Sunday, March 3rd, 2019
 
Holling-cover
A derangement of the senses is arrived at via multifarious stimuli ...
Tuesday, February 26th, 2019
 
spot
Her show of bells and mirrors was in Chelsea this winter. ...
Friday, February 22nd, 2019
 
wynne-cover
Interventions in the permanent collection of American art, up through March 3 ...
 

Wednesday, May 29th, 2019

“He Was Free and Brave”: Thomas Nozkowski, 1944-2019


“You don’t hear much these days about strength of character, but Tom had that, with kindness backed by confidence. As well, he was free and brave: a dissenting but platonic American.” These are the words of Schjeldahl who, with 20 other admirers and friends of the late artist joined me at artcritical in a garland of tributes. The other…

Wednesday, May 29th, 2019

Arcmanoro Niles, Bad Kid, It Wasn't Love. (Like My Daddy's the Devil), 2018, Oil, acrylic and glitter on canvas, 45 1/2 x 40 inches

Paper Heart: Arcmanoro Niles discusses his work with Virginia Wagner


His show was at Rachel Uffner Gallery earlier this spring

Wednesday, May 29th, 2019

Ryan Oskin, Double Skin, 2018 (back view). UV curable ink on aluminum, 46.5 x 29.5 inches. Courtesy of the artist via ryanoskin.info.

If These Walls Could Talk: Ryan Oskin and Kate Stone at Transmitter


Ryan Oskin and Kate Stone: Inside Out at Transmitter March 29 to May 5, 2019 1329 Willoughby Avenue, 2A, between Wycoff and St. Nicholas Brooklyn, transmitter.nyc Any twelve-year-old with Photoshop can tell you about the inherent untruthfulness of photography, and yet our predilection to accept visuals as facts extends beyond the image. We see the…

Wednesday, May 29th, 2019

my-new-secretary

The artcritical Mailing List


I’m taking the liberty here of writing a message to personal contacts from my gmail address book because some friends and colleagues have complained recently that they have “fallen off” the artcritical mailing list. This might, in some cases, have been a subtle criticism to the effect that we have fallen off in our commitment to…

Tuesday, May 28th, 2019

Screen Shot 2019-05-28 at 6.13.38 PM

Pareidolia: Jeremy Stenger at Kristen Lorello


A chapel-like installation of monochrome paintings with a hint of botanicals

Monday, May 27th, 2019

"This is from last year when he is ill, but his optimism and his pleasure to be talking with friends overwhelms his physical state." Photo, with comment, by James Hyde

“He Was Free and Brave”: A Garland of Tributes for Thomas Nozkowski


21 artists, critics and friends join editor David Cohen in remembering the late painter.

Monday, May 20th, 2019

goldberg-cover

Performance Art: RoseLee Goldberg’s Call to Arms


Performance Now: Live Art for the 21st Century from Thames & Hudson

Saturday, May 18th, 2019

krashes-cover2

Podcast of The Review Panel from May 2019


David Cohen’s guests were Kara Rooney, Christopher Stackhouse and John Yau

Saturday, May 18th, 2019

Carolee Schneemann. Meat Joy, 1964. Chromogenic color print of the performance in New York. 5 × 4 inches. Courtesy the artist, P.P.O.W, and Galerie Lelong, New York. Photo: Al Giese

Transformer: Carolee Schneemann in conversation with Richard Klin


This unpublished interview profile from 2010 is artcritical’s tribute to an artistic giant

Friday, May 17th, 2019

Jasper Johns, Untitled, 2014. Acrylic on canvas, 21 x 30-1/2 inches. Jasper Johns/VAGA at Artists Rights Society (ARS), NY; via Matthew Marks Gallery

Uncomfortable Questions: Jasper Johns at Matthew Marks


Mordant “late” works were on view earlier this spring