Wednesday, October 10th, 2018
 
Hannes Schmid, Cowboy #230, 2017. Oil on linen, 48 x 71 inches. Courtesy of Mitchell Algus Gallery
on view at Mitchell Algus through October 14 ...
Friday, October 5th, 2018
 
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“Hunter Gatherer” closes in Chelsea on Saturday ...
Wednesday, October 3rd, 2018
 
Jason Stopa, The Big Picture, 2018. Oil on canvas, 62 x 48 inches. Courtesy of the artist and Steven Harvey Fine Art Projects.
The Gate was at Steven Harvey in August ...
 

Monday, December 10th, 2018

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Speaking Her Mind: Betty Tompkins at P.P.O.W.


On view in Chelsea through December 22

Monday, December 10th, 2018

Scott Williams, Fenced Waterfront, 2017. Oil on panel, 18 x 28 inches. Courtesy of the artist

Surfaces Sparkling: The cityscapes of Scott Williams


On view at 490 Atlantic through December 18

Sunday, December 9th, 2018

Tiffany Chung, reconstructing an exodus history: boat trajectories, ports of first asylum and resettlement countries, 2017. Embroidery on fabric, 55 x 137 ¾ inches. Courtesy of the artist and Tyler

Art Basel Miami Beach: Survey, Positions, Nova


Amidst a tremendous amount of great art on display at  Art Basel Miami Beach this year, three curated sections threw up new discoveries and mined historical blind spots. In Survey, 16 historical projects presented individual artists across a spectrum of cultures, generations and approaches. Hackett Mill, a gallery from San Francisco, showed terrific late paintings…

Saturday, December 8th, 2018

Performance of Inner Course: The Agony of It All, curated by Laura Dvorkin, at The Bunker Artspace, on December 2. Courtesy of the Beth Rudin DeWoody Collection.

Rya Kleinpeter and Tora Lopez at the Bunker Artspace


The two role-play Lucille Ball at Beth Rudin deWoody’s space

Friday, December 7th, 2018

A painting by David Bade, courtesy of Annelien Kers Gallery, Amsterdam. Details to follow

Scope Miami Beach 2018: David Bade at Annelien Kers


My first stop on the Miami art trail this year was the Scope Art Show. Booths felt cramped and the aisles were far too narrow, making it difficult to step far back enough to see the art on display. There was also too much posturing on politics, rather than thoughtful critique. Most of it —unluckily…

Wednesday, December 5th, 2018

Judy Chicago

Judy Chicago at the ICA


First report by Sharmistha Ray from Miami during Art Basel week

Tuesday, December 4th, 2018

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Otherworldly Objects: Ewelina Bochenska discusses her work with Natalie Sandstrom


2018 artcritical prize at the New York Studio School

Thursday, November 29th, 2018

Phyllida Barlow, untitled: pinkspree, 2018

Faye Hirsch, Robert C. Morgan and Sharmistha Ray join The Review Panel December 11


Brooklyn Public Library at Grand Army Plaza

Thursday, November 29th, 2018

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Featured item from THE LIST: Gerard Mossé at Marlborough Gallery


If the opening scene from 2001: A Space Odyssey were painted by an Abstract Expressionist the result might resemble a Gerard Mossé with his typical hi-tech totem pulsating with ethereal, other worldly light. The North African-born New Yorker has a preternatural capacity to enlist color to the service of such electric glow one is tempted to check if…

Thursday, November 29th, 2018

Jeff Koons in a scene from The Price of Everything, the documentary under review

What “The Price of Everything” Says About The Value of Art


Nathaniel Kahn’s documentary on HBO