Thursday, January 25th, 2018
 
Regina Bogat, Palmyra I, 2015. Acrylic, board on canvas, 40 x 46 inches. Courtesy of Zürcher Gallery, New York/Paris
The veteran painter reminisces in her New Jersey studio ...
Monday, August 28th, 2017
 
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On view in Chelsea, extended to September 1 ...
Friday, August 25th, 2017
 
Clintel Steed, Taekwondo #2 (Olympic Series), 2016. Oil on canvas, 30 x 30 inches. Courtesy of the Artist
“I wanted to paint this subject because all the athletes are so in tune with themselves” ...
 

Monday, September 11th, 2017

The line up of speakers at artcritical's fabled forum of live criticisms is stellar, all past favorites in the series, now in its thirteenth year

The Review Panel Returns to Brooklyn Public Library October 10


David Cohen’s guests are Dennis Kardon, Lee Ann Norman and Roberta Smith

Monday, September 11th, 2017

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Test, Monday

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This is a test of the preview problem  

Saturday, September 2nd, 2017

Claude Viallat, 1974/032, 1974. Dye on fabric, 77.2 x 86.6 inches. Courtesy of Ceysson & Bénétière

From Mao to Matisse: Claude Viallat in New York


This survey of the Support/Surface artist, 1967 to 2017, was at Ceysson & Bénétière

Tuesday, August 22nd, 2017

cover of the book under review, with portrait of the artist by Chuck Close

The Beholder’s Share


Drawing on family experience, the author dives into the neuroscience of figuration and abstraction

Saturday, August 19th, 2017

Mercedes Helnwein, Queen of the underground, 2015, Oil pastel on paper, 41.5 x 42 inches. Image courtesy of the gallery.

Social Amnesia: Strangers, curated by Emma Frank


at Castor Gallery, on the Lower East Side, through Saturday

Wednesday, August 9th, 2017

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Max Kozloff, in his first contribution to artcritical, explores the ethics of prettiness in relation to Florine Stettheimer

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What strikes the eye immediately is the rhythm of line and limb that jumps about, especially in ensembles with little narrative pretext. They’re frequently scattered across nebulous white grounds and are endowed with a gem-like aura that resembles the capitals in illuminated manuscripts. Yet, when they’re on the move, they might also recall the snap…

Wednesday, August 9th, 2017

Featured item from THE LIST: Eve Aschheim, Lines Without Outlines at ‘T’ Space, Rhinebeck, NY


Now in its eighth summer season, ‘T’ Space, a gallery designed by Steven Holl on the architect’s Dutchess County campus, offers an ambitious program of solo presentations and other projects. To launch her exhibition this weekend, Eve Aschheim teams up with poet Susan Stewart and pianist Christopher Oldfather who will perform works by Earle Brown…

Wednesday, August 9th, 2017

Rico Gatson, Billie #2, 2014. Color pencil and photograph on paper, 22 x 30 inches. Courtesy of Ronald Feldman Fine Arts, New York

Aspirational: Rico Gatson’s Icons at the Studio Museum in Harlem


Works in colored pencil and collage, on view through August 27

Wednesday, August 9th, 2017

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Differently-Abled in High Heels: Carol Rama at the New Museum


Exuberant joy in the face of anguish; through September 10

Wednesday, August 9th, 2017

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Material Synthesis: The collaborative art of Crystal Gregory and Alexa Williams


Their show was seen last month at Black and White in Bushwick