Criticism
Wednesday, May 10th, 2017
 
Cover of the book under review. Image courtesy of the publisher.
A look at eight years of writing by Bob Nickas. ...
Wednesday, May 10th, 2017
 
Mimmo Rotella, TAL, 1957, Décollage on canvas, 12 7/8 x 14 1/4 inches. Image courtesy of the gallery.
selected early works were on view uptown ...
Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
 

Sunday, June 1st, 2008

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Delia Brown: Precious at D’Amelio Terras, Hilary Harness at Mary Boone


Hilary Harkness shares with Sade not just the pathology to which the Marquis lent his name but also an essential element of style — endless variation, at once exhilerating and enervating, upon an obsessive theme.

Sunday, June 1st, 2008

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Walton Ford at Paul Kasmin Gallery and Neo Rauch at David Zwirner Gallery


Neo Rauch is a prodigious talent. His canvases are lush with painterly dexterity, compelling characterization, and compositional intrigue. But, as with Walton Ford’s animal portraits, there is more about these costume dramas that transports viewers back to the amalgamated past they never knew — the very definition of nostalgia — than truly puts them in touch with a sense of being here and now.

Sunday, May 25th, 2008

Frank Selby: We Weren’t Never Here


Uncovering a sense of presence through an implied absence, these drawings and paintings explore a peculiar, discontinuous narrative.

Thursday, May 1st, 2008

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Art Power by Boris Groys


Using few footnotes, this collection of Boris Groys’s essays offers a compulsively original account of contemporary art and the political systems that support it. Educated in the former USSR, now a professor in Germany who also teaches at NYU, he brings to contemporary art theory a highly original perspective. Groys discusses fundamental topics: the nature…

Wednesday, April 16th, 2008

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Thomas Nozkowski at PaceWildenstein


Even an astute connoisseur would be hard pressed to locate specific Nozkowskian tropes. There are some recurring motifs, but internal scale, texture, and mood present themselves in different coordinates. This is the more remarkable because Mr. Nozkowski’s modus operandi is so prescribed in terms of scale, medium, taste, and authentic touch.

Friday, April 11th, 2008

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James Siena at PaceWildenstein


The experience in this richly diverse exhibition is not of transition so much as consolidation: the new works, whether big loopy abstractions in fat confident brushstrokes or weirdo figuration, seem legitimate outgrowths of the precious, tight, miniaturist Siena of old.

Sunday, March 30th, 2008

Alexander Ross, Untitled, 2014. Oil on canvas, 62 x 54 inches. Courtesy of David Nolan Gallery

Alexander Ross at David Nolan Gallery


His new show opens Thursday, October 30

Sunday, March 30th, 2008

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Gustave Courbet


As a painter, Courbet ravishes a nude in the same manner as he would a tree or a trout: for the visual evidence of its expressive physicality.

Sunday, March 30th, 2008

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Ruth Root


For an abstract painter of her generation, the older distinctions between figurative and abstract art, or between politically critical art and the consumer products of mass culture cease to have much importance. Perhaps that is why her essentially cheerful art shows no signs of th angst which inspired so many of the pioneering Abstract Expressionists.

Sunday, March 30th, 2008

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Fay Ku


Like Henry Darger, Ku refers to a mindset populated by children who undermine confidence in the world as it is. She presents disturbing tableaux, meditations on transgressions that make no sense, that seem to come out of nowhere.