Friday, January 6th, 2017
 
KarinSchneider_feature
Cannibalization is a creative act in the artist’s recent show of new text-based and reductivist work. ...
Friday, October 28th, 2016
 
Nathaniel Dorsky, Autumn, 2016. Silent 16mm color film, TRT: 26:00. Courtesy of the artist and New York Film Festival.
Two experimental filmmakers depict the world, using the methodology of poetry. ...
Friday, October 14th, 2016
 
Arlene Shechet, A Night Out, 2011. Glazed Ceramic, acrylic paint, and hardwood, 45 x 13 x 17 inches, Courtesy of the artist and Sikkema Jenkins & Co.
As stunning new show opens at Sikkema Jenkins & Co, a look back at last year’s retrospective at Boston’s ICA ...
 

Thursday, March 30th, 2017

Featured item from THE LIST: “The Invitational” at Arts & Letters


An antidote to the hypertension of the Whitney Biennial is to be found 150 blocks north at the American Academy of Arts & Letters at the “Annual Exhibition of Visual Arts,” on view through April 9. Selected by a committee of academicians, these are, very literally, artists’ artists. But don’t be deceived by the tasteful installation in gracious…

Thursday, March 30th, 2017

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The Drug Administration: Beverly Fishman talks High Modernism and Big Pharma


Her show continues at CUE Foundation through April 5

Thursday, March 30th, 2017

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The Hatcher: James Siena talks meaning and technique with Oona Zlamany


His video interview with the intrepid Bronx Science junior

Thursday, March 30th, 2017

Allan Wexler, Two Too Large Tables. 2006. Hudson River Park, New York City. In collaboration with Ellen Wexler

The Andy Warhol of Architecture: Allan Wexler talks about his art and thinking


Allan Wexler, “Absurd Thinking: Between Art and Design” is published by Lars Müller

Tuesday, March 28th, 2017

Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center

Site Specific: Diana Cooper and Lee Boroson at Fordham


Prismatic Shifts, a two person show curated by Carleen Sheehan

Monday, March 27th, 2017

Dana Schutz, Open Casket (2016). Oil on canvas. Collection of the

Open Casket: “Enquête” regarding the Dana Schutz affair, the painting, the protests


Lisa Corinne Davis, Ken Johnson, Walter Robinson, Seph Rodney and others

Friday, March 24th, 2017

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The Review Panel: Next Up, April 4 at Brooklyn Public Library


Exhibitions by Vija Celmins, Jennifer Coates, Anoka Faruqee and Leonhard Hurzlmeier

Thursday, March 23rd, 2017

Jordan Eagles, BDBC + BD6, 2012-2014. Blood, blood dust, copper, preserved on plexiglass, UV resin, each 36 x 36 x 3 inches. Courtesy of the Artist

Drawn to Blood: Jordan Eagles talks with Darren Jones about his work with corporeal matter


“However much it is seen on TV doesn’t change the amount of blood in your body”

Tuesday, March 21st, 2017

Shinji Turner-Yamamoto, Pentimenti #1, 2010. Found plaster and chipped paint fragments, 24kt gold leaf, gesso, clay bole, animal glue, tree resin, 5-1/2 × 8 × inches. Courtesy of Sapar Contemporary

Uprooted from our Native Soil: A Two-Person show asks timely questions about nature and sustainability


Shinji Turner-Yamamoto and Gabriela Albergaria at Sapar Contemporary

Sunday, March 19th, 2017

K M SKATING

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