Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Friday, October 14th, 2016
 
Arlene Shechet, A Night Out, 2011. Glazed Ceramic, acrylic paint, and hardwood, 45 x 13 x 17 inches, Courtesy of the artist and Sikkema Jenkins & Co.
As stunning new show opens at Sikkema Jenkins & Co, a look back at last year’s retrospective at Boston’s ICA ...
 

Friday, March 24th, 2017

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The Review Panel: Next Up, April 4 at Brooklyn Public Library

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Exhibitions by Vija Celmins, Jennifer Coates, Anoka Faruqee and Leonhard Hurzlmeier

Thursday, March 23rd, 2017

Jordan Eagles, BDBC + BD6, 2012-2014. Blood, blood dust, copper, preserved on plexiglass, UV resin, each 36 x 36 x 3 inches. Courtesy of the Artist

Drawn to Blood: Jordan Eagles talks with Darren Jones about his work with corporeal matter


“However much it is seen on TV doesn’t change the amount of blood in your body”

Tuesday, March 21st, 2017

Shinji Turner-Yamamoto, Pentimenti #1, 2010. Found plaster and chipped paint fragments, 24kt gold leaf, gesso, clay bole, animal glue, tree resin, 5-1/2 × 8 × inches. Courtesy of Sapar Contemporary

Uprooted from our Native Soil: A Two-Person show asks timely questions about nature and sustainability


Shinji Turner-Yamamoto and Gabriela Albergaria at Sapar Contemporary

Sunday, March 19th, 2017

K M SKATING

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Wednesday, March 15th, 2017

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To Organize Delirium: Five Installations by Hélio Oiticica


Currently in Chicago, coming to the Whitney this summer

Thursday, March 9th, 2017

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Latest Podcast: The Review Panel from March 6


Jessica Bell Brown, Jennifer Samet and John Yau were David Cohen’s guests

Thursday, March 9th, 2017

Spring/Break is the most anarchic and exuberant of the fairs: each room of these administrative offices of the USPS (the space has a David Lynch-like quality, a time-capsule of New Deal-era bureaucracy) has its own organizing principle. Here is artist Megan Liu Kincheloe installing Thing Gap Method in Room 23 featuring works by Sophia Flood, Sascha Ingber, Kelly McCafferty, Sarah Tortora and herself.

All Our Blurbs from Art Fair Week, March 2017


Capsule reviews by David Cohen and Roman Kalinovski from the commercial front lines

Wednesday, March 8th, 2017

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Focus on Philly: Details of THE REVIEW PANEL Philadelphia, Viewing Times, Map

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The next few days are crucial viewing times for the four shows to be discussed March 15 by THE REVIEW PANEL Philadelphia. Here are the opening hours of the respective venues: Philadelphia Photo Arts Center, Tuesday to Saturday, 10am to 6pm (opening reception with artist’s talk, Thursday March 9); Marginal Utility, Saturday and Sunday, 12pm to 5pm;  InLiquid…

Wednesday, March 8th, 2017

Featured item from THE LIST: Opening Thursday in Philadelphia

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Andre Bradley and Paul Anthony Smith: Interference at the Philadelphia Photo Arts Center 1400 N. American Street Crane Arts Building Opening reception and artists’ talk, 6-8pm This exhibition pairs two artists for whom “experiences of selfhood and community [are] inseparable from the stereotypes and violence that pervade representation of black people.” The show is one…

Wednesday, March 8th, 2017

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Clarity of Facture: David Reed, 1975 at Gagosian


Historical exhibition, curated by Katy Siegel and Christopher Wool, seen earlier this season