Criticism
Wednesday, July 13th, 2016
 
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The dancer and performance artist plays with mortality and geological time in a new iteration of her famous work. ...
Friday, July 8th, 2016
 
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An exhibition of video and prints exploring landscapes of an apocalyptic future built on the present. ...
Thursday, July 7th, 2016
 
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The artist’s paintings and drawings are now on view in Philadelphia PA and Purchase NY. ...
 

Tuesday, January 22nd, 2008

Alberto Burri, Nero cretto (Black Cretto), 1976. Acrylic and PVA on Celotex, 147.3 x 246.5 cm. On view at the Solomon R. Guggenheim Museum, New York, in their exhibition, Alberto Burri: The Trauma of Painting. Private collection, courtesy Luxembourg & Dayan

Alberto Burri at Mitchell-Innes & Nash


As Burri’s retrospective continues at the Guggenheim through January 6, a review from 2008

Tuesday, January 22nd, 2008

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Ariane Lopez-Huici: Photography


Lopez-Huici acknowledges the mythic power of the Venus of Willendorf, that of the earth mother and other myths of femininity, as she de-mystifies them through her subjects’ specificity and ambient humanity.

Sunday, December 23rd, 2007

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The Panza Collection: An Experience of Color and Light


As the skies become grey, the sunlight becomes scarce, and the air becomes frigid, we find in snowy Buffalo at the Albright-Knox, a respite for all of this, an oasis of color and light.

Sunday, December 23rd, 2007

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Thomas Demand at 303 Gallery and Merlin James at Sikkema Jenkins & Co


Merlin James and Thomas Demand might seem as different as two contemporary artists can be. But a coincidence of means begs a comparison between shows of overtly contrastive mood and art-world temper. For both artists make their final images from models of their own making.

Sunday, December 23rd, 2007

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Damien Hirst’s Shark


Hirst seems to play to the peanut gallery, the broadest audience, those who think of art as hallowed, more so because they don’t understand it.

Tuesday, December 11th, 2007

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Painting Then For Now; Fragments of Tiepolo at the Ca’ Dolfin


When these three Tiepolos at the Met were removed from the main salon of Ca’Dolfin, the intended site-specific lighting effects were lost. But Alpers, Hyde and Kulok recreate the way that, to quote Alpers and Baxandall, “the world, on Tiepolo’s account, presents a conundrum and his painting makes us conscious of having to work to make things out.”

Tuesday, December 11th, 2007

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Karen Yasinsky at Mireille Mosler, Alex McQuilkin at Marvelli, Isaac Julien at Metro Pictures


Where Yasinsky accesses early girlhood through dolls and dinky illustration technique, McQuilkin seems dedicated to a perpetual state of teenage angst. The specific identification of both with early cinema relates to a broader trend in feminist-influenced art.

Tuesday, December 11th, 2007

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Alex Mcquilkin: Joan of Arc at Marvelli


Alex Mcquilkin’s new two-screen projection film is ironic, sincere, casual, rigorous, knowing, adolescent, narcissistic, and emotionally generous. It is a small masterpiece about another masterpiece.

Tuesday, December 4th, 2007

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The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art


In tribute to curator Walter Liedtke, tragically killed in the Metro-North train crash Tuesday.

Friday, November 9th, 2007

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Anthony Caro at Mitchell-Innes & Nash


These hefty yet open-form, emphatic yet enigmatic assemblages of prefabricated, found, and adapted components show a youthful, spry, curiosity-filled artist at the top of his game.