Criticism
Monday, August 28th, 2017
 
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On view in Chelsea, extended to September 1 ...
Wednesday, August 9th, 2017
 
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Exuberant joy in the face of anguish; through September 10 ...
Tuesday, July 18th, 2017
 
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For Dumas, the question of extinction also points to violence against African-Americans ...
 

Friday, December 19th, 2008

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William Tillyer: The Cadiz Caprices at Jacobson Howard Gallery


There are few abstract painters at work today who manage to push both metaphor and literalism so hard, simultaneously, as William Tillyer.

Sunday, December 14th, 2008

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Landscapes Clear and Radiant: The Art of Wang Hui at the Metropolitan Museum of Art


The attractiveness of the towering, tree covered mountains in Landscape after Wang Meng’s “Travelers amid Autumn Mountains” is self-evident. But if you cannot also see how this is a copy of a fourteen century imitation of Dong Yuan’s 10th century Travelers amid Autumn Mountains, then who knows what you are missing.

Tuesday, December 9th, 2008

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Lorna Simpson: Ink at Salon 94 and Salon 94 Freemans


The tensions between intimate and public, between information and interpretation, in Simpson’s drawings of women’s hair take on a different meaning in a second body of work in what the artist calls the “orchestrated theatrical disaster” of war.

Thursday, December 4th, 2008

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Willard Boepple: Looms at Lori Bookstein Fine Art


The author finds unexpected links between Boepple and the Surrealist phase of Alberto Giacometti

Thursday, December 4th, 2008

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The Unknown Blakelock at the National Academy Museum


In addition to his spontaneous brushstrokes, Blakelock explores a decalcomania-like technique of load, press, smear, and lift. This emphatically material-based process creates a raised, textural web of paint activity with a few scattered reds, oranges and yellows flecking a surface that is eerily similar to Jackson Pollock’s and as interesting to ponder.

Thursday, December 4th, 2008

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Zero in NY at Sperone Westwater Gallery


Working outside the gallery system, these artists made single-evening exhibitions, often in their own studios, issuing manifestos with these events. While some artists involved with Zero, like Lucio Fontana, are well recognized in America, this is the first survey of the lesser-known group in the States.

Monday, December 1st, 2008

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Old Masters, New World: America’s Raid on Europe’s Great Pictures by Cynthia Saltzman


At the end of the Civil War, there were very few significant paintings in America. By the start of the Great War, however, thanks to a surprisingly small group of men and women, the extensive collections we possess today had started to be formed. Cynthia Saltzman, a marvelously writerly writer, has studied the literature, read…

Monday, December 1st, 2008

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New China New Art by Richard Vine


Vine and artist Zhang Hongtu present revised/expanded edition at New York Public Library this Wednesday (February 1)

Monday, December 1st, 2008

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Max Weber: Paintings from the 1930s, 40s, and 50s at Gerald Peters Gallery


Woman Holding Tablet (1946) pleasingly and convincingly locates a seated figure within a geometric environment, with ochre tints and warm blacks set deftly against notes of bright coral and medium blue. The rather strenuous engineering of the pose and surroundings, however, give the impression of an exercise – a demonstration of the plastic re-creation of a generic event.

Monday, December 1st, 2008

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Alexi Worth at D.C. Moore


The grainy, opaque paint surfaces and austere earth palette bespeak an unfashionably non-ironic desire to produce ‘quality’ paintings. And there are learned references and quotations from art history and photography.