Monday, August 28th, 2017
 
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On view in Chelsea, extended to September 1 ...
Friday, August 25th, 2017
 
Clintel Steed, Taekwondo #2 (Olympic Series), 2016. Oil on canvas, 30 x 30 inches. Courtesy of the Artist
“I wanted to paint this subject because all the athletes are so in tune with themselves” ...
Wednesday, August 9th, 2017
 
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Exuberant joy in the face of anguish; through September 10 ...
 

Monday, October 2nd, 2017

Jacob El Hanani Linescape: Four Decades at Acquavella Galleries


A featured item from THE LIST

Saturday, September 30th, 2017

Janet Fish, Salad Fixings, 1983. Oil on linen, 38 x 56 inches. Courtesy of the artist and DC Moore Gallery

Janet Fish: Pinwheels and Poppies, Paintings 1980-2008 at DC Moore Gallery


a featured item from THE LIST

Tuesday, September 26th, 2017

Ron Baron, detail

Perilous Journeys: Ron Baron and Karina Aguilera Skvirsky at Smack Mellon


A sculptural installation and a film, each eloquent on the poignancy of human journeys

Friday, September 22nd, 2017

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Be sure to reserve your seat at The Review Panel: artcritical.com/reserve

Friday, September 22nd, 2017

Nicola Ginzel at The Gallery at One Army Plaza


A Featured Item from THE LIST On one level, the work is a meditation on consciousness or an exhortation of mindfulness, a concept from Zen Buddhism. On another, it is a continuous prying at the intuitive underpinnings of rational systems. The everyday materials the artist turns into art amounts to personal stuff found in a jacket…

Friday, September 22nd, 2017

Leslie Wayne, The Availability Bias, 2017. Oil on panel, 29.5 x 24 x 4 inches. Courtesy of the artist and Jack Shainman Gallery

The Family Clown: A Studio Visit with Leslie Wayne


Leslie Wayne: Free Experience at Jack Shainman Gallery, September 7 to October 21, 2017 Leslie Wayne is known for the vivid density and colorful materiality of her work, most recently a collection of what she called “paint rags” which hang from the wall, and are actually made of many layers of paint. Her latest work,…

Thursday, September 21st, 2017

Nancy Hyanes, mise en abyme, 2015. Oil on linen, 21.5 x 26 inches. Courtesy of the artist and Regina Rex

Abstract and Concrete: The Monochromatic Paintings of Nancy Haynes


She showed at Regina Rex on the Lower East Side this spring

Wednesday, September 20th, 2017

Jennifer Packer, Untitled, 2017. Oil on canvas, 10.5 x 12.5 inches. Courtesy of the artist and Corvi-Mora, London

“Not Figures, Not Bodies, But Humans”: Jennifer Packer in conversation with Lee Ann Norman


Her show is at the Renaissance Society, Chicago, through November 5

Tuesday, September 19th, 2017

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“Pure Sculptural Energy”: Seeing Rodin, Reading Steinberg


As the Met’s centennial Rodin exhibition opens, Leo Steinberg’s great essay from the 1960s is recalled

Sunday, September 17th, 2017

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Poetry by Other Means: The Collages of John Ashbery


Is there something intrinsic to the appeal of collage to writers — to moving bits of paper around in startling, revelatory juxtapositions? The coincidence of two shows of collages by writers of markedly different ilk – a sometime poet laureate and a member of the third estate – begs the question.