Jane Freilicher, Still Life Before a Window, 2007, Oil on Linen, 32 x 40 inches
“HUBS” links to artists and subjects discussed multiple times at artcritical. ...
 
Zürcher Studio's booth at Untitled art fair, Miami Beach, December 2013. To left, Brian Belotti: " Belott's wall of small highly decorative panels, each built around a single dirty sock."
“HUBS” is a new category on artists and subjects discussed multiple times at artcritical. ...
 
Andrew Lampert, still from DCP/Steenbeck, 2014. Video, TRT 4:53 minutes. Courtesy of the artist.
A show examining our relationship to tech, old and new. ...
 


Cary Smith, Pointed Splat #6 (yellow-pink with color blocks), 2013 Courtesy of the artist

The Aldrich at 50: Clutch of Exhibitions Demonstrate Currency of Founder’s Vision


on view through April


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Ron Padgett and Bertrand Dorny: What Happened to the Renaissance

by

As part of its Poetry for Art series, artcritical presents for the first time on the web a facsimile of What Happened to the Renaissance, words by Ron Padgett, images by Bertrand Dorny, published in Paris in 2012                         artcritical’s POETRY FOR ART (Editor: Michael Heller)…


Michelle Stuart, Navigating the Stars II, 2013, detail. 15 unique framed archival inkjet prints, approx. 26 x 56 inches overall. Courtesy of Leslie Tonkonow Artworks + Projects

Navigating the Stars: Michelle Stuart at Leslie Tonkonow


“Silent Movies,” gridded constellations from her archives, on view through the weekend


Jake and Dinos Chapman, The Sum of all Evil (detail), 2012-2013. Courtesy of the Artists and White Cube

Just As Juvenile When They Were Juvenile: Jake & Dinos Chapman in their hometown of Hastings


Report from English south coast on local boys made bad


Nathan Lyons, Untitled (Return Your Mind to Its Upright Position), 1998-2013. Two gelatin silver prints, 4 7/8 x 7 1/4 inches each. © Nathan Lyons, courtesy of Bruce Silverstein Gallery, NY.

Mind Ride: Nathan Lyons at Bruce Silverstein


The iconic photographer presents a new book and a new exhibition.


Jane Freilicher, My Cubism, 2004. Oil on linen, 25 x 25 inches. Courtesy Tibor de Nagy Gallery

“A button of color can make the world shake”: Jane Freilicher, 1924-2014


Jane Freilicher is my idea of an artist, writes Thomas Nozkowski


Paul Hardy, Caryatid, 2014. Oil on linen, 24 x 16 inches. As seen in the exhibition, Et ensuite, on recommence, Parisian Laundry

The Perils and Pleasures of the Contemporary Biennale: Case in Point, Montreal


What it may lack in celebrity it makes up for in local vim and vigor


Vicky Colombet, Earth series # 1305, 2014. Oil, pigment, alkyd wash on canvas, 7-3/4 x 5-3/4 inches. Courtesy of Christian Duvernois Landscape/Gallery

A Philosophy of Form: In Vicky Colombet, Abstraction and Nature Meet on Equal Terms


Her show continues at Christian Duvernois


Spencer Finch, "A Certain Slant of Light," 2014. © The Morgan Library & Museum. Photography by Graham S. Haber, 2014. Artwork © Spencer Finch, 2014.

Lite Installation: Spencer Finch at The Morgan


The light artist’s work is beautiful but problematic.


installation shot with works from the First series, 2014 by Richard Nonas. Courtesy of Fergus McCaffrey

Field Anthropologist: The Sculptures of Richard Nonas


His show was at Fergus McCaffrey earlier this fall