Criticism
Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Wednesday, September 14th, 2016
 
rabinowitz_feature
The Israeli sculptor and video artist contends with physical manifestations of war and trauma. ...
 

Sunday, September 7th, 2008

Philip Pearlstein, Model on Wooden Lounge with Swan, 2013. Oil on canvas, 30 x 40 inches. Courtesy of Betty Cuningham Gallery

Philip Pearlstein: Then and Now at Betty Cuningham Gallery


As his new show continues at the same venue, a topical pick from 2008

Friday, August 29th, 2008

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Mike Nemire: HiColor


Nemire’s paintings carry the same obscure emotional charge as video color test bands, glowing stripes of pure color that signal a pause before the start of the video’s narrative. The paintings are all variations on that “before” moment, endowing it with resonance as the primary subject.

Friday, August 29th, 2008

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Phoebe Washburn: Locating Propriety in the Inappropriate


Because it is a zany exploration of progress and decay, this is a work that, by its very nature, will unfold and only fully realize itself with the passage of time

Monday, August 11th, 2008

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Tensegrity


The overriding mood in the gallery is inexplicably hopeful, perhaps a subliminal effect of the Buckminster Fuller term, “Tensegrity,” given to the exhibition. Fuller’s theory of tensegrity, the harmonious synergy and tension of parts within an integral structure.

Sunday, August 10th, 2008

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Utopia: The Genius of Emily Kame Kngwarreye


Emily (as she is called) moved from making batik to painting with acrylic polymer on canvas at the age of 78 and in the next eight years produced around three thousand paintings. Their impact, both as an emotionally communicative experience and in terms of a painting intelligence, is staggering.

Thursday, July 31st, 2008

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Xiong Wenyu: Ten Years of Moving Rainbow


As an environmental activist, Xiong has created a process-oriented art whose dimensions are quite literally heavenly as well as humanist.

Sunday, July 20th, 2008

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Cy Twombly at Tate Modern


His London retrospective, organized by Nicholas Serota

Saturday, June 28th, 2008

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David Kinast: The ISM


Vacillation between equilibrium, a consistently busy surface that can be read as a singular gestalt, and the disequilibrium caused by the dark and sometimes opaque asymmetrical highlights that disrupt these linear networks, creates unpredictable rhythms within the iterations of abstract shapes.

Friday, June 27th, 2008

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Dara Friedman: Musical


Like the Impressionists, Friedman transfigures the contemporary world. What more could we ask of any artist?

Friday, June 27th, 2008

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Dawn Mellor at Team


Dawn Mellor: A Curse on Your Walls Team Gallery until August 8 83 Grand St., between Greene and Wooster streets, 212-279-9219 The Surrealist writer André Breton once declared that beauty would have to become convulsive, otherwise it would cease to be. As if in late vindication of this injunction, the paintings of Dawn Mellor set…