Criticism
Monday, August 28th, 2017
 
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On view in Chelsea, extended to September 1 ...
Wednesday, August 9th, 2017
 
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Exuberant joy in the face of anguish; through September 10 ...
Tuesday, July 18th, 2017
 
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For Dumas, the question of extinction also points to violence against African-Americans ...
 

Monday, December 1st, 2008

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Alexi Worth at D.C. Moore


The grainy, opaque paint surfaces and austere earth palette bespeak an unfashionably non-ironic desire to produce ‘quality’ paintings. And there are learned references and quotations from art history and photography.

Friday, November 28th, 2008

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Hilary Brace: Recent Drawings at Edward Thorp Gallery


At first the eye is fooled – one thinks one is looking at silvery photographs of sublime cloudscapes shot from an airplane above an uninhabited wilderness. Closer examination reveals the patient, expert mark of the hand, as well as an improvisatory richness of imagination that, while consistently illusionistic, is decidedly otherworldly.

Monday, November 17th, 2008

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Frankenthaler at Eighty: Six Decades at Knoedler & Company


A “pink lady” is a cocktail made with gin, Grenadine, cream and egg white—the gin packs a punch masked by the more ladylike ingredients. The punch in this painting lies in how its image, suggesting (among much else) an orchid and a human heart, boils upward and outward, from its slate-blue core through the billowing peach and fuchsia of its sides to the splattering blast of blue and reds at the top.

Wednesday, November 12th, 2008

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Jackie Winsor at Paula Cooper Gallery


Much of Winsor’s originality derives from her enigmatic yet evocative treatment of form, which conceals as much as it reveals.

Wednesday, November 12th, 2008

Miguel Trelles, Guateque (Filial Piety in Relation to the Three Powers), 2008. Oil on linen, 60 x 72 inches. Courtesy the Artist, photo: Jonas Hidalgo.

Miguel Trelles: Trámite – Hsiao at the Gabarron Foundation Carriage House Center for the Arts


Miguel Trelles at the Gabarron Foundation Carriage House Center for the Arts

Wednesday, November 12th, 2008

Liza Lou at L&M Arts


Liza Lou at L&M Arts

Wednesday, November 12th, 2008

Antoine Watteau, [detail] The Embarkation for Cythera, 1717. Musée du Louvre, Paris.

Antonie’s Alphabet: Watteau and His World by Jed Perl


Jed Perl Book Review

Sunday, November 9th, 2008

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Louisa Matthiasdottir: Selected Paintings at Tibor de Nagy Gallery


Throughout this retrospective selection of her work, one senses in Matthiasdottir a luminous reserve – a private temperament joyfully submitting to an exacting task. We’re rewarded with extraordinary evocations of the observed.

Monday, November 3rd, 2008

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Mary Heilmann: To Be Someone at the New Museum and Mary Heilmann: Some Pretty Colors at Zwirner & Wirth


Heilmann often seems be daring herself to do something truly “awful”—only to find beauty in it…The accumulated brushmarks and open drips make her act of painting transliterate into a kind of crime of passion.

Saturday, November 1st, 2008

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Paintings in Proust: A Visual Companion to “In Search of Lost Time” by Eric Karpeles


Thanks to the very fully annotated correspondence, in 38 volumes, we know a great deal about Marcel Proust’s tastes in visual art. When young he frequented the Louvre, went to the Low Countries and, under the spell of John Ruskin, traveled to see France’s medieval churches. He devoted long essays to Gustave Moreau and Monet,…