Jane Freilicher, Still Life Before a Window, 2007, Oil on Linen, 32 x 40 inches
“HUBS” links to artists and subjects discussed multiple times at artcritical. ...
 
Zürcher Studio's booth at Untitled art fair, Miami Beach, December 2013. To left, Brian Belotti: " Belott's wall of small highly decorative panels, each built around a single dirty sock."
“HUBS” is a new category on artists and subjects discussed multiple times at artcritical. ...
 
Andrew Lampert, still from DCP/Steenbeck, 2014. Video, TRT 4:53 minutes. Courtesy of the artist.
A show examining our relationship to tech, old and new. ...
 


Shepard Fairey, St. Mark’s horses, 2009. Screenprint, 27-1/2 x 35-1/2 inches, edition of 250. Courtesy of the Artist

Be Wild and Obey: Shepard Fairey in Naples


In the one neighborhood where there’s little graffiti, a show of street art


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For All Digital Futures


The latest in artcritical’s BOOKMARKED series offers an account of the displacement of photography through Robert Burley’s archival website


Joseph Montgomery, Image Two Hundred Sixty Five, 2014. Animation, monitor, Raspberry Pi, continuous loop. Courtesy the artist and Laurel Gitlen, New York.

Upcycled: Joe Montgomery’s Painting Remixes


The artist, who showed at at Laurel Gitlen last month, makes mutants of his materials.


Dorothy Iannone: You Who Read Me With Passion Now Must Forever Be My Friends, Siglio, 2014.

Dorothy Iannone: The Book of Love


Siglio’s new book of collected works gives an overview of the startling artist’s affectionate, erotic drawings.


Marisol, Lick the Tire of My Bicycle, 1974 © Marisol Escobar/Licensed by Vaga, New York, NY

Uncanny Presences: The Dynamic Sculptures of Marisol


closing this weekend at El Museo del Barrio, retrospective of a powerful, hands-on sculptor.


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January 7, 2015


We stand in sympathy and solidarity with the Paris victims of fascistic intimidation – artcritical.com


Cy Twombly, Untitled, 1970. Crayon, graphite pencil, ink, oil stick, colored pencil, tape, and cut and torn paper on paper. The Menil Collection, Houston; Gift of the artist. Photograph: Paul Hester © Cy Twombly Foundation

“Soft and Full of Patience”: Cy Twombly at the Morgan


“Treatise on the Veil” on view through January 25


Betty Tompkins, Photo Drawing #7, 2013. Ink on digital photograph, 11 x 8 1/2 inches. Courtesy of the artist and Louis B. James.

The Artist as Voyeur: Group Show as Peep Show


Rear Window Treatment at Louis B. James Gallery through January 17


Protesters staging a die-in in the Chesterfield Mall, Chesterfield, MO. By Jeff Roberson/AP.

The Critic as Activist: Thoughts on Race, Voice, and Agency in the Art World


How does the role of the critic address social justice?


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“I Choose To Be Free”. Jake Berthot, 1939-2014


Touched by the sublime, his painting went beyond the sense of sight