Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Friday, October 14th, 2016
 
Arlene Shechet, A Night Out, 2011. Glazed Ceramic, acrylic paint, and hardwood, 45 x 13 x 17 inches, Courtesy of the artist and Sikkema Jenkins & Co.
As stunning new show opens at Sikkema Jenkins & Co, a look back at last year’s retrospective at Boston’s ICA ...
 

Thursday, February 16th, 2017

installation shot of Sarah Sze at the Fabric Workshop and Museum

From the archives: Stephanie Buhmann in 2014, with Mario Naves and Saul Ostrow


David Maisel, John Newman, Jackie Saccoccio, Allan Wexler are the artists discussed

Thursday, February 16th, 2017

C. Michael Norton

From the archives: Peter Plagens in 2015, with Christina Kee and Roberta Smith


exhibitions of Natalie Frank, Rosy Keyser, C. Michael Norton and Christine Rebet

Thursday, February 16th, 2017

featured item from THE LIST for Thursday, February 16: Ron Gorchov at Cheim & Read


“Ron Gorchov can lay claim to a rare achievement: He has created a distinctive form without becoming formulaic.” A typical show of his work is “lively, diverse, and energized. Far from being specific to one mood or message, Gorchov’s idiom turns out to have the flexibility of a sonnet, conveying a whole range of emotions…

Tuesday, February 7th, 2017

hyman-cover

Double Panel Week for David Cohen


The Review Panel in Brooklyn today, first ever ART BOOK REVIEW PANEL at the Studio School tomorrow

Tuesday, February 7th, 2017

9780500239452_300

Double Panel Week for David Cohen


The Review Panel at Brooklyn Public Library this evening, and first ever ART BOOK REVIEW PANEL at the Studio School tomorrow

Tuesday, February 7th, 2017

David Humphrey at Fredericks & Freiser


“I’m Glad We Had That Conversation” is on view through February 25

Tuesday, February 7th, 2017

Yosef Zaritsky, Yehiam (Life on the Kibbutz), 1951. Oil on burlap mounted on canvas, 208 × 228 cm. Collection Tel Aviv Museum of Art

Postwar: A Revisionist Vision from Munich


An major survey exhibition at the Haus der Kunst offers a global approach

Monday, February 6th, 2017

wwg-cover

Autonomous Brushwork: Warhol, Wool, Guyton at Nahmad Contemporary


A small but striking exhibition on the Upper East Side

Tuesday, January 31st, 2017

TRP-Feb2017

Tonight! The Review Panel at Brooklyn Public Library, with Jessica Bell Brown, Jennifer Samet and John Yau

by

Please join us for a drinks reception after the event hosted by The Gallery@1GAP, proud supporters of artcritical

Tuesday, January 31st, 2017

boepple

A featured item from “Week at a Glance” at THE LIST


Willard Boepple is deeply attuned to the shape of color. His sheer, skeletal sculptures, abstracted from their surroundings in emphatic though often offbeat monochromes, accentuate the sensation of a succession of planes. His unique screenprints, published in cycles, are supremely, playfully dimensional, teasing different readings within nested families of stenciled forms through intuitively progressive color variations. In what…