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Dannielle Tegeder, Ondam: Hollow Green Gray Velocity Transmitter with Tunnel Routes and Stations with Pipe Chrysalis Headquarters City Plan with Safety Routes in Snow Green with Developments Contraption and Triangle Headquarters with Complete Love Algorithm and Magnetic Diagram for Beauty with Methods and Analysis with Tower Manifesto and Ecstatic White Metallic Mine Tunnels and Pantone Structure with Yellow Categories?with Luminous Connectors and Lemon Elevator Structures, 2013. Acrylic, ink, and colored pencil?on wall, 18 ft. x 82 ft. 8 inches. Courtesy of the artist?

Turning Reductivism Inside Out: Dannielle Tegeder and the Art of Incompletion


Excerpted from monograph on her work published by Hamilton College


John Dubrow, Family Portrait, Upper West Side, 2010-11. Oil on linen, 50 x 66 inches. Courtesy of Lori Bookstein Fine Art

“Curating for the Kids”: Artist Jill Nathanson makes the case for real collectors


On Collectors Who Look (and Think) for Themselves


Honore Daumier, Galerie Tableaux. Image taken from Wikimedia Commons, the free media repository.

A Gallerist is [please fill in the blank]


What differentiates a “gallerist” from a dealer or a curator?


Architectural rendering of the new Pen and Brush exhibition space in New York City, due to open Winter 2013/14. ADG/McDonald ARCHITECTS, 2013 / Artist Credit: Hunter Clarke, Shannon Reid, Andrea Stanislav

Towards Gender Parity: Quality and Fairness in the Art Market


The author is director of Pen And Brush, the venerable women’s art organization


Gerrit Rietveld, Child’s wheelbarrow,1923 (manufactured 1958). Painted wood, 12-1/2 x 11-3/8 x 33-1/2 inches. Manufactured by Gerard van de Groenekan. The Museum of Modern Art, New York. Gift of Jo Carole and Ronald S. Lauder. © 2012 Artists Rights Society (ARS), New York / Beeldrecht, Amsterdam

MoMA and Child: The Century of the Child at the Museum of Modern Art


Growing by Design 1900-2000 on view through November 5.


Eija-Liisa Ahtila, The Annunciation, 2010. Video still. Courtesy of Marian Goodman Gallery

Art at Christmas: Fernando Botero, Elija-Liisa Ahtila, Ludwig Blum


From different traditions, presented in varied contexts, a trinity of artists reveals mystic truths.


Ronnie Landfield, Diamond Lake, 1969. Acrylic on canvas, 108 x 168 inches. Museum of Modern Art, New York, Gift of Philip Johnson

The Three Bands: An Artist Replies


The color field painter responds to suggestions at artcritical that he drop his trademark color bands