Thursday, August 16th, 2018
 
Selected works by Charles Long, installation shot, Made in L.A. 2018. Courtesy of UCLA Hammer Museum. Photo: Brian Forrest
The fourth “Made in L.A.” is at the Hammer through September 2 ...
Monday, August 13th, 2018
 
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Presented by the museum of her work, through September 30 ...
Monday, August 13th, 2018
 
Gertrude Abercrombie, The Door and the Rock, 1971. Oil on masonite, 8 x 10 inches. Courtesy Karma Gallery.
Surreal paintings from the mid-century Mid West, in the East Village through September 16 ...
 

Tuesday, May 1st, 2018

A Featured item from THE LIST: Sallie Benton at First Street


Amidst the scramble this week to see Frieze, Tefaf and other assorted fairs, not to mention making sure we’re up to speed with the exhibitions to be discussed at The Review Panel next Wednesday, don’t forget that life goes on in the gallery scene. In fact, there are extra special offerings this fair week. For…

Tuesday, May 1st, 2018

The Roof Garden Commission: Huma Bhabha: We Come in Peace Metropolitan Museum of Art

Watch the sunset with Huma Bhabha at the Met this evening


Eva Díaz, Phoebe Hoban and Gregory Volk are David Cohen’s guests

Tuesday, May 1st, 2018

Tomás Saraceno: at Tanya Bonakdar

Season Finale: The Review Panel next week, May 9


Eva Díaz, Phoebe Hoban and Gregory Volk are David Cohen’s guests

Wednesday, April 18th, 2018

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Eros, Weaver of Myth: Image and Text in Cy Twombly


Two exhibitions at Gagosian Gallery, the Sesostris cycle and a survey of drawings, through late April

Tuesday, April 17th, 2018

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April 10, 2018: Jessica Bell Brown, Jarrett Earnest and David Salle with moderator David Cohen


reviewing the New Museum Triennial and the 2018 Invitational Exhibition of Visual Arts

Monday, April 16th, 2018

DOROTHY

Dorothy Pearlstein, 1928 to 2018


A remarkable painter and female role model remembered by Desirée Alvarez, a longtime model of her husband, Philip Pearlstein

Sunday, April 15th, 2018

Diana Cooper, Wall Piece, 2018. Mixed media, dimensions variable. Photo: artcritical

Mappa Mundi: Diana Cooper at the Studio School


“It is as if she didn’t get the memo that drawing has an end.” Show closes Sunday

Saturday, April 14th, 2018

Jennifer Coates, Broken Woods, 2018. Acrylic on canvas, 60 x 72 inches. Courtesy of the artist and Freight + Volume

A Heavy Crush: Jennifer Coates talks Modernism, Joie de Vivre and Trees with Elena Sisto


Her show at Freight + Volumes is on view through Sunday

Friday, April 13th, 2018

Screen Shot 2018-04-13 at 9.37.42 AM

From Stasis to Kinesis: The Woosters of Ted Stamm


After years of neglect, Lisson Gallery show offers interpretative clarity.

Friday, April 6th, 2018

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Excess Devoured: Steve DiBenedetto at Derek Eller


Paintings of newfound restraint, on view on the Lower East Side