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Thomas Hirschhorn, Gramsci Monument, 2013, Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photo: Romain Lopez.
…It made me proud to be an artist and a New Yorker ...
 
Honore Daumier, Galerie Tableaux. Image taken from Wikimedia Commons, the free media repository.
What differentiates a “gallerist” from a dealer or a curator? ...
 
Lucas Samaras in Claes Oldenburg’s Circus: Ironworks/Fotodeath at the Reuben Gallery, February 1961. © Robert R. McElroy/Licensed by VAGA, New York, New York
As this landmark show enters its last week at Pace Gallery, a profile of the man behind the camera ...
 


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Picking Up the Pieces: Julie Heffernan’s Honest Pessimism


Her show opens September 3 at Catherine Clark Gallery, San Francisco


Francesca Woodman, Untitled, New York, 1979-1980. Gelatin silver print, 4 x 9-1/2 inches. Courtesy of George and Betty Woodman

Gorgeous Metamorphoses: Alexander McQueen and Francesca Woodman


More than goth aesthetics and youthful suicides unite the fashion designer and the photographer.


Tony Robbin, 2004-4, 2004. Acrylic on canvas, 56 x 70 inches. Collection of the Artist

Pattern, Decoration and Tony Robbin


An exchange between fellow P&D artists from the catalog of Robbin’s Orlando Museum of Art retrospective


Hilton Miller, Ireland, untitled landscape #17, 2005. Oil on board. 18 x 24 inches. . Courtesy of the Artist

“The Bewildering Multiplicity of Things Seen”: Landscape Paintings of Hilton Miller


The 80 year old artist received his debut in London earlier this year.  He is father of Irish painter Nick Miller, currently showing at the Concord Art Association


Frank Stella, right, and Kenneth Tyler at work on a print. Courtesy of Kenneth Tyler

Betting the Farm on His Art: A Salute to Frank Stella by a Longtime Collaborator


Master printmaker Kenneth Tyler has worked with Frank Stella for 35 years


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The Art of Simon Dinnerstein


His exhibition at the German Consulate General opens June 16


Hope Gangloff, The Trouble with Paradise, 2009. Acrylic on canvas, 64 x 81 inches. Collection of Cynthia and Stuart Smith

The Aldrich at a Crossroads


Portraiture shows at the Aldrich occasion a portrait of the institution itself


Lynne Woods Turner, Untitled (9072), 2010. Oil on linen over panel, 10 x 8 inches. Courtesy of Danese

The Canon is Under Fire: What Press Releases Tell You, and What They Don’t


The abundance of self-anointed anti-establishment shows reminds us that nothing in the art world is sacred


Robert Rauschenberg, Short Circuit (Combine Painting), 1955. Oil, fabric and paper on wood supports and cabinet with two hinged doors containing a painting by Susan Weil and a reproduction of a Jasper Johns Flag painting by Elaine Sturtevant, 40-3/4 x 37-1/2 x 4-1/4 inches. Courtesy of Gagosian Gallery

Too absorbed by the future to bother about the past: Robert Rauschenberg


If Johns is our Mallarmé, Rauschenberg is our Walt Whitman.


Gina Werfel, Collision, 2010. Oil on canvas, 60 x 60 inches. Courtesy of the Artist

Gina Werfel’s Persistence of Vision


2011 essay reposted with new show of paintings at Prince Street Gallery