Features
 
Jessica Cheung, Self Portrait, from the Umbrella Revolution series, 2014, unfinished.
Statement of artist protester Jessica Cheung and comment by David Cohen ...
 
George Trakas, Times Plaza Tree, 2011. Pencil on vellum, 8.5 x 11 inches. Courtesy of the artist.
The renowned site-specific sculptor has been facing delays in the completion of his recent project at Atlantic Station. ...
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 


Nadezhda Tolokonnikova and Maria Alekhina. Photo: Celeste Sloman © 2014

Pussy Riot at PS1: A Report and Some Reflections


Maria Alekhina and Nadezhda Tolokonnikova, with Petya Verzilov, were interviewed by Klaus Biesenbach


Stuart Shils, Photograph, 2014. Courtesy of Steven Harvey Fine Art Projects

Painting by Other Means: The Photography of Stuart Shils


Essay from his book launching at Steven Harvey tonight


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The Body Manifest: Steve Locke on Robert Gober


Steve Locke discusses Gober’s use of formal and conceptual metaphor to visualize bodily suffering.


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Nixed Metaphors: Lee Ann Norman on Robert Gober


Norman addresses the contradictions and occlusions of Gober’s representations of sex and race.


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Pictorial Baggage: Dennis Kardon on Robert Gober


Dennis Kardon unpacks the cultural contexts of Gober and his personal history.


Gianfranco Zappettini, Surface analytical n. 244, 1973. Acrylic on canvas and powdered quartz, 80 x 80 cm. © Gianfranco Zappettini.

The Zombies: Contemporary Abstraction and Its Critics


Do the recent conversations about abstract painting miss the point?


Photogram by alpert+kahn from their series, Dda. Courtesy of the Artists

Dda: A collaboration between Michael Heller and alpert+kahn


Poetry for Art returns to artcritical


Geoffrey Dorfman, Appia, 2014. Oil on Canvas, 42 x 46 inches. Courtesy of the Artist

Geoffrey Dorfman: “The painting is telling you exactly what it needs.”


Essay from his show at Ober Gallery in Kent, Ct. this summer


JEFF KOONS, Split-Rocker, 2000, stainless steel, soil, geotextile fabric, internal irrigation system, and live flowering plants, 446 7/8 x 483 1/8 x 427 5/8 inches (1,135.1 x 1,227.1 x 1,086.2 cm), edition of 1, plus 1 AP © Jeff Koons. Photo by Tom Powel Imaging

Jeff Koons: Split-Rocker at Rockefeller Center


Signalling the waning days of summer, a planter and a readymade


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Sharp Details, Fuzzy Lines: Images of Ferguson, MO


Examining and learning from the images from Ferguson, MO.