Friday, July 13th, 2018
 
Chaim Soutine, Sheep Behind a Fence, c. 1940. Oil on canvas, 10-3/4 x 16-1/4 inches. Private Collection, courtesy of the Jewish Museum. Artists Rights Society (ARS), New York/ADAGP, Paris
Flesh, on view through September 16 ...
Tuesday, July 3rd, 2018
 
Raul Guerrero, Teapot, 1971. Watercolor on paper, 4 x 4 inches. Courtesy of the artist and Ortuzar Projects.
The Californian artist is showing early work at Ortuzar Projects ...
Tuesday, July 3rd, 2018
 
Hiraki Sawa (left), Dwelling, 2002. Video, 9:20 minutes; Olafur Eliasson (right), Yellow Double Hung Windows, 1999. Two halogen, 60 watt profle spotlights on tripod with gobos, dimensions variable. Courtesy of the artists and 601Artspace. Photo: Jason Mandella
Curated by Jesse Penridge and Harriet Salmon, through July 31 ...
 

Friday, February 16th, 2018

Screen Shot 2018-02-15 at 11.42.07 PM

The Review Panel is on Monday: See Moyer and Nakadate today, Jafri and Otero today or tomorrow


reviewing shows of Maryam Jafri, Carrie Moyer, Laurel Nakadate and Angel Otero

Friday, February 16th, 2018

A PICK FROM THE ARCHIVES: Studio Visit with Clintel Steed


” I fight to stay myself. I do paint a lot of motifs sometimes, I do have a lot of things going on, but I’m always just searching for that purity. I am always trying to be affected by where I am at, where I am standing at the moment. I am using history, I…

Thursday, February 15th, 2018

Angel Otero

Monday March 5: David Cohen’s Guests are Jennifer Coates, Karen E. Jones and Thomas Micchelli


reviewing shows of Maryam Jafri, Carrie Moyer, Laurel Nakadate and Angel Otero

Thursday, February 15th, 2018

Hans Hartung, T1982-H29, 1982. Acrylic on canvas, 70.9 x 55.9 inches. Courtesy of Nahmad Contemporary, Perrotin and Hartung-Bergman Foundation

In a Galaxy of their Own Design: Line and Atmosphere in Hans Hartung


A pair of exhibitions makes a case for the German-born post-war French master

Thursday, February 15th, 2018

Suzy Spence, Untitled (Portrait), 2017. Flashe on paper, 16 x 16 inches. Courtesy of the artist and Sears Peyton Gallery, New York

Hunters and Hustlers: Feminism and Theatricality in Suzy Spence and Heather Morgan


Contrasting approaches and messages in two recent shows

Wednesday, February 14th, 2018

barber

Films by Stephanie Barber and Amy Jenkins Premiere in New York


At Anthology Film Archive and MoMA this weekend

Saturday, February 10th, 2018

Käthe Kollwitz, Seed-Corn Must Not be Ground, 1941. Lithograph , 14.5 x 15.5 inches. Private collection, Courtesy of Galerie St. Etienne

The Volunteers: Graphic Arts by Käthe Kollwitz and Sue Coe


An exhibition of powerful political work at Galerie St. Etienne, through March 10

Tuesday, February 6th, 2018

Catherine Murphy

The Review Panel from February 6th: Podcast


Svetlana Alpers, Alex Bacon and Ken Johnson were David Cohen’s guests

Tuesday, February 6th, 2018

Featured item from THE LIST: Luisa Rabbia, opening Friday at Peter Blum


At once intimate and sumptuous, Zen and nerdy, aloof and intricate, Luisa Rabbia “Death&Birth” cycle is a monument to nuttiness—an existential comment, in itself, perhaps, upon the sublime absurdity of existence. A pair of gargantuan murals represents the moments of entry and departure, complemented by three of her LingamYoni series (pictured) at a relatively modest height…

Sunday, February 4th, 2018

Claire Lieberman, Sunspot Silencer, 2017. Sunspot Silencer, Glass, 5.25 x 10.5 x 2.75 inches. Courtesy of the artist and Massey Lyuben Gallery

Serious Play: Claire Lieberman’s Unidentified Dangerous Beautiful Objects


A show last year at Massey Lyuben Gallery