Wednesday, October 28th, 2015
View of "Diary: How to Improve the World (You Will Only Make Matters Worse)," 2015, by John Cage, published by Siglio Press. Courtesy of Siglio.
The radically inventive and prolific musician’s ethics and curiosity are revealed in a new diary facsimile by Siglio Press. ...
Thursday, October 15th, 2015
On view at Valentine in Ridgewood and Hionas on the Lower East Side ...
Tuesday, October 13th, 2015
Sarah Sze, Measuring Stick, 2015. Video projectors, fan, light, mirrors, wood, stone, archival prints, speakers, stainless steel, balloon, sand, fruit, egg, plastic, toilet paper, aluminum foil, grass; 132 x 90 x 51 inches. Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo: Mike Barnett.
Sze’s new exhibition makes astronomical allusions with everyday goods and plays with viewer expectations. ...

Thursday, March 2nd, 2006


Rachel Whiteread at Luhring Augustine, Calder at PaceWildenstein, Philip Grausman at Lohin, Geduld

RACHEL WHITEREAD: BIBLIOGRAPHY Luhring Augustine thru March 31, 531 W24, 212 206 9100 CALDER: FROM MODEL TO MONUMENT PaceWildenstein thru March 4, 545 W 22 PHILIP GRAUSMAN Lohin, Geduld thru March 11, 531 W25, 212 675 2656 Monuments maybe every sculptor’s dream, but they can be a mixed blessing. They communicate beyond the artworld with…

Wednesday, March 1st, 2006


Fairfield Porter: Paintings and Works on Paper

Betty Cuningham Gallery 541 West 25 Street New York NY 10001 212 242 2772 March 8 – April 15, 2006 As a painter, critic and an American, Fairfield Porter (1907-1975) was keenly aware of the brief history of painting in the United States. Convinced that Americans knew little of the medium’s larger history, Porter set…

Wednesday, March 1st, 2006


David Smith: A Centennial

Solomon R. Guggenheim Museum 1071 5th Avenue (at 89th Street) 212 423 3500 February 3-May 14, 2006   David Smith’s preoccupations with human and animal form had less to do with a romanticized yearning for a pre-industrial past or, as some critics have suggested, opportunistic cultural grave robbing, than they had to do with an…

Wednesday, March 1st, 2006


White II: An Exhibition of White Paintings

Howard Scott Gallery 529 West 20th Street 646-486-7004 February – March 11, 2006 According to light theory, white is the sum of all colors. As a spiritual symbol, white occupies one end of another kind of spectrum; it’s the note of purity beyond life’s assortment of grays. For artists, though, white has a more down-to-earth…

Wednesday, March 1st, 2006


The Dumpster: Golan Levin with Kamal Nigam and Jonathan Feinberg, 2006

Internet project co-commissioned by Artport, The Whitney Museum Portal to Net Art, and Tate Online The Dumpster is the first of three commissioned projects that will be displayed at Artport and Tate Online in February and March 2006, each one meant to showcase net art as central to the conception of the museum as a networked, virtual…

Wednesday, March 1st, 2006


The Battle of Algiers: Marc Lafia and Fang-Yu Lin

A project co-commissioned by Artport at the Whitney Museum of American Art and Tate Online “The Battle of Algiers” is the second of three commissioned projects that will be displayed at Artport and Tate Online in February and March 2006. Each project showcases net art as central to the conception of the museum as a networked, virtual…

Thursday, February 23rd, 2006


Thomas Nozkowski at Max Protetch, Tony Berlant at Lennon, Weinberg

THOMAS NOZKOWSKI Max Protetch until March 18 (511 W. 22 Street, between Tenth and Eleventh Avenues, 212-633-6999) TONY BERLANT: Within Lennon, Weinberg until March 11 (514 W. 24 Street, between Tenth and Eleventh Avenues, 212-941-0012) Thomas Nozkowski’s paintings call out for oxymoronic exaltations: bravura reticence! Fluent awkwardness! Grandiose humility! Mr. Nozkowski’s inventions burst with a…

Thursday, February 16th, 2006


An Unmodern Master’s American Moment: William Nicholson at Paul Kasmin

Until March 18 293 Tenth Ave between 26th and 27th Streets, 212-563-4474 A version of this article first appeared in the New York Sun, February 16, 2006 Sometimes, unexpected context can give the requisite jolt that leads to aesthetic discovery. Paul Kasmin’s Chelsea gallery, with its exposed concrete ceilings and whitewashed walls, usually plays host to…

Wednesday, February 1st, 2006


Gregory Gillespie, Chaim Gross, William Kentridge

GREGORY GILLESPIE Forum Gallery CHAIM GROSS: REINVENTING FORM Forum Gallery WILLIAM KENTRIDGE: THE MAGIC FLUTE, DRAWINGS AND PROJECTIONS Marian Goodman Gallery Not many contemporary artists came as close as Gregory Gillespie (1936-2000) to the virtuosic rendering of early Renaissance painting, and none took these talents in so unsettling a direction. The thirty-odd paintings at Forum…

Wednesday, February 1st, 2006


Barbara Schwartz

Andre Zarre Gallery 529 West 20th St., 7th Floor New York, NY 10011 212.255.0202 January 17 – February 25, 2006 A version of this review first appeared in Gay City News, February 9-15, 2006 Recent polychrome wood relief panels by Barbara Schwartz convey a quietly magisterial beauty by means of playful colors and shapes. They…