A Radical’s Romantic Side: Dan Flavin’s Drawings at the Morgan
A different, private side of the minimalist artist
How Capitalism Functions: Carol Syzmanski at Guided by Invoices
“this marvelously suggestive mini-retrospective” is up through May 26
Of Scientific Pinterest: “Science on the Back End” at Hauser & Wirth
A group show curated by Matthew Day Jackson, until June 16
Meth Lab of the Modern Psyche: Dr. Freud’s Consulting Room
In this Long Island University exhibition, artists run amok with the idea of Bergstrasse 19
Feared and Fearless: Hilton Kramer, 1928-2012
with additional comments by William King, Alex Katz and Vivian Tsao
From Rags to… Found Boots, Gloves and Soda Cans: The Richness of Thornton Dial
Dispatch from New Orleans while work also on view at Allegra Laviola Gallery
Yinka Shonibare MBE: Post-Colonial Mixologist
Dutch wax fabric, Lord Nelson’s death, La Traviata and sex toys, at James Cohan through March 24
Paintings You Can Jump On: George McNeil in the 1960s
He aspired to be “completely sensate” – spontaneous, but with long periods of revision
Mesmerizing Claustrophobia: Drawings and Paintings by Lori Ellison
“Impossibly dense, emphatically wobbly, but geometric to the core.” At McKenzie Fine Art
All That Is Solid Melts Into Air: Simone Jones at Ronald Feldman
A new writer at artcritical. The show took place in November/December.
