Features
 
Thomas Hirschhorn, Gramsci Monument, 2013, Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photo: Romain Lopez.
…It made me proud to be an artist and a New Yorker ...
 
Ohad Meromi, still from Worker! Actor! Smoker!, 2010-13. Single-channel video, 20:36 minutes. Courtesy of the artist, Galerie Triple V, and Nathalie Karg.
Ohad Meromi’s exhibition at Nathalie Karg continues through August 15. ...
 
Koons’s retrospective at the Whitney Museum of American Art continues through October 19. ...
 


Noah Dillon's downtime offline. Photograph © 2014 by Daniel Herr.

This Project is Experiencing Some Delays: Noah Dillon’s Deferred Reading List


Associate editor Noah Dillon shares some of the things he hasn’t yet made time to read.


Harun Farocki: 1944-2014

Harun Farocki: 1944-2014


A tribute to the influential and humane filmmaker, who died on July 30.


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David Lynch in “Abnormcore” at Room East


Who knew David Lynch also designs furniture?


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Wanted but Undesired: Andy Warhol at the 1964 World’s Fair


The Queens Museum untangles the outrage and hypocrisy around Warhol’s commission at the 1964 World’s Fair.


Superflex, still from Burning Car, 2008. Digital video, runtime: 11 minutes. Courtesy of Superflex.

Superflex in “Bloodflames Revisited” at Paul Kasmin


This simple study of fire destroying a Mercedes is mesmerizing and scary.


Sigmar Polke, German, 1941–2010, Negative Value II (Mizar) (Negativwert II (Mizar)), 1982, Dispersion paint, resin, and pigment on canvas, 103 1/8 × 79 1/8? (262 × 201 cm), Private Collection. Photo: Alistair Overbruck, © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

A Critics’ Roundtable on Sigmar Polke at MoMA


with Eric Gelber, Suzanne Joelson, Drew Lowenstein and Saul Ostrow


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“A Dialogue with Nature” at the Morgan Library


“A Dialogue with Nature: Romantic Landscapes from Britain and Germany” at the Morgan Library.


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Kristan Kennedy at Soloway


“All the paintings have been made, even the embarrassing ones.”


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Suspect Artforms: Lee Ann Norman on Photographic Appropriation


Does the use of appropriation in photography show more than it hides?


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“They are looking for answers”: Jawad al Malhi at Al-Ma’mal Foundation


Jawad al Malhi’s work documents the lives, struggles and culture of young men in the Middle East.