Wednesday, September 12th, 2018
 
Edward Hopper, Night Window, 1928. Oil on canvas, 29 x 34 inches. Museum of Modern Art, New York. Gift of John Hay Whitney
Irish-honed literary skills placed at service of cosmopolitan visual culture ...
Tuesday, September 11th, 2018
 
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Instigator of Williamsburg’s Sideshow Nation, an annual show with hundreds of artists ...
Tuesday, September 4th, 2018
 
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His public sculpture, Spot, is at NYU’s Hassenfield Children’s Hospital ...
 

Thursday, February 15th, 2018

Hans Hartung, T1982-H29, 1982. Acrylic on canvas, 70.9 x 55.9 inches. Courtesy of Nahmad Contemporary, Perrotin and Hartung-Bergman Foundation

In a Galaxy of their Own Design: Line and Atmosphere in Hans Hartung


A pair of exhibitions makes a case for the German-born post-war French master

Thursday, February 15th, 2018

Suzy Spence, Untitled (Portrait), 2017. Flashe on paper, 16 x 16 inches. Courtesy of the artist and Sears Peyton Gallery, New York

Hunters and Hustlers: Feminism and Theatricality in Suzy Spence and Heather Morgan


Contrasting approaches and messages in two recent shows

Wednesday, February 14th, 2018

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Films by Stephanie Barber and Amy Jenkins Premiere in New York


At Anthology Film Archive and MoMA this weekend

Saturday, February 10th, 2018

Käthe Kollwitz, Seed-Corn Must Not be Ground, 1941. Lithograph , 14.5 x 15.5 inches. Private collection, Courtesy of Galerie St. Etienne

The Volunteers: Graphic Arts by Käthe Kollwitz and Sue Coe


An exhibition of powerful political work at Galerie St. Etienne, through March 10

Tuesday, February 6th, 2018

Catherine Murphy

The Review Panel from February 6th: Podcast


Svetlana Alpers, Alex Bacon and Ken Johnson were David Cohen’s guests

Tuesday, February 6th, 2018

Featured item from THE LIST: Luisa Rabbia, opening Friday at Peter Blum


At once intimate and sumptuous, Zen and nerdy, aloof and intricate, Luisa Rabbia “Death&Birth” cycle is a monument to nuttiness—an existential comment, in itself, perhaps, upon the sublime absurdity of existence. A pair of gargantuan murals represents the moments of entry and departure, complemented by three of her LingamYoni series (pictured) at a relatively modest height…

Sunday, February 4th, 2018

Claire Lieberman, Sunspot Silencer, 2017. Sunspot Silencer, Glass, 5.25 x 10.5 x 2.75 inches. Courtesy of the artist and Massey Lyuben Gallery

Serious Play: Claire Lieberman’s Unidentified Dangerous Beautiful Objects


A show last year at Massey Lyuben Gallery

Sunday, February 4th, 2018

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Biting a Thumb at Monochrome: Jim Lee at Nicelle Beauchene


A show that dwells on the perversity of painting, closing February 4

Thursday, February 1st, 2018

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At the Edge of Land and Water: John Walker’s Landscapes


His recent Studio School show brought together his visceral and pictographic modes

Saturday, January 27th, 2018

cover of the book under review

Wanting to Tell Stories: John Yau’s Wild Children


The occult gives way to novel approaches to what to notice in art.