Abstract Expressionism.

Wednesday, June 4th, 2008


Eduardo Santiere: Draw In

Much of the imagery seems star-struck; viewers have the feeling that they are looking at a kind of intimate astronomy, in which planets and galaxies move about as they build centers of energy. Scratches on the paper add the slightest sense of relief, giving the picture its hard-to-recognize yet palpable sense of depth.

Sunday, June 1st, 2008


Peter Heinemann: Bluebird

Heinemann’s intensity, always apparent in his incisive, schematized shapes and hues, now describe with awkward purposefulness the trappings of rustic life: still lifes of dry good scales, vases, and lawn ornaments, and outdoor scenes populated by bird feeders and flower gardens – and, most notably, by the cats which by turns resemble inert, furry spheres or rocketing pillows with lethal teeth.

Sunday, June 1st, 2008


Earning His Stripes: Kenneth Noland in the ‘60s

The forms in Noland’s paintings are usually dismissed as mere devices to enable him to explore color, but the lines and shapes of these paintings have a basis in the natural world as well. They add to the feelings of harmony and serenity that these paintings project, while titles like “Via Light” and “Via Shimmer” suggest Roman roads and air mail stickers, thus ideas of travel and motion and speed.

Sunday, June 1st, 2008


Take your Time: Olafur Eliasson

The waterfalls promise to be impressive and quite the sensation, but they will also reveal Eliasson’s main strength – the skill to turn a generous gesture into a subjective experience, which even in a city of millions can be as personal as it will be communal.

Sunday, June 1st, 2008


Delia Brown: Precious at D’Amelio Terras, Hilary Harness at Mary Boone

Hilary Harkness shares with Sade not just the pathology to which the Marquis lent his name but also an essential element of style — endless variation, at once exhilerating and enervating, upon an obsessive theme.

Sunday, June 1st, 2008


Walton Ford at Paul Kasmin Gallery and Neo Rauch at David Zwirner Gallery

Neo Rauch is a prodigious talent. His canvases are lush with painterly dexterity, compelling characterization, and compositional intrigue. But, as with Walton Ford’s animal portraits, there is more about these costume dramas that transports viewers back to the amalgamated past they never knew — the very definition of nostalgia — than truly puts them in touch with a sense of being here and now.

Sunday, May 25th, 2008

Frank Selby: We Weren’t Never Here

Uncovering a sense of presence through an implied absence, these drawings and paintings explore a peculiar, discontinuous narrative.

Saturday, May 3rd, 2008


Norman Bluhm: Large Scale Works on Paper

Squirmy, steadfast, and biologic in their surging rhythmic climax, Bluhm’s forms bulge and push up against the edges of his support, creating an explosive pressure. His use of bilateral symmetry heightens this effect.