featuresFeature Articles
 
George Sugarman, Yellow and White, 1967. Oil on Wood, in two parts, 25-1/2 x 35-1/2 x 27-1/2 each. © Estate of George Sugarman, courtesy Gary Snyder Gallery, New York
“Irving Sandler: Out of Tenth Street and Into the 1960s” is at Loretta Howard Gallery ...
 
Still from a video by Piaget Crenshaw showing the body of Michael Brown with Officer Darren Wilson.
Examining and learning from the images from Ferguson, MO. ...
 
Honore Daumier, Galerie Tableaux. Image taken from Wikimedia Commons, the free media repository.
What differentiates a “gallerist” from a dealer or a curator? ...
 


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The Dutchmen’s Heir: Jenny Saville at Gagosian


The author is having a Frankenstein moment.  “Continuum” continues on Madison Ave through October 22.


Anni Albers, Untitled Tapestry, based on a 1933 design. Hand knotted wool, hand twisted wool and silk, 72 x 116 inches. Courtesy of Loretta Howard Gallery

An Education Over Coffee: Black Mountain College and Its Legacy


A rich historic show at Loretta Howard Gallery, up through October 29


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Picking Up the Pieces: Julie Heffernan’s Honest Pessimism


Her show opens September 3 at Catherine Clark Gallery, San Francisco


Francesca Woodman, Untitled, New York, 1979-1980. Gelatin silver print, 4 x 9-1/2 inches. Courtesy of George and Betty Woodman

Gorgeous Metamorphoses: Alexander McQueen and Francesca Woodman


More than goth aesthetics and youthful suicides unite the fashion designer and the photographer.


Hilton Miller, Ireland, untitled landscape #17, 2005. Oil on board. 18 x 24 inches. . Courtesy of the Artist

“The Bewildering Multiplicity of Things Seen”: Landscape Paintings of Hilton Miller


The 80 year old artist received his debut in London earlier this year.  He is father of Irish painter Nick Miller, currently showing at the Concord Art Association


Frank Stella, right, and Kenneth Tyler at work on a print. Courtesy of Kenneth Tyler

Betting the Farm on His Art: A Salute to Frank Stella by a Longtime Collaborator


Master printmaker Kenneth Tyler has worked with Frank Stella for 35 years


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The Art of Simon Dinnerstein


His exhibition at the German Consulate General opens June 16


Hope Gangloff, The Trouble with Paradise, 2009. Acrylic on canvas, 64 x 81 inches. Collection of Cynthia and Stuart Smith

The Aldrich at a Crossroads


Portraiture shows at the Aldrich occasion a portrait of the institution itself


Lynne Woods Turner, Untitled (9072), 2010. Oil on linen over panel, 10 x 8 inches. Courtesy of Danese

The Canon is Under Fire: What Press Releases Tell You, and What They Don’t


The abundance of self-anointed anti-establishment shows reminds us that nothing in the art world is sacred


Robert Rauschenberg, Short Circuit (Combine Painting), 1955. Oil, fabric and paper on wood supports and cabinet with two hinged doors containing a painting by Susan Weil and a reproduction of a Jasper Johns Flag painting by Elaine Sturtevant, 40-3/4 x 37-1/2 x 4-1/4 inches. Courtesy of Gagosian Gallery

Too absorbed by the future to bother about the past: Robert Rauschenberg


If Johns is our Mallarmé, Rauschenberg is our Walt Whitman.