Criticism
 
Mike Yaniro, Caric 1, 2013, graphite and ink on paper, found frame, 21 x 18 inches. Courtesy of Room East.
A young artist’s debut on the Lower East Side plays with language, drawing, and commercial processes ...
 
Installation view: Aldo Tambellini, We Are The Primitives Of A New Era at James Cohan Gallery, 2013. Photographer: Bill Orcutt
Reconstructed environments of pioneering cameraless films prefigure upcoming MoMA screenings ...
 
“Schwabsky is a master of concision” ...
 


Shigeno Ichimura


On view at Tower 29 through July 2003 and by appointment at M.Y. Art Prospects 547 West 27th Street New York NY 10001 BORN IN OKINAWA AND RAISED IN TOKYO, Shigeno Ichimura has lived and worked in New York since 1989. His small, delicate abstract canvases opened M.Y. Art Prospects’ inaugural show in its new…


Rodney McMillian


Untitled (ellipses) II Susanne Vielmetter Los Angeles Projects 5363 Wilshire Boulevard Los Angeles CA 90036 323.933-2117 May 31 – June 28, 2003 Rodney McMillian’s work limns absence as an unmitigated presence. His take on absence is more sensuous than cerebral. He doesn’t deconstruct the idea of absence and then rebuild it as a dialectical opposition,…


Craig Fisher


This is the first publication of an essay written on the occasion of Craig Fisher’s recent exhibitions at Florence Lynch in October 2002 and Galerie Corinne Caminade, Paris, in March/April 2003 The conflicts and antagonisms that impinge on the place of painting in contemporary culture are innumerable, and they’ve been with us for generations. In…


Jo Baer: The Minimalist Years, 1960-1975


Jo Baer: The Minimalist Years, 1960-1975, DIA, Chelsea through June 15, 2003 Richard Serra’s initial reaction upon seeing Jo Baer’s orchid-inspired “Wraparound” paintings, Baer has recalled, was to ask, “How does it feel to do revolutionary work?” [quoted in Stein, see below]. Moreover, the first important art-world article on Baer’s work- a cover article by…


Greetings from Ohio. . .Wish You Were Here!


When I decided to leave New York City for the flatlands of central Ohio, my friends and acquaintances wondered if I had lost my head. “Why,” they asked, “would you leave New York City if you want to write about art?” As if no good art worth writing about existed outside Manhattan. Why Ohio? Other…


Harry Roseman at Davis & Langdale, Stephen Balkenhol at Barbara Gladstone, Tony Oursler at Metro Pictures, Bruce Gagnier at Lori Bookstein Fine Art


“Harry Roseman: Cloth” at Davis & Langdale until June 6 (231 E. 60th Street, between TK, 212-838-0333. Prices: $900-$8,000. Stephan Balkenhol at Barbara Gladstone Gallery until May 31 (515 W. 24th Street, between Tenth and Eleventh Avenues, 212-206-9300). Prices: The gallery declined to disclose its prices “Tony Oursler: Recent Works” at Metro Pictures until June…


Francesco Clemente at Gagosian Gallery, Amy Sillman at Brent Sikkema, Sarah McEneaney at Schlesinger Limited


“Francesco Clemente: Paintings 2000-2003″ at Gagosian Gallery until June 21 – 555 W24th Street -212-741-1111 “Amy Sillman: I am curious (yellow)” at Brent Sikkema until May 28 – 530 W22nd Street – 212-929-2262 “Sarah McEneaney: Self Portrait” at Schlesinger Limited until “June 7″ – 24E 73rd Street – 212-734-3600 To view any large-scale exhibition of…


Frankenthaler

Helen Frankenthaler, Joel Shapiro, 20th-Century Sculpture


Retrieved  in tribute to Helen Frankenthaler, December 12, 1928 – December 27, 2011


Temma Bell


Bowery Gallery 530 W 25, 4th fl, New York, NY 10001 646-230-6655 www.bowerygallery.org April 22-May 17, 2003 Matisse/Picasso and Manet/Velazquez may have been the most remarkable exhibitions of figurative paintings this spring, but there were also many others of work by such contemporary artists as Lois Dodd, Eric Fischl, Paul Georges, and Wayne Thiebaud, to…


Ena Swansea


Klemens Gasser & Tanja Grunert, Inc. 524 West 19th Street New York, NY 10011 United States tel 1.212.807.9494 March 27-May 3, 2003 Ena Swansea achieved recognition in 1998-99 for a series of abstract paintings based on observations of lightfall in the landscape. Key to this work was a subtly colorized grisaille palette and layers of…